Cinematic nihilism: encounters, confrontations, overcomings
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2017]
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | viii, 213 Seiten Illustrationen 24 cm |
ISBN: | 9781474424561 |
Internformat
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Datensatz im Suchindex
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adam_text |
Contents
List of Figures vi
Acknowledgements vii
Introduction: Plato’s Nightmare i
Part I Encounters
Introduction 21
1 Scotland as a Site of Nihilistic Sacrifice 25
2 The Myth of Scotland as Nowhere in Particular 42
3 Monstrous Masses: The Human Body as Raw Material 55
Part II Confrontations
Introduction 77
4 From Night to Survival: Nihilism and the Living Dead 81
5 The Lure of the Mob: Cinematic Depictions of Skinhead
Authenticity 99
6 Cultural Change and Nihilism in the Rollerball Films 117
Part III Overcomings
Introduction 141
7 The Abject Self: Apocalyptic Consequences of Self-discovery in
Fight Club 145
8 Rooting for the Fascists in Avatar 160
9 Yukio Mishima and the Return to the Body 177
Bibliography 203
Filmography 209
Index 211
‘Going back to Plato, Kant, Nietzsche and Heidegger, Marmysz traces
a philosophical genealogy of nihilism, and discusses the way film
is always essentially nihilistic and frequently thematically nihilistic.
The range of case studies is interesting, as Marmysz considers works
*
that have received a great deal of attention alongside works and
trends that have gotten short shrift. So there are chapters on
Yukio Mishima, skinhead films and Scottish cinema, as well as
interesting re-reads of Romero’s zombie trilogy, Videodrome, Fight
Club, The Human Centipede and so on.Thought provoking and rich,
Cinematic Nihilism reintroduces philosophy into film criticism in a
language that is at once accessible and comprehensive.’
M+
Joan Hawkins, Indiana University
Exposing and illustrating how an ongoing engagement with nihilistic
alienation may contribute to - rather than detract from - the value
of life, Cinematic Nihilism both challenges and builds upon past
scholarship that has scrutinised nihilism in the media, but which
has generally over-emphasised its negative and destructive aspects.
Through case studies of popular films, including Prometheus, The Dark
* ■ i v
Knight Rises, Dawn of the Dead and The Human Centipede, and with
chapters on Scotland’s cinematic portrayal as both a site of‘nihilistic
sacrifice’ and as ‘nowhere in particular’, this book presents a necessary
corrective, re-emphasising the constructive potential of cinematic
nihilism and casting it as a phenomenon that need not be overcome.
JOHN MARMYSZ teaches philosophy at the College of Marin in
Kentfield, California. |
any_adam_object | 1 |
author | Marmysz, John 1964- |
author_GND | (DE-588)1141825783 |
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bvnumber | BV044907345 |
classification_rvk | AP 45100 AP 50300 |
ctrlnum | (OCoLC)1015948694 (DE-599)BSZ491844050 |
discipline | Allgemeines |
format | Book |
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spellingShingle | Marmysz, John 1964- Cinematic nihilism encounters, confrontations, overcomings Nihilismus (DE-588)4042306-2 gnd Film (DE-588)4017102-4 gnd Nihilismus Motiv (DE-588)1036158551 gnd |
subject_GND | (DE-588)4042306-2 (DE-588)4017102-4 (DE-588)1036158551 |
title | Cinematic nihilism encounters, confrontations, overcomings |
title_auth | Cinematic nihilism encounters, confrontations, overcomings |
title_exact_search | Cinematic nihilism encounters, confrontations, overcomings |
title_full | Cinematic nihilism encounters, confrontations, overcomings John Marmysz |
title_fullStr | Cinematic nihilism encounters, confrontations, overcomings John Marmysz |
title_full_unstemmed | Cinematic nihilism encounters, confrontations, overcomings John Marmysz |
title_short | Cinematic nihilism |
title_sort | cinematic nihilism encounters confrontations overcomings |
title_sub | encounters, confrontations, overcomings |
topic | Nihilismus (DE-588)4042306-2 gnd Film (DE-588)4017102-4 gnd Nihilismus Motiv (DE-588)1036158551 gnd |
topic_facet | Nihilismus Film Nihilismus Motiv |
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