Verfügbarkeit: Front lines of community

Front lines of community: Hollywood between war and democracy

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Bibliographische Detailangaben
1. Verfasser:	Kappelhoff, Hermann 1959- (VerfasserIn)
Weitere Verfasser:	Hendrickson, Daniel (ÜbersetzerIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Berlin De Gruyter [2018]
Schriftenreihe:	Cinepoetics volume 1
Schlagworte:	Geschichte Zweiter Weltkrieg > Motiv Kriegsfilm Los Angeles- Hollywood War films genre theory poetics of affect sense of commonality
Online-Zugang:	http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110465235&searchTitles=true Inhaltsverzeichnis
Beschreibung:	xii, 375 Seiten Illustrationen 23 cm x 15.5 cm
ISBN:	9783110465235 311046523X

Internformat

MARC


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Datensatz im Suchindex

_version_	1804178473942515712
adam_text	CONTENTS ACKNOWLEDGMENTS* XIII A SHELL-SHOCKED FACE: PROLOGUE* 1 1 REPAIR WORK ON THE SENSE OF COMMONALITY* 9 1.1 A SNAPSHOT OF HISTORY: THREE WAR FILMS AT THE TURN OF THE CENTURY* 9 SAVING PRIVATE R YAN : THE SENTIMENTAL SCENE OF COMMEMORATING WAR* 11 WINDTALKERS : THE FIRST AMERICAN - CONCEIVED IN THE PLURAL* 15 THE THIN RED LINE : THE SINGULAR FACE * 21 1.2 RICHARD RORTY AND THE PURSUIT OF HAPPINESS * 29 PICKING UP THE THREAD AGAIN * 29 A FEELING FOR THE COMMUNAL: SENSE OF COMMONALITY* 30 POETIC MAKING, POLITICAL ACTING* 33 DESCRIBING AND REDESCRIBING: THE PLURALITY OF MODES OF MEDIA EXPERIENCE* 35 1.3 POETIC CALCULATION AND POLITICAL CRITIQUE: A FILM-ANALYTICAL COMPARISON * 37 APOCALYPSE NOW : A NEW ARCHITECTURE OF CINEMATIC SPACES * 38 PLATOON : THE MELODY OF PSYCHIC CONSONANCE * 43 GENRE FILMS AS CULTURAL PRACTICE * 45 1.4 PROPAGANDA, AVANT-GARDE, AND GENRE FILMS * 48 A COMPARATIVE CASE STUDY* 48 TAG DER F REIHEIT : THE MEDIA TECHNOLOGY OF FUSION * 51 PRELUDE TO WAR : * WHAT PUT US IN THE UNIFORM?* * 56 GENRE FILMS AND DEMOCRACY* 64 THE CONSTITUTIVE CONFLICT* 65 FILM ANALYSIS AS A POETOLOGY OF FILM * 70 2 THE POETOLOGY OF GENRE FILMS* 73 2.1 STANLEY CAVELLS GENRE THEORY 73 TYPES AND INDIVIDUALITIES * 73 GENRES AS MEDIA OF A SHARED PERCEPTION OF THE WORLD * 75 THE HISTORICITY OF GENRE CINEMA * 77 2.2 ON THE CRITIQUE OF THE POETICS OF GENRE * 80 CLASSICAL AND POST-CLASSICAL* 80 TAXONOMIES OF RULE-GOVERNED POETICS * 82 A MODE OF INDUSTRIAL PRODUCTION * 85 A MODE OF REPRESENTATION * 86 A MODE OF AESTHETIC EXPERIENCE * 89 2.3 MODES AND MODALITIES (GLEDHILL) * 91 BEYOND THE TAXONOMIES OF RULE-GOVERNED POETICS* 93 GENRE AND AFFECT DRAMATURGY* 96 THE HISTORICAL DYNAMIC OF POETIC MAKING* 98 THE HOLLYWOOD WAR FILM AS A PARADIGMATIC OBJECT* 101 2.4 WHAT IS A POETICS OF AFFECT? * 101 APPROACHES FROM COGNITIVE PSYCHOLOGY: APPRAISAL* 104 MOOD CUES ----- 106 EMOTION, FEELING, AFFECT* 108 A REFLEXIVE FEELING (DEWEY) * 110 SPECTATOR FEELING* 113 2.5 EXPRESSIVE MOVEMENT: A METHODOLOGICAL CONCEPT* 115 EXPRESSIVE MOVEMENT AS TEMPORAL FORM * 118 THE WAR FILM AND THE HISTORICAL DYNAMIC OF GENRE CINEMA * 123 PATHOS SCENES: THE AFFECT-DRAMATURGICAL FRAMEWORK OF THE HOLLYWOOD WAR FILM * 127 GENRE HISTORY