Performing emotions in early Europe:
Drawing on a range of interdisciplinary approaches and innovative methodologies, this collection contributes ground-breaking new scholarship in the burgeoning field of emotions studies by examining how medieval and early modern Europeans communicated and 'performed' their emotions. Rejecti...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Turnhout, Belgium
Brepols
[2018]
|
| Schriftenreihe: | Early European Research
volume 11 |
| Schlagworte: | |
| Online-Zugang: | Rezension Inhaltsverzeichnis |
| Zusammenfassung: | Drawing on a range of interdisciplinary approaches and innovative methodologies, this collection contributes ground-breaking new scholarship in the burgeoning field of emotions studies by examining how medieval and early modern Europeans communicated and 'performed' their emotions. Rejecting the notion that emotions are 'essential' or 'natural', this volume seeks to pay particular attention to cultural understandings of emotion by examining how they were expressed and conveyed in a wide range of historical situations. The contributors investigate the performance and reception of pre-modern emotions in a variety of contexts - in literature, art, and music, as well as through various social and religious performances - and in a variety of time periods ranging from the twelfth to the eighteenth centuries. These studies provide both case-studies of particular emotions and emotional negotiations, and examinations of how their categorisation, interpretation, and meaning has changed over time |
| Beschreibung: | xxx, 293 Seiten Illustrationen |
| ISBN: | 9782503572376 |
| DOI: | 10.11588/frrec.2019.1.59816 |
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Datensatz im Suchindex
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| adam_text |
Contents
List of Illustrations vii
Acknowledgements xi
Introduction: Performing Emotions in
Medieval and Early Modern Worlds
PHILIPPA MADDERN JOANNE McEWAN, and ANNE M. SCOTT xiii
Part L Emotional Performativity in Music,
Literature, and the Visual Arts
Emotion, Time, and Music at Cambrai Cathedral
MATTHEW S. CHAMPION 3
‘Affecting glory from vices':
Negotiating Shame in Prostitution Texts, 1660-1750
EMILY COCK 27
Pageant, Spectacle, Dread, and Love in Piers Plowman,
Brueghel’s Triumph of Death, and the Good Samaritan
Window of Bourges Cathedral
ANNE M. SCOTT 51
Affected Bodies and Bodily Affect:
Visualizing Emotion in Renaissance Plague Images
LOUISE MARSHALL 73
VI
CONTENTS
Part II. Social Performance
The ‘Slime of Vice' and the ‘Passions of the Mind’:
Emotional Histories in the Anglo-Norman World
LINDSAY DIGGELMANN 107
Courting Nassau Affections: Performing Love
in Orange-Nassau Marriage Negotiations
SUSAN BROOMHALL and JACQUELINE VAN GENT 133
‘[D]id ringe at oure parish churche . for joye
that the Queene of Skotts . was beheaded’:
Public Performances of Early Modern English Emotions
DOLLY MacKINNON 169
Part III. Religious Performance
Emotion, Place, and Memory at the Royal Abbey of St Denis
MEGAN CASSIDY-WELCH 185
Boosting the Emotional Power of New Liturgy:
The Hidden Sides of Things in Giottos Crib at Greccio
RICHARD READ 201
Discursive Affect and Emotional Prescriptiveness:
On the ‘Man of Sorrows’ in Fourteenth-Century Italian Painting
LACHLAN TURNBULL 221
Martin Luther’s Heart
SUSAN C. KARANT-NUNN 243
Part IV. Recreating Emotional Performance
‘Laughing at Death’: Emotional Excess in
The Duchess ofMalfi in Performance
STEVE CHINNA 267
Index 287 |
| any_adam_object | 1 |
| author2 | Maddern, Philippa C. McEwan, Joanne Scott, Anne M. |
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| building | Verbundindex |
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| doi_str_mv | 10.11588/frrec.2019.1.59816 |
| era | Geschichte 1500-1800 gnd |
| era_facet | Geschichte 1500-1800 |
| format | Book |
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| spelling | Performing emotions in early Europe edited by Philippa Maddern, Joanne McEwan and Anne M. Scott Turnhout, Belgium Brepols [2018] © 2018 xxx, 293 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Early European Research volume 11 Drawing on a range of interdisciplinary approaches and innovative methodologies, this collection contributes ground-breaking new scholarship in the burgeoning field of emotions studies by examining how medieval and early modern Europeans communicated and 'performed' their emotions. Rejecting the notion that emotions are 'essential' or 'natural', this volume seeks to pay particular attention to cultural understandings of emotion by examining how they were expressed and conveyed in a wide range of historical situations. The contributors investigate the performance and reception of pre-modern emotions in a variety of contexts - in literature, art, and music, as well as through various social and religious performances - and in a variety of time periods ranging from the twelfth to the eighteenth centuries. These studies provide both case-studies of particular emotions and emotional negotiations, and examinations of how their categorisation, interpretation, and meaning has changed over time Geschichte 1500-1800 gnd rswk-swf Affekt Motiv (DE-588)4141547-4 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Gefühl (DE-588)4019702-5 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2011 Perth gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content Europa (DE-588)4015701-5 g Gefühl (DE-588)4019702-5 s Geschichte 1500-1800 z DE-604 Affekt Motiv (DE-588)4141547-4 s Malerei (DE-588)4037220-0 s Maddern, Philippa C. edt McEwan, Joanne (DE-588)1013552474 edt Scott, Anne M. edt Erscheint auch als Online-Ausgabe 978-2-503-57296-3 Early European Research volume 11 (DE-604)BV037321029 11 https://doi.org/10.11588/frrec.2019.1.59816 rezensiert in: Francia-Recensio; 2019/1 Rezension Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030297766&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Performing emotions in early Europe |
| title_auth | Performing emotions in early Europe |
| title_exact_search | Performing emotions in early Europe |
| title_full | Performing emotions in early Europe edited by Philippa Maddern, Joanne McEwan and Anne M. Scott |
| title_fullStr | Performing emotions in early Europe edited by Philippa Maddern, Joanne McEwan and Anne M. Scott |
| title_full_unstemmed | Performing emotions in early Europe edited by Philippa Maddern, Joanne McEwan and Anne M. Scott |
| title_short | Performing emotions in early Europe |
| title_sort | performing emotions in early europe |
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