O livro do tempo: escritas e reescritas teatro greco-latino e sua recepção
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Portuguese |
| Veröffentlicht: |
Coimbra
Imprensa da Universidade de Coimbra
dezembro 2016
|
| Schriftenreihe: | Teatro greco-latino e sua recepção
2 Série Humanitas Supplementum: Estudos Monográficos 40 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 466 Seiten |
| ISBN: | 9789892612973 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804178482524061696 |
|---|---|
| adam_text | SUMÁRIO
Recep^äo em Portugal e Em Espanha
A AnTIGUIDADE ClÁSSICA NO TEATRO DE GlL VlCENTE 15
(Classical Antiquity in Gil Vicente’s theatre)
Andrés José Pociña López
Do mito Á tragedia:
uma 1NTERPRETA9Ä0 da “Ifigénia”, de Francisco Días (1798) 29
(From myth to tragedy: an interpretation of Francisco Dias’ Iphigeneia (1798))
Maria Fernanda Brasete
Carlos J orge Pessoa, Escrita da Agua: No Rasto de Medeia 43
(Carlos Jorge Pessoa, Writing on water: Following Medea’s steps)
Susana Hora Marques
Helia Correia, A de Cólquida 55
(Hélia Correia, The one from Colchis)
Maria Antonio Hörster, Maria de Fátima Silva
Vale a pena trazer Alceste de volta Á vida? Eurípides e G0N9ALO M. Tavares 69
(Is it worth to bring Alcestis back to Ufe? Euripides and Gon£alo M. Tavares)
Jorge Deserto
F1GURA9ÖES DA GUERRA CIVIL ESPANHOLA EM DUAS RELEITURAS DO MITO DE AnTÍGONA 85
(Figurations of the Spanish civil war in two readings of the Antigone myth)
Carlos Moráis
BrOMIA (de PlAUTO A TiMONEDA) O LA EVOLUCIÓN DE UN PERSONAJE 101
[Bromia (from Plautus to Timoneda) or the evolution of a figure]
María Jesús Pérez Ibáñez
A Lagarada de Ramón Otero Pedrayo
OU A TRAGEDIA CLÁSSICA COMO INSTRUMENTO RENOVADOR DA VISAO DA GaLIZA 117
(Ramón Otero Pedrayo’s Lagarada,
or classical tragedy as an instrument for renovation of Galicia’s image)
Carme Fernández Pérez-Sanjulián
A SOMBRA DE ÖRFEUy DE RlCARDO CARVALHO CALERO:
O MITO CLÁSSICO AO SERVI9O DE UMA FANTASIA MASCULINA? 129
(Orpheus shape, by Ricardo Carvalho Calero: classical myth serving a male phantasy?)
Maria Pilar Garcia Negro
Una mujer de un tiempo distinto: LaFedra (1984) de Lourdes Ortiz 141
(A woman from a different time: Phaedra (1948) by Lourdes Ortiz)
Aurora López
9
Unha tardiña enMitilene de Andrés Pociña,
UNHA RECONSTRUCCIÓN DO MUNDO SÁFICO 155
{An evening at Mitilene by Andrés Pociña, a reconstruction of the Sapphic world)
Ma Teresa Amado Rodríguez
Anomia y dike en la Antígona de Sófocles
y en Antígona frente a los jueces de Andrés Pociña 171
(Anomia and dike in Sophocles’ Antigone and Andrés Pociña’ Antigone in front ofthe judges)
Noelia Cendán Teijeiro
Un novo xuízo a Antígona 183
(A new judgement of Antigone)
Iria Pedreira Sanjurjo
Na América Latina
Un pueblo que mantiene viva su memoria nunca muere
Versión libre de Las troyanas de Eurípides 199
(A people that preserves alive its memory never dies. A free version of Euripides’ Trojan Women)
María Inés Grimoldi
Recorrido generativo de las comedias de Terencio:
de la traducción filológica al texto espectacular 205
(About the genesis of Terentius’ comedies: from a philological translation to a performative text)
Rómulo Pianacci
Orestes en Palermo:
El Reñidero de Sergio De Cecco.
Versión del mito en el contexto cultural de la Argentina del siglo XX 213
(Orestes at Palermo: El Reñidero by Sergio De Cecco.
A version of this myth in the cultural context of 19th Argentina)
Lía Galán
Diversos aspectos de la tradición clásica
en El carnaval del diablo de Juan Oscar Ponferrada 225
(Different aspects of Classical tradition in Evils Carnival by Juan Oscar Ponferrada)
Ariel Arturo Herrera Alfaro
Un nuevo tiempo para Electra: Electra al amanecer de Omar del Carlo 237
(A new time for Electra: Electra at davm by Omar de Carlo)
Concepción López Rodríguez
El límite de Alberto de Z avalí a:
Antígona y la antinomia civilización y barbarie 251
(El límite by Alberto de Zavalía: Antigone and autonomy of civilization and barbarism)
Aníbal A. Biglíeri
10
La parodia, modalidad de recepción de la tragedia griega en
Mataras a tu madre (1999) de Mariano Moro y Kassandra (2005) de Sergio Blanco 261
[Parody and reception modality of Greek tragedy in Mariano Moro, You will kill your mother (1999)
and Sergio Blanco, Kassandra (2005)]
Stephanie Urdician
Antígona 1-11-14 del Bajo Flores.