AND HISTORY* 135 3 THE EMERGENCE OF THE WAR FILM GENRE: A CONSTRUCTION OF ITS POETOLOGICAL ORIGINS * 139 3.1 GENRE AND FILM DOCUMENT* 139 FOUND FOOTAGE * 139 THE EXPERIENTIAL SPACE OF WAR FILMS * 146 3.2 DOCUMENT AND PROPAGANDA * 153 DECEMBER 7TH ----- 154 THE AFFECT-DRAMATURGICAL CONCEPT* 155 STAGED REMINISCENCE RATHER THAN HISTORICAL DOCUMENT* 158 THE FACE OF THE INVISIBLE ENEMY* 161 CONTRADICTORY PERCEPTUAL POLITICS * 163 3.3 THE MEDIA PRACTICE OF MILITARY COLLECTIVIZATION * 164 THE AFFECT RHETORIC OF THE BATTLE OF M IDW AY * 164 SENTIMENTAL PATHOS VERSUS MILITARY PATHOS * 168 FEIGNING AND FALSIFYING: HISTORICAL KNOWLEDGE* 171 SENTIMENT VERSUS DOCUMENT* 174 WHAT DOES THE FILM DOCUMENT DOCUMENT? * 176 3.4 AFFECTIVE MOBILIZATION * 178 AFFECT DRAMATURGIES IN THE RANGE OF ACTION AND MELODRAMA * 179 GUNG HO !: THE MOBILIZATION FILM * 180 THE TRANSFORMATION OF NEEDY INDIVIDUALS INTO SOLDIERS * 183 PERIPETY: SWITCHING FROM ACTION TO MELODRAMA * 185 FIGHTING SPIRIT AND THE WILLINGNESS TO SUFFER: A DRAMATURGICAL COMPARISON * 189 B ATAAN : THE PATHOS OF THE VICTIM IN MILITARY COLLECTIVIZATION * 192 AUDIOVISUAL COMPOSITION AND THE AFFECTIVE DYNAMIC * 193 THE APOTHEOSIS: FUSION OF SEPARATED VISUAL SPACES * 199 THE EMERGENCE OF THE GENRE FROM THE PERCEPTION POLITICS OF WAR FILM S ----- 203 3.5 ON THE HISTORICITY OF FILM IMAGES * 206 A SUCCESSION OF AUTOMATIC WORLD PROJECTIONS (CAVELL ONCE AGAIN)* 208 THE SPLIT IN PERCEPTION IN THE ACT OF VIEWING FILMS * 210 A SPECIFIC TEMPORALITY OF FILM IMAGES * 215 WITH THE MARINES AT T ARAWA : A MEMORY IMAGE ON FILM * 216 THE EVEN-TEMPERED REGISTERING GAZE* 217 ELEGY OF REMEMBERING* 219 PHYSICAL PRESENCE RATHER THAN ACTION * 221 THE HORROR: FORMS OF PARANOID PERCEPTION * 224 NARRATIVE ENCLOSURE* 225 FILM MEMORY * 228 4 GENRE AND HISTORY* 233 4.1 JOHN FORDS THEY WERE EXPENDABLE : THE MATRIX OF A NEW GENRE 233 BACK TO GENRE FILM S* 233 AN AFFECT-DRAMATURGICAL ANALYSIS* 235 ACT I: DISSOLUTION AND INITIATION * 240 ACT II: PHANTASMAGORIAS OF LOVE AND DEATH * 246 ACT III: THE CYCLE OF SEPARATION AND REFORMATION * 252 ACT IV: THE MEMORY IMAGE * 256 4.2 CULTURAL MEMORY AND CONFABULATIONS OF MEMORY* 260 RECONSTRUCTION OF A MUCH-DISCUSSED TERM * 262 THE RELATION OF MEMORY AND POLITICAL IDENTITY (ASSMANN) * 263 COLLECTIVE MEMORY AND INDIVIDUAL RECOLLECTION * 268 CONFABULATIONS OF MEMORY* 269 CELEBRATION AND RITUAL* 270 4.3 INTERLOCKING AFFECTS: SANDS OF IWO J IM A * 272 THE DISILLUSIONMENT OF THE FEELING FOR MILITARY COMMUNITY * 273 THE RAMIFYING OF AFFECTS * 277 MAKING HISTORY* 280 GENRE THEORY AS A POETOTOGY OF PRODUCING HISTORY* 284 4.4 COMMEMORATING THE DEAD AND COMMUNITY* 288 A WALK IN THE S U N : A REQUIEM ----- 288 THE FORMAL VOCABULARY OF POLITICAL SENSIBILITY (KOSELLECK) * 292 THE TALK OF WAR AND THE MYTH OF COMMUNITY* 294 THE STEEL HELMET : THE PERSPECTIVE OF THE DEAD * 296 THE MIRACLE OF SURVIVAL* 300 T HE BIG RED ONE : AN IMAGE OF ANNIHILATION * 302 THE COMMUNITY OF SURVIVORS* 304 4.5 THE IRRESOLVABLE CONFLICT* 307 THE IRATE TAXI DRIVER* 308 CELEBRATING WAR: JARHEAD * 313 MILITARY COMMUNITIZATION: FULL METAL JACKET * 318 THE IMMORTAL BODY: THE