Experimentalisms in practice: music perspectives from Latin America
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2018]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xix, 343 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780190842758 9780190842741 |
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| 264 | 1 | |a New York, NY |b Oxford University Press |c [2018] | |
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Datensatz im Suchindex
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| adam_text | Contents
List of Figures vii
List of Music Examples ix
List of Tables xi
Acknowledgments xiii
List of Contributors xv
About the Companion Website xxi
1. The Practices of Experimentalism in Latin g and Latin American Music: An Introduction
Ana R. Alonso-Minutti, Eduardo Herrera, and Alejandro L. Madrid
PART I | CENTERS AND INSTITUTIONS 19
2. “That s Not Something to Show in a Concert*: Experimentation and Legitimacy
at the Centro Latinoamericano de Altos Estudios Musicales 21
Eduardo Herrera
3. Experimental Alternatives: Institutionalism, Avant-gardism, and Popular Music
at the Margins of the Cuban Revolution 49
Susan Thomas
PART II I BEYOND THE LIMITS OF HYBRIDITY 67
4. “I Go Against the Grain of Your Memory : Iconoclastic Experiments with Traditional
Sounds in Northeast Brazil 69
Daniel B. Sharp
5. Peruvian Cumbia at the Theoretical Limits of Techno-Utopian Hyhridity 85
Joshua Tucker
6. Experimentalism as Estrangement: Café Tacvba’s Revés/Yosoy 107
Alejandro L. Madrid and Pepe Rojo
VI
Contents
PART III I ANTICOLONIAL PRACTICES 129
7. Gatas y Votas: Female Empowerment and Community-Oriented Experimentalism 131
Ana R. Alonso-Minutti
8. Noise, Sonic Experimentation, and Interior Coloniality in Costa Rica 161
Susan Campos Fonseca
PART IV I PERFORMANCE, MOVEMENTS, AND SCENES 187
9. uWe Began from Silence”: Toward a Genealogy of Free Improvisation in Mexico City: Atrás
del Cosmos at Teatro El Galeón, 1975-1977 189
Tamar Barzel
10. Experimentation and Improvisation in Bogotá at the End of the Twentieth Century 227
Rodolfo Acosta
11. Experimental Music and the Avant-garde in Post-1959 Cuba: Revolutionary Music
for the Revolution 251
Marysol Quevedo
12. Performance, Resistance, and the Sounding of Public Space: Movimiento
Música Más in Buenos Aires, 1969-1973 279
Andrew Raffo Dewar
13. Afterword: Locating Hemispheric Experimentalisms 305
Benjamin Piekut
BIBLIOGRAPHY 315
INDEX 333
Contents
List of Figures vii
List of Music Examples ix
List of Tables xi
Acknowledgments xiii
List of Contributors xv
About the Companion Website xxi
1. The Practices of Experimentalism in Latin g and Latin American Music: An Introduction
Ana R. Alonso-Minutti, Eduardo Herrera, and Alejandro L. Madrid
PART I | CENTERS AND INSTITUTIONS 19
2. “That s Not Something to Show in a Concert*: Experimentation and Legitimacy
at the Centro Latinoamericano de Altos Estudios Musicales 21
Eduardo Herrera
3. Experimental Alternatives: Institutionalism, Avant-gardism, and Popular Music
at the Margins of the Cuban Revolution 49
Susan Thomas
PART II I BEYOND THE LIMITS OF HYBRIDITY 67
4. “I Go Against the Grain of Your Memory : Iconoclastic Experiments with Traditional
Sounds in Northeast Brazil 69
Daniel B. Sharp
5. Peruvian Cumbia at the Theoretical Limits of Techno-Utopian Hyhridity 85
Joshua Tucker
6. Experimentalism as Estrangement: Café Tacvba’s Revés/Yosoy 107
Alejandro L. Madrid and Pepe Rojo
VI
Contents
PART III I ANTICOLONIAL PRACTICES 129
7. Gatas y Votas: Female Empowerment and Community-Oriented Experimentalism 131
Ana R. Alonso-Minutti
8. Noise, Sonic Experimentation, and Interior Coloniality in Costa Rica 161
Susan Campos Fonseca
PART IV I PERFORMANCE, MOVEMENTS, AND SCENES 187