Versión libre sobre Antígona de Sófocles de Marcelo Marán. Una lectura 275
(Antigone 1-11-14 of Bajo Flores. A free version by Marcelo Marán of Sophocles* Antigone)
María Inés Saravia
Medea y Jasón en el Purgatorio de Ariel Dorfman 289
(Medea and Jason in Ariel Dorfman’s Purgatory)
Begoña Ortega Villaro
Mythologiai-Mythologemata: Irredectubilidad del mito en la dramaturgia
latinoamericana (Estudio del teatro de León Febres-Cordero) 305
Mythologiai-Mythologematar. Irreductibility of the myth in Latin-American dramaturgy
(Study of León Febres- Cordero’s theatre)]
Carlos Dimeo
Em Itália
“Un certo giorno di un certo anno in Aulide” de Vico Faggi.
El mito de Ifigenia como símbolo de resistencia al mal 329
( Un certo giorno di un certo anno in Aulide” of Vico Faggi.
The myth of Iphigenia as a symbol of resistance to evil)
Daniele Cerrato
Entre Circe y Medea. Rescrituras del mito en Adriana Assini 343
(Between Circe and Medea. Rewriting the myth in Adriana Assini)
Mercedes Arriaga Florez
Condominio Mitológico di Patrizia Monaco:
Una casa del Duemila con vista sul passato 351
(Patrizia Monaco’s Condominio mitológico: a house of2000 with a view to the past)
Roberto Trovato
Penelopeide de Patrizia Monaco: la odisea de Penelope a escena 367
(Patrizia Monaco’s Penelopeide: Penelope’s Odyssey on stage)
Milagro Martín Clavijo
Em França
Les métamorphoses d’Ariane dans Ariane et Barbe-Bleue
de Maurice Maeterlinck 383
(The métamorphosés of Ariane and Barbe-Bleue by Maurice Maeterlinck)
Pascale Auraix-Jonchière
11
395
Euripide revisité dans Le Mystère d Alceste de Marguerite Yourcenar
(Euripides revisited in Marguerite Yourcenar’s Alcestis’ Mystery)
Rémy Poignault
No Reino Unido
Tragedia y filosofía en la ¿comedia? Noche de Reyes de Shakespeare 411
(Tragedy and philosophy in Twelfth Nighty a “comedy” by Shakespeare)
Monica MafFia
NO CINEMA AMERICANO
Ifigenia em Westeros:
As DIFERENf AS ENTRE O DILEMA DE AGAMEMNON E DE StANNIS BaRATHEON 421
(Iphigeneia in Westeros: the differences between Agamemnon’ and Stannis Baratheon s dilemma)
Fernanda Borges da Costa
Index 431
ApRESENTAÇÂO DOS AUTORES 455
12
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| series2 | Teatro greco-latino e sua recepção Série Humanitas Supplementum: Estudos Monográficos |
| spelling | O livro do tempo escritas e reescritas teatro greco-latino e sua recepção Maria de Fátima Silva, Maria do Céu Fialho & José Luís Brandão, (coords.) Coimbra Imprensa da Universidade de Coimbra dezembro 2016 466 Seiten txt rdacontent n rdamedia nc rdacarrier Teatro greco-latino e sua recepção 2 Série Humanitas Supplementum: Estudos Monográficos 40 Papers predominantly in Portuguese or Spanish, with a few in French or Italian; preliminaries and table of contents in English and Portuguese, abstracts in English and either French, Italian, Spanish, or Portuguese Latein (DE-588)4114364-4 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Griechisch (DE-588)4113791-7 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Classical drama / History and criticism Classical drama / Appreciation Classical drama / Influence European drama / Classical influences Latin American drama / Classical influences (DE-588)4143413-4 Aufsatzsammlung gnd-content Rezeption & Wirkungsgeschichte (DE-2581)TH000005250 gbd Lateinamerika, Rezeption (DE-2581)TH000005538 gbd Griechisch (DE-588)4113791-7 s Latein (DE-588)4114364-4 s Drama (DE-588)4012899-4 s Rezeption (DE-588)4049716-1 s DE-604 Silva, Maria de Fátima Sousa e 1950- (DE-588)105329235X edt Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030309985&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | O livro do tempo escritas e reescritas teatro greco-latino e sua recepção Latein (DE-588)4114364-4 gnd Rezeption (DE-588)4049716-1 gnd Griechisch (DE-588)4113791-7 gnd Drama (DE-588)4012899-4 gnd |
| subject_GND | (DE-588)4114364-4 (DE-588)4049716-1 (DE-588)4113791-7 (DE-588)4012899-4 (DE-588)4143413-4 |
| title | O livro do tempo escritas e reescritas teatro greco-latino e sua recepção |
| title_auth | O livro do tempo escritas e reescritas teatro greco-latino e sua recepção |
| title_exact_search | O livro do tempo escritas e reescritas teatro greco-latino e sua recepção |
| title_full | O livro do tempo escritas e reescritas teatro greco-latino e sua recepção Maria de Fátima Silva, Maria do Céu Fialho & José Luís Brandão, (coords.) |
| title_fullStr | O livro do tempo escritas e reescritas teatro greco-latino e sua recepção Maria de Fátima Silva, Maria do Céu Fialho & José Luís Brandão, (coords.) |
| title_full_unstemmed | O livro do tempo escritas e reescritas teatro greco-latino e sua recepção Maria de Fátima Silva, Maria do Céu Fialho & José Luís Brandão, (coords.) |
| title_short | O livro do tempo |
| title_sort | o livro do tempo escritas e reescritas teatro greco latino e sua recepcao |
| title_sub | escritas e reescritas teatro greco-latino e sua recepção |
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