CORPS* 322 THE HEROIC EPIC: PATTON * 326 THE PRESENT OF MILITARY COMMUNITIES * 330 GENRE AND SENSE OF COMMONALITY: AN EPILOGUE* 333 THE PIXELATED REVOLUTION * 333 THE WAR TAPES ----- 335 REDACTED ----- 338 MORAL JUDGMENTS AND TRANSFORMATIONS IN GENRE POETICS * 340 A NEW FIGURE OF VICTIM * 342 THE SENSUS COMMUNIS AND AESTHETIC JUDGMENT* 344 SENSUS COMMUNIS AS SENSE OF COMMONALITY (ARENDT) * 347 GENRE CINEMA AS A SPACE OF EXPERIENCING COMPETING SENSES OF THE COMMUNAL * 349 BIBLIOGRAPHY* 353 NAME INDEX* 367 FILM INDEX* 369 SUBJECT INDEX* 371
any_adam_object	1
author	Kappelhoff, Hermann 1959-
author2	Hendrickson, Daniel
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spelling	Kappelhoff, Hermann 1959- Verfasser (DE-588)114590044 aut Front lines of community Hollywood between war and democracy Hermann Kappelhoff ; translated by Daniel Hendrickson Berlin De Gruyter [2018] xii, 375 Seiten Illustrationen 23 cm x 15.5 cm txt rdacontent n rdamedia nc rdacarrier Cinepoetics volume 1 Geschichte gnd rswk-swf Zweiter Weltkrieg Motiv (DE-588)4133624-0 gnd rswk-swf Kriegsfilm (DE-588)4165687-8 gnd rswk-swf Los Angeles- Hollywood (DE-588)4099817-4 gnd rswk-swf War films genre theory poetics of affect sense of commonality Los Angeles- Hollywood (DE-588)4099817-4 g Kriegsfilm (DE-588)4165687-8 s Zweiter Weltkrieg Motiv (DE-588)4133624-0 s Geschichte z DE-604 Hendrickson, Daniel trl Walter de Gruyter GmbH & Co. KG (DE-588)10095502-2 pbl Erscheint auch als 9783110468090 Erscheint auch als Online-Ausgabe 9783110468083 Erscheint auch als Online-Ausgabe 9783110467338 Cinepoetics volume 1 (DE-604)BV044926894 1 http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110465235&searchTitles=true Verlag DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030305050&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Kappelhoff, Hermann 1959- Front lines of community Hollywood between war and democracy Cinepoetics Zweiter Weltkrieg Motiv (DE-588)4133624-0 gnd Kriegsfilm (DE-588)4165687-8 gnd
subject_GND	(DE-588)4133624-0 (DE-588)4165687-8 (DE-588)4099817-4
title	Front lines of community Hollywood between war and democracy
title_auth	Front lines of community Hollywood between war and democracy
title_exact_search	Front lines of community Hollywood between war and democracy
title_full	Front lines of community Hollywood between war and democracy Hermann Kappelhoff ; translated by Daniel Hendrickson
title_fullStr	Front lines of community Hollywood between war and democracy Hermann Kappelhoff ; translated by Daniel Hendrickson
title_full_unstemmed	Front lines of community Hollywood between war and democracy Hermann Kappelhoff ; translated by Daniel Hendrickson
title_short	Front lines of community
title_sort	front lines of community hollywood between war and democracy
title_sub	Hollywood between war and democracy
topic	Zweiter Weltkrieg Motiv (DE-588)4133624-0 gnd Kriegsfilm (DE-588)4165687-8 gnd
topic_facet	Zweiter Weltkrieg Motiv Kriegsfilm Los Angeles- Hollywood
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volume_link	(DE-604)BV044926894
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