The visionary art of William Blake: Christianity, romanticism and the pictorial imagination
William Blake (1757-1827) is considered one of the most singular and brilliant talents that England has ever produced. Celebrated now for the originality of his thinking, painting and verse, he shocked contemporaries by rejecting all forms of organized worship even while adhering to the truth of the...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York
I.B. Tauris
2018
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Schriftenreihe: | Library of modern religion
57 |
Schlagworte: | |
Zusammenfassung: | William Blake (1757-1827) is considered one of the most singular and brilliant talents that England has ever produced. Celebrated now for the originality of his thinking, painting and verse, he shocked contemporaries by rejecting all forms of organized worship even while adhering to the truth of the Bible. But how did he come to equate Christianity with art? How did he use images and paint to express those radical and prophetic ideas about religion which he came in time to believe? And why did he conceive of Christ himself as an artist: in fact, as the artist, par excellence? These are among the questions which Naomi Billingsley explores in her subtle and wide-ranging new study in art, religion and the history of ideas. Suggesting that Blake expresses through his representations of Jesus a truly distinctive theology of art, and offering detailed readings of Blake's paintings and biblical commentary, she argues that her subject thought of Christ as an artist-archetype. Blake's is thus a distinctively 'Romantic' vision of art in which both the artist and his saviour fundamentally change the way that the world is perceived |
Beschreibung: | xxiii, 246 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen 23 cm |
ISBN: | 9781784539832 |
Internformat
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520 | 3 | |a William Blake (1757-1827) is considered one of the most singular and brilliant talents that England has ever produced. Celebrated now for the originality of his thinking, painting and verse, he shocked contemporaries by rejecting all forms of organized worship even while adhering to the truth of the Bible. But how did he come to equate Christianity with art? How did he use images and paint to express those radical and prophetic ideas about religion which he came in time to believe? And why did he conceive of Christ himself as an artist: in fact, as the artist, par excellence? These are among the questions which Naomi Billingsley explores in her subtle and wide-ranging new study in art, religion and the history of ideas. Suggesting that Blake expresses through his representations of Jesus a truly distinctive theology of art, and offering detailed readings of Blake's paintings and biblical commentary, she argues that her subject thought of Christ as an artist-archetype. Blake's is thus a distinctively 'Romantic' vision of art in which both the artist and his saviour fundamentally change the way that the world is perceived | |
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Datensatz im Suchindex
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any_adam_object | |
author | Billingsley, Naomi |
author_GND | (DE-588)1160060967 |
author_facet | Billingsley, Naomi |
author_role | aut |
author_sort | Billingsley, Naomi |
author_variant | n b nb |
building | Verbundindex |
bvnumber | BV044914692 |
classification_rvk | HL 1925 |
ctrlnum | (OCoLC)1039498866 (DE-599)BVBBV044914692 |
discipline | Anglistik / Amerikanistik |
format | Book |
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id | DE-604.BV044914692 |
illustrated | Illustrated |
indexdate | 2024-07-10T08:04:37Z |
institution | BVB |
isbn | 9781784539832 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030308127 |
oclc_num | 1039498866 |
open_access_boolean | |
owner | DE-Y2 DE-255 DE-11 DE-12 |
owner_facet | DE-Y2 DE-255 DE-11 DE-12 |
physical | xxiii, 246 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen 23 cm |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | I.B. Tauris |
record_format | marc |
series | Library of modern religion |
series2 | Library of modern religion |
spelling | Billingsley, Naomi Verfasser (DE-588)1160060967 aut The visionary art of William Blake Christianity, romanticism and the pictorial imagination Naomi Billingsley London ; New York I.B. Tauris 2018 xxiii, 246 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Library of modern religion 57 William Blake (1757-1827) is considered one of the most singular and brilliant talents that England has ever produced. Celebrated now for the originality of his thinking, painting and verse, he shocked contemporaries by rejecting all forms of organized worship even while adhering to the truth of the Bible. But how did he come to equate Christianity with art? How did he use images and paint to express those radical and prophetic ideas about religion which he came in time to believe? And why did he conceive of Christ himself as an artist: in fact, as the artist, par excellence? These are among the questions which Naomi Billingsley explores in her subtle and wide-ranging new study in art, religion and the history of ideas. Suggesting that Blake expresses through his representations of Jesus a truly distinctive theology of art, and offering detailed readings of Blake's paintings and biblical commentary, she argues that her subject thought of Christ as an artist-archetype. Blake's is thus a distinctively 'Romantic' vision of art in which both the artist and his saviour fundamentally change the way that the world is perceived Blake, William 1757-1827 (DE-588)118511513 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Religion (DE-588)4049396-9 gnd rswk-swf Blake, William 1757-1827 (DE-588)118511513 p Ästhetik (DE-588)4000626-8 s Religion (DE-588)4049396-9 s DE-604 Erscheint auch als Online-Ausgabe, EPUB 978-1-78672-389-5 Erscheint auch als Online-Ausgabe, PDF 978-1-78673-389-4 Library of modern religion 57 (DE-604)BV035293910 57 |
spellingShingle | Billingsley, Naomi The visionary art of William Blake Christianity, romanticism and the pictorial imagination Library of modern religion Blake, William 1757-1827 (DE-588)118511513 gnd Ästhetik (DE-588)4000626-8 gnd Religion (DE-588)4049396-9 gnd |
subject_GND | (DE-588)118511513 (DE-588)4000626-8 (DE-588)4049396-9 |
title | The visionary art of William Blake Christianity, romanticism and the pictorial imagination |
title_auth | The visionary art of William Blake Christianity, romanticism and the pictorial imagination |
title_exact_search | The visionary art of William Blake Christianity, romanticism and the pictorial imagination |
title_full | The visionary art of William Blake Christianity, romanticism and the pictorial imagination Naomi Billingsley |
title_fullStr | The visionary art of William Blake Christianity, romanticism and the pictorial imagination Naomi Billingsley |
title_full_unstemmed | The visionary art of William Blake Christianity, romanticism and the pictorial imagination Naomi Billingsley |
title_short | The visionary art of William Blake |
title_sort | the visionary art of william blake christianity romanticism and the pictorial imagination |
title_sub | Christianity, romanticism and the pictorial imagination |
topic | Blake, William 1757-1827 (DE-588)118511513 gnd Ästhetik (DE-588)4000626-8 gnd Religion (DE-588)4049396-9 gnd |
topic_facet | Blake, William 1757-1827 Ästhetik Religion |
volume_link | (DE-604)BV035293910 |
work_keys_str_mv | AT billingsleynaomi thevisionaryartofwilliamblakechristianityromanticismandthepictorialimagination |