Eros and music in early modern culture and literature:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge
2018
|
| Schriftenreihe: | Routledge studies in Renaissance literature and culture
13 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | ix, 265 Seiten 23 cm |
| ISBN: | 9781138579811 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804178484286717952 |
|---|---|
| adam_text | Contents
Acknowledgments xi
Introduction 1
PARTI
Architectonics 11
1 ‘The Bond of All Things’: Neoplatonic Ideas of Eros
and Music in the Early Modern Episteme 13
Theories of Union: Discourses of Eros and Music 13
Classical and Christian Theories of Eros and Music 16
Speculative Music and the Neoplatonic
Eros as Binding Agents 21
Musical Harmony in the Microcosm and
in the Political Body 22
Unity as Poetic Principle 23
2 Empowering Eros: Embodied Harmonies and
Erotic Mediation 31
Eros and Music as Mediating Agents 31
Sensual Love and Practical Music as
Educational Agents 35
Practical Music as Love s Preferred Agent 38
The Ambiguity of Music s Erotic Action 42
The Dual Action of Music and the Erotic Ear 45
3 ‘Love’s Proper Exercise’: Eros and the Dance 54
Erotic Action and Temperate Dancing 55
The Degradation of the Cosmic Dance: “Sellenger s
Round, or The Beginning of the World” 60
viii Contents
The Erotic Dancing Body 68
The Ambivalent Rhetorical Status of the Dancing
Body 70
4 The Ambivalent Lute
79
The Orphic Lute 79
The Political Lute 87
The Erotic Lute 90
The Fair Lutenist 97
PART II
Poetics
119
5 Ideas of Eros in the Early Modern Lute Ayre
and Madrigal
121
The Ethos of the Musical Genres and the Two Eros 121
Ideas of Eros in Madrigal and Lute Song Lyrics 124
‘Infinite Volumes : Miscellanies of Love in Elizabethan
Madrigal and Lute Ayre Lyrics 128
Neoplatonic Ideas of Love in the Lyrics 131
The Voice as Erotic Instrument 136
Rhetoric and Eroticism 141
6 Erotic and Rhetorical Trivializations of Music in the
English Epyllion 161
Music and Eros in the English Epyllion 161
Natural Music and the Harmonic World 165
Erotic Trivializations of Music in the Epyllion 172
‘Love is Forme : Fiction and Friction 179
7 Desire as Palimpsest, or the Myth of Philomel in The
Rape of Lucrece and Titus Andronicus 193
Philomel as Musical Myth 193
Expressing the Unspeakable: Lavinia as Philomel 198
Philomel, an *Innocent Siren ? 205
Philomel as Failed Orpheus: Dismembering
the Political Body 209
Contents ix
Specularity or Speculation? Echo and Eros in Venus
and Adonis
Echo/echo and the Music of the Spheres 216
Transformative Encounters: Echo and the Twofold
Nature of Eros 219
Echo and Eros in Venus and Adonis 222
The Speculating Echo 228
Conclusion
Bibliography
Index
215
238
243
261
|
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| series | Routledge studies in Renaissance literature and culture |
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| spellingShingle | Bardelmann, Claire 1971- Eros and music in early modern culture and literature Routledge studies in Renaissance literature and culture Sexualität (DE-588)4054684-6 gnd Liebe (DE-588)4035646-2 gnd Erotik (DE-588)4015369-1 gnd Musik (DE-588)4040802-4 gnd Literatur (DE-588)4035964-5 gnd |
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| title | Eros and music in early modern culture and literature |
| title_auth | Eros and music in early modern culture and literature |
| title_exact_search | Eros and music in early modern culture and literature |
| title_full | Eros and music in early modern culture and literature Claire Bardelmann |
| title_fullStr | Eros and music in early modern culture and literature Claire Bardelmann |
| title_full_unstemmed | Eros and music in early modern culture and literature Claire Bardelmann |
| title_short | Eros and music in early modern culture and literature |
| title_sort | eros and music in early modern culture and literature |
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