The pop palimpsest: intertextuality in recorded popular music
"Within popular music there are entire genres (jazz "standards"), styles (hip hop), techniques (sampling), and practices (covers) that rely heavily on references between music of different styles and genres. This interdisciplinary collection of essays covers a wide range of musical st...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Ann Arbor
University of Michigan Press
2018
|
| Schriftenreihe: | Tracking pop
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | "Within popular music there are entire genres (jazz "standards"), styles (hip hop), techniques (sampling), and practices (covers) that rely heavily on references between music of different styles and genres. This interdisciplinary collection of essays covers a wide range of musical styles and artists to investigate intertextuality--the shaping of one text by another--in popular music. The Pop Palimpsest offers new methodologies and frameworks for the analysis of intertextuality in popular music, and provides new lenses for examining relationships between a variety of texts both musical and nonmusical. Enriched by perspectives from multiple subdisciplines, The Pop Palimpsest considers a broad range of intertextual relationships in popular music to explore creative practices and processes and the networks that intertextual practices create between artists and listeners." -- Publisher's description |
| Beschreibung: | XX, 360 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780472130672 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804178482624724992 |
|---|---|
| adam_text | Contents
Foreword: The Intertextual Network v
J. PETER BURKHOLDER
Introduction 1
LORI BURNS AND SERGE LACASSE
Section I. Transtextualities
1. Toward a Model of Transphonography 9
SERGE LACASSE
2. Genettean Hypertextuality as Applied to the Music of
Genesis: Intertextual and Intratextual Approaches 61
ROGER CASTONGUAY
Section II. Intertextual Analyses
3. The Bitter Taste of Praise: Singing “Hallelujah” 85
ALLAN MOORE
4. The Electric Light Orchestra and the Anxiety of the
Beatles’ Influence 106
MARK SPICER
5. “If You’re Gonna Have a Hit”: Intratextual Mixes
and Edits of Pop Recordings 137
WALTER EVERETT
6. Someone and Someone: Dialogic Intertextuality
and Neil Young 169
WILLIAM ECHARD
xx Contents
7. Intertextuality in the Nineteenth-Century
French Vaudeville 190
MARY S. WOODS1DE
Section III. Intermedial Subjectivities
8. Rap Gods and Monsters: Words, Music, and Images
in the Hip-Hop Intertexts of Eminem, Jay-Z,
and Kanye West 215
LORf BURNS AND ALYSSA WOODS
9. Performative Strategies and Musical Markers
in the Eurythmics’ “I Need a Man” 252
STAN HAWKINS
Section IV. Intertextual Productions
1 o. Timbre as Text: The Cognitive Roots of Intertextuality
SIMON ZAGORSK I-THOMAS
11. Intertextuality and Lineage in The Game’s
“We Ain’t” and Kendrick Lamar’s “m.A.A.d. City” 291
JUSTIN A. WILLIAMS
12. Mix Tapes, Memory, and Nostalgia:
An Introduction to Phonographic Anthologies 313
SERGE LACASSE AND ANDY BENNETT
List of Contributors 331
Index 337
273
Contents
Foreword: The Intertextual Network v
J. PETER BURKHOLDER
Introduction 1
LORI BURNS AND SERGE LACASSE
Section I. Transtextualities
1. Toward a Model of Transphonography 9
SERGE LACASSE
2. Genettean Hypertextuality as Applied to the Music of
Genesis: Intertextual and Intratextual Approaches 61
ROGER CASTONGUAY
Section II. Intertextual Analyses
3. The Bitter Taste of Praise: Singing “Hallelujah” 85
ALLAN MOORE
4. The Electric Light Orchestra and the Anxiety of the
Beatles’ Influence 106
MARK SPICER
5. “If You’re Gonna Have a Hit”: Intratextual Mixes
and Edits of Pop Recordings 137
WALTER EVERETT
6. Someone and Someone: Dialogic Intertextuality
and Neil Young 169
WILLIAM ECHARD
xx Contents
7. Intertextuality in the Nineteenth-Century
French Vaudeville 190
MARY S. WOODS1DE
Section III. Intermedial Subjectivities
