Raymond Jonson and the spiritual in modernist and abstract painting:
This is the most thorough and detailed monograph on the artwork of Raymond Jonson ever published. He is one of many artists of the first half of the twentieth century who demonstrates the richness and diversity of an under-appreciated period in the history of American art. Visualizing the spiritual...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2018
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Schriftenreihe: | Routledge research in art history
|
Schlagworte: | |
Zusammenfassung: | This is the most thorough and detailed monograph on the artwork of Raymond Jonson ever published. He is one of many artists of the first half of the twentieth century who demonstrates the richness and diversity of an under-appreciated period in the history of American art. Visualizing the spiritual was one of the fundamental goals of early abstract painting in the years before and during World War I. Artists turned to alternative spirituality, the occult, and mysticism, believing that the pure use of line, shape, color, light, and texture could convey spiritual insights. Jonson was steadfastly dedicated to this goal for most of his career, and he always believed that modernist and abstract styles were the most effective and compelling means of achieving it |
Beschreibung: | xiv, 182 pages, 40 ungezählte Seiten Bildtafeln Illustrationen |
ISBN: | 9781138712546 |
Internformat
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338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Routledge research in art history | |
520 | 3 | |a This is the most thorough and detailed monograph on the artwork of Raymond Jonson ever published. He is one of many artists of the first half of the twentieth century who demonstrates the richness and diversity of an under-appreciated period in the history of American art. Visualizing the spiritual was one of the fundamental goals of early abstract painting in the years before and during World War I. Artists turned to alternative spirituality, the occult, and mysticism, believing that the pure use of line, shape, color, light, and texture could convey spiritual insights. Jonson was steadfastly dedicated to this goal for most of his career, and he always believed that modernist and abstract styles were the most effective and compelling means of achieving it | |
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653 | 0 | |a Spiritualism in art | |
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author_GND | (DE-588)1022880594 |
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id | DE-604.BV044909193 |
illustrated | Illustrated |
indexdate | 2024-07-10T08:04:28Z |
institution | BVB |
isbn | 9781138712546 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030302772 |
oclc_num | 1035831454 |
open_access_boolean | |
owner | DE-12 DE-255 |
owner_facet | DE-12 DE-255 |
physical | xiv, 182 pages, 40 ungezählte Seiten Bildtafeln Illustrationen |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | Routledge, Taylor & Francis Group |
record_format | marc |
series2 | Routledge research in art history |
spelling | Hartel, Herbert R. Verfasser (DE-588)1022880594 aut Raymond Jonson and the spiritual in modernist and abstract painting Herbert R. Hartel, Jr New York ; London Routledge, Taylor & Francis Group 2018 xiv, 182 pages, 40 ungezählte Seiten Bildtafeln Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Routledge research in art history This is the most thorough and detailed monograph on the artwork of Raymond Jonson ever published. He is one of many artists of the first half of the twentieth century who demonstrates the richness and diversity of an under-appreciated period in the history of American art. Visualizing the spiritual was one of the fundamental goals of early abstract painting in the years before and during World War I. Artists turned to alternative spirituality, the occult, and mysticism, believing that the pure use of line, shape, color, light, and texture could convey spiritual insights. Jonson was steadfastly dedicated to this goal for most of his career, and he always believed that modernist and abstract styles were the most effective and compelling means of achieving it Jonson, Raymond 1891-1982 (DE-588)119445778 gnd rswk-swf Abstrakte Kunst (DE-588)4141146-8 gnd rswk-swf Spiritismus (DE-588)4056293-1 gnd rswk-swf Jonson, Raymond / 1891-1982 / Criticism and interpretation Spiritualism in art Painting, Abstract / United States Jonson, Raymond 1891-1982 (DE-588)119445778 p Abstrakte Kunst (DE-588)4141146-8 s Spiritismus (DE-588)4056293-1 s DE-604 Erscheint auch als Online-Ausgabe, ebk. 978-1-315-20009-5 |
spellingShingle | Hartel, Herbert R. Raymond Jonson and the spiritual in modernist and abstract painting Jonson, Raymond 1891-1982 (DE-588)119445778 gnd Abstrakte Kunst (DE-588)4141146-8 gnd Spiritismus (DE-588)4056293-1 gnd |
subject_GND | (DE-588)119445778 (DE-588)4141146-8 (DE-588)4056293-1 |
title | Raymond Jonson and the spiritual in modernist and abstract painting |
title_auth | Raymond Jonson and the spiritual in modernist and abstract painting |
title_exact_search | Raymond Jonson and the spiritual in modernist and abstract painting |
title_full | Raymond Jonson and the spiritual in modernist and abstract painting Herbert R. Hartel, Jr |
title_fullStr | Raymond Jonson and the spiritual in modernist and abstract painting Herbert R. Hartel, Jr |
title_full_unstemmed | Raymond Jonson and the spiritual in modernist and abstract painting Herbert R. Hartel, Jr |
title_short | Raymond Jonson and the spiritual in modernist and abstract painting |
title_sort | raymond jonson and the spiritual in modernist and abstract painting |
topic | Jonson, Raymond 1891-1982 (DE-588)119445778 gnd Abstrakte Kunst (DE-588)4141146-8 gnd Spiritismus (DE-588)4056293-1 gnd |
topic_facet | Jonson, Raymond 1891-1982 Abstrakte Kunst Spiritismus |
work_keys_str_mv | AT hartelherbertr raymondjonsonandthespiritualinmodernistandabstractpainting |