The Routledge companion to Shakespeare and philosophy:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2019
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| Schriftenreihe: | Routledge philosophy companions
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xv, 611 Seiten Illustrationen |
| ISBN: | 9781032569802 9781138936126 |
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Datensatz im Suchindex
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| adam_text | CONTENTS List of contributors Preface Acknowledgements xi xvi xvii Introduction and prolegomenon to some future research programme for Shakespeare and philosophy Craig Bourne and Emily Caddick Bourne 1 Part I Situating Shakespeare 75 1 Shakespeare, Montaigne, and philosophical antLphilosophy Philip Smallwood 77 2 The (new and old) metaphysical reading of Shakespeare Gega Kolby 88 3 On the kinship of Shakespeare and Plato Daryl Kaytor 102 Partii Philosophy of language 4 Lear as a tragedy of errors: ‘He hath ever but slenderly known himself Garry L. Hagberg 119 121 5 Figures unethical: circumlocution and evasion in Act 1 of Macbeth Scott F. Crider 133 6 Conversational perversions, implicature and sham cancelling in Othello Craig Bourne and Emily Caddick Bourne 146
CONTENTS 7 ‘Seize it, if thou dar’st’: three types of imperative conditional in Richard II Borut Trpin 161 8 The Sonnets and attunement Maximilian de Gaynesford 174 9 ‘To thine own self be true’: Shakespeare, Eco, and the open work Michael Troy Shell 187 Wittgenstein’s enigmatic remarks on Shakespeare Wolfgang Huemer 197 10 Part III The ethical and the political 11 Shakespeare, intention, and the ethical force of the involuntary Christopher Crosbie 12 ‘Thou weep’st to make them drink’: hospitality and mourning in Timon of Athens Sophie Emma Baiteli 13 Shakespeare, moral judgements, and moral realism Matthew H. Kramer 14 Blindness and double vision in Richard III: Zamir on Shakespeare on moral philosophy Rafe McGregor 205 207 220 234 246 15 Horatio’s Stoic philosophy Jan H. Blits 256 16 Sovereignty, social contract, and the state of nature in King Lear Stella Achilleos 267 17 Justice: some reflections on Measure for Measure Tgachi Zamir 279 18 Kiss me, К... : engendering judgement in Kant’s first Critique and Shakespeare’s The Taming of the Shrew Jennifer Ann Bates 288
CONTENTS Part IV Epistemology and scepticism 309 19 The duty of inquiry, or why Othello was a fool Veli Mitova 311 20 The evil deceiver and the evil truth-teller: Descartes, Iago, and scepticism Dianne Rothleder 323 21 Climates of trust in Macbeth Julia Reinhard Lupton 336 22 The sceptic’s surrender: believing partly Anita Gilman Sherman 350 Part V The existential 23 24 361 ‘Nothing will come out of nothing’: the existential dimension of interpersonal relationships in King Lear Katarzyna Burzyńska ‘And nothing brings me all things’: Shakespeare’s philosophy of nothing Jessica Chiba 363 374 25 Shakespeare and The Absurd Raymond Angelo Belliotti 383 26 Nietzsche’s Hamlet puzzle: life affirmation in The Birth of Tragedy Katie Brennan 398 27 Time and the other in Cymbeline James A. Knapp 408 Part VI Self, mind and identity 423 28 Shakespeare and selfhood Kevin Curran 425 29 Shakespeare and the mind Miranda Anderson 437 ix
CONTENTS 30 Macbeth and the self Cohn McGinn 454 31 ‘Hit it, hit it, hit it’: rigid designation in Love’s Labour’s Lost Andrew Cutrofello 460 32 Love, identity and the way of ideas in Twelfth Night Robin Le Poidevin 473 Part VII Art and the aesthetic 33 483 A taste for slaughter: Stephen Gosson, Titus Andronicus, and the appeal of evil Joel Elliot Siatkin 485 34 Grotesque laughter as a coping mechanism in Titus Andronicus Adele-France Jourdan 499 35 Seduced by Romanticism: re-imagining Shakespearean catharsis Patrick Gray 510 36 Beauty and time in the sonnets Peter Lamarque 525 Part VIII Performance and engagement 541 37 Role-playing on stage D.H. Mellor 38 Building character: Shakespearean characters and their instantiations in the worlds of performances E.Μ. Dadlez 543 555 39 Shakespeare’s theatrical openings James R. Hamilton 565 40 Shakespeare’s embodied Stoicism Donovan Sherman 580 41 The history plays: fiction or non-fiction? Derek Matravers 591 603 Index x
THE ROUTLEDGE COMPANION TO SHAKESPEARE AND PHILOSOPHY Iago’s ‘1 am not what I am’ epitomises how Shakespeare’s work is rich in philosophy, from issues of deception and moral deviance to those concerning the complex nature of the self, the notions of being and identity and the possibility or impossibility of self-knowledge and knowledge of others. Shakespeare’s plays and poems address subjects including ethics, epistemology, metaphysics, phil osophy of mind, and social and political philosophy. They also raise major philosophical questions about the nature of theatre, literature, tragedy, representation and fiction. The Routledge Companion to Shakespeare and Philosophy is the first major guide and reference source to Shakespeare and philosophy. It examines the following important topics: • • • • • • • • What roles can be played in an approach to Shakespeare by drawing on philosophical frameworks and the work of philosophers? What can philosophical theories of meaning and communication show about the dynamics of Shakespearean interactions and vice versa? How are notions such as political and social obligation, justice, equality, love, agency and the ethics of interpersonal relationships demonstrated in Shakespeare’s works? What do the plays and poems invite us to say about the nature of knowledge, belief, doubt, deception and epistemic responsibility? How can the ways in which Shakespeare’s characters behave illuminate existential issues concerning meaning, absurdity, death and nothingness? What might Shakespeare’s characters and their actions show about the nature of the
self, the mind and the identity of individuals? How can Shakespeare’s works inform philosophical approaches to notions such as beauty, humour, horror and tragedy? How do Shakespeare’s works illuminate philosophical questions about the nature of fiction, the attitudes and expectations involved in engagement with theatre, and the role of acting and actors in creating representations? The Routledge Companion to Shakespeare and Philosophy is essential reading for students and researchers in aesthetics, philosophy of literature and philosophy of theatre, as well as those exploring Shakespeare in disciplines such as literature and theatre and drama studies. It is also relevant reading for those in areas of philosophy such as ethics, epistemology and philosophy of language.
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