8. Rap Gods and Monsters: Words, Music, and Images
in the Hip-Hop Intertexts of Eminem, Jay-Z,
and Kanye West 215
LORf BURNS AND ALYSSA WOODS
9. Performative Strategies and Musical Markers
in the Eurythmics’ “I Need a Man” 252
STAN HAWKINS
Section IV. Intertextual Productions
1 o. Timbre as Text: The Cognitive Roots of Intertextuality
SIMON ZAGORSK I-THOMAS
11. Intertextuality and Lineage in The Game’s
“We Ain’t” and Kendrick Lamar’s “m.A.A.d. City” 291
JUSTIN A. WILLIAMS
12. Mix Tapes, Memory, and Nostalgia:
An Introduction to Phonographic Anthologies 313
SERGE LACASSE AND ANDY BENNETT
List of Contributors 331
Index 337
273
|
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| indexdate | 2024-07-10T08:04:41Z |
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| isbn | 9780472130672 |
| language | English |
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| series2 | Tracking pop |
| spelling | The pop palimpsest intertextuality in recorded popular music Lori Burns and Serge Lacasse, editors ; foreword by J. Peter Burkholder Ann Arbor University of Michigan Press 2018 XX, 360 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Tracking pop "Within popular music there are entire genres (jazz "standards"), styles (hip hop), techniques (sampling), and practices (covers) that rely heavily on references between music of different styles and genres. This interdisciplinary collection of essays covers a wide range of musical styles and artists to investigate intertextuality--the shaping of one text by another--in popular music. The Pop Palimpsest offers new methodologies and frameworks for the analysis of intertextuality in popular music, and provides new lenses for examining relationships between a variety of texts both musical and nonmusical. Enriched by perspectives from multiple subdisciplines, The Pop Palimpsest considers a broad range of intertextual relationships in popular music to explore creative practices and processes and the networks that intertextual practices create between artists and listeners." -- Publisher's description Intertextualität (DE-588)4114051-5 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Popular music / History and criticism Intertextuality Popular music Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content Popmusik (DE-588)4046781-8 s Intertextualität (DE-588)4114051-5 s DE-604 Burns, Lori (DE-588)102475328X edt Lacasse, Serge 1961- (DE-588)1027486967 edt Erscheint auch als Online-Ausgabe, ebk. 978-0-472-12351-3 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030310046&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030310046&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The pop palimpsest intertextuality in recorded popular music Intertextualität (DE-588)4114051-5 gnd Popmusik (DE-588)4046781-8 gnd |
| subject_GND | (DE-588)4114051-5 (DE-588)4046781-8 (DE-588)4143413-4 |
| title | The pop palimpsest intertextuality in recorded popular music |
| title_auth | The pop palimpsest intertextuality in recorded popular music |
| title_exact_search | The pop palimpsest intertextuality in recorded popular music |
| title_full | The pop palimpsest intertextuality in recorded popular music Lori Burns and Serge Lacasse, editors ; foreword by J. Peter Burkholder |
| title_fullStr | The pop palimpsest intertextuality in recorded popular music Lori Burns and Serge Lacasse, editors ; foreword by J. Peter Burkholder |
| title_full_unstemmed | The pop palimpsest intertextuality in recorded popular music Lori Burns and Serge Lacasse, editors ; foreword by J. Peter Burkholder |
| title_short | The pop palimpsest |
| title_sort | the pop palimpsest intertextuality in recorded popular music |
| title_sub | intertextuality in recorded popular music |
| topic | Intertextualität (DE-588)4114051-5 gnd Popmusik (DE-588)4046781-8 gnd |
| topic_facet | Intertextualität Popmusik Aufsatzsammlung |
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