9. uWe Began from Silence”: Toward a Genealogy of Free Improvisation in Mexico City: Atrás
del Cosmos at Teatro El Galeón, 1975-1977 189
Tamar Barzel
10. Experimentation and Improvisation in Bogotá at the End of the Twentieth Century 227
Rodolfo Acosta
11. Experimental Music and the Avant-garde in Post-1959 Cuba: Revolutionary Music
for the Revolution 251
Marysol Quevedo
12. Performance, Resistance, and the Sounding of Public Space: Movimiento
Música Más in Buenos Aires, 1969-1973 279
Andrew Raffo Dewar
13. Afterword: Locating Hemispheric Experimentalisms 305
Benjamin Piekut
BIBLIOGRAPHY 315
INDEX 333
|
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| author_facet | Alonso-Minutti, Ana R. 1976- Herrera, Eduardo 1980- Madrid, Alejandro L. 1968- |
| building | Verbundindex |
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| callnumber-first | M - Music |
| callnumber-label | ML199 |
| callnumber-raw | ML199.5 |
| callnumber-search | ML199.5 |
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| callnumber-subject | ML - Literature on Music |
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| discipline | Musikwissenschaft |
| era | Geschichte 1960- gnd |
| era_facet | Geschichte 1960- |
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| spelling | Experimentalisms in practice music perspectives from Latin America edited by Ana R. Alonso-Minutti, Eduardo Herrera, Alejandro L. Madrid New York, NY Oxford University Press [2018] © 2018 xix, 343 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte 1960- gnd rswk-swf Avant-garde (Music) Latin America History 20th century Music Latin America 20th century History and criticism Experimentelle Musik (DE-588)4153365-3 gnd rswk-swf Avantgarde (DE-588)4133965-4 gnd rswk-swf Lateinamerika (DE-588)4074032-8 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2015 gnd-content Lateinamerika (DE-588)4074032-8 g Experimentelle Musik (DE-588)4153365-3 s Avantgarde (DE-588)4133965-4 s Geschichte 1960- z DE-604 Alonso-Minutti, Ana R. 1976- (DE-588)1127079166 edt Herrera, Eduardo 1980- (DE-588)133896536 edt Madrid, Alejandro L. 1968- (DE-588)138044570 edt Erscheint auch als Online-Ausgabe 978-0-19-084278-9 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030295347&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030295347&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Experimentalisms in practice music perspectives from Latin America |
| title_auth | Experimentalisms in practice music perspectives from Latin America |
| title_exact_search | Experimentalisms in practice music perspectives from Latin America |
| title_full | Experimentalisms in practice music perspectives from Latin America edited by Ana R. Alonso-Minutti, Eduardo Herrera, Alejandro L. Madrid |
| title_fullStr | Experimentalisms in practice music perspectives from Latin America edited by Ana R. Alonso-Minutti, Eduardo Herrera, Alejandro L. Madrid |
| title_full_unstemmed | Experimentalisms in practice music perspectives from Latin America edited by Ana R. Alonso-Minutti, Eduardo Herrera, Alejandro L. Madrid |
| title_short | Experimentalisms in practice |
| title_sort | experimentalisms in practice music perspectives from latin america |
| title_sub | music perspectives from Latin America |
| topic | Avant-garde (Music) Latin America History 20th century Music Latin America 20th century History and criticism Experimentelle Musik (DE-588)4153365-3 gnd Avantgarde (DE-588)4133965-4 gnd |
| topic_facet | Avant-garde (Music) Latin America History 20th century Music Latin America 20th century History and criticism Experimentelle Musik Avantgarde Lateinamerika Konferenzschrift 2015 |
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