Nicole Eisenman - Al-ugh-ories:
"This show marks the first New York museum survey exhibition of Eisenman's work and provides an in-depth look at the symbolic nature of the artist's most striking depictions of individuals and groups--from intimate portraits to more complex narrative scenes. One of the most important...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
New Museum
[2016]
|
| Schlagworte: | |
| Zusammenfassung: | "This show marks the first New York museum survey exhibition of Eisenman's work and provides an in-depth look at the symbolic nature of the artist's most striking depictions of individuals and groups--from intimate portraits to more complex narrative scenes. One of the most important painters of her generation, Eisenman (b. 1965, Verdun, France) has developed a distinct figurative language that combines the imaginative with the lucid, the absurd with the banal, and the stereotypical with the countercultural and queer. "Nicole Eisenman: Al-ugh-ories" highlights how allegory permeates her oeuvre and how she fluidly ties the fictional to the autobiographical and the past to the present. From the outset of her career, Eisenman's investment in painting has led to frequent experimentation in other mediums, and her practice is characterized by visible shifts that mark her effort never to become too comfortable with any one approach to painting. Eisenman’s preoccupation with the figure and the complexity of its gestures and form has resulted in mesmerizing portraits of an array of characters who range from friends and fellow New Yorkers, to imagined heroines, to tragic losers. From Success to Obscurity (2004) depicts a monstrous superhero contemplating the contents of a letter it holds in its hands and alludes, perhaps, to the fragility of fame and fortune. In Hamlet (2007), a depiction of Shakespeare's beautiful and frail Danish prince with lowered sword, Eisenman ponders the possibility of a sensitive and cautious leader at a time when the US was in the final year of George W. Bush's presidency. Similarly inspired by contemporary events, the large group portrait The Triumph of Poverty (2009), painted in the aftermath of the 2008 financial crisis, is a reimagining of a lost sixteenth-century painting of the same title by Hans Holbein. "Nicole Eisenman: Al-ugh-ories" also includes one of the artist's large-scale plaster figures, which she began producing in recent years, and two new oversize wax heads made specifically for this exhibition." -- New Museum website |
| Beschreibung: | On the occasion of the exhibition ... May 4-June 26, 2016 |
| Beschreibung: | 91 Seiten 25 cm |
| ISBN: | 9781942607311 1942607318 |
Internformat
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| 500 | |a On the occasion of the exhibition ... May 4-June 26, 2016 | ||
| 505 | 8 | 0 | |t Foreword |r Lisa Phillips |t Interview with Nicole Eisenman |r Massimiliano Gioni & Helga Christoffersen |t A world without heroes |r Grace Dunham |t Proposal for a new Google logo by Nicole Eisenman |r Eileen Myles |
| 520 | 3 | |a "This show marks the first New York museum survey exhibition of Eisenman's work and provides an in-depth look at the symbolic nature of the artist's most striking depictions of individuals and groups--from intimate portraits to more complex narrative scenes. One of the most important painters of her generation, Eisenman (b. 1965, Verdun, France) has developed a distinct figurative language that combines the imaginative with the lucid, the absurd with the banal, and the stereotypical with the countercultural and queer. "Nicole Eisenman: Al-ugh-ories" highlights how allegory permeates her oeuvre and how she fluidly ties the fictional to the autobiographical and the past to the present. From the outset of her career, Eisenman's investment in painting has led to frequent experimentation in other mediums, and her practice is characterized by visible shifts that mark her effort never to become too comfortable with any one approach to painting. | |
| 520 | 3 | |a Eisenman’s preoccupation with the figure and the complexity of its gestures and form has resulted in mesmerizing portraits of an array of characters who range from friends and fellow New Yorkers, to imagined heroines, to tragic losers. From Success to Obscurity (2004) depicts a monstrous superhero contemplating the contents of a letter it holds in its hands and alludes, perhaps, to the fragility of fame and fortune. In Hamlet (2007), a depiction of Shakespeare's beautiful and frail Danish prince with lowered sword, Eisenman ponders the possibility of a sensitive and cautious leader at a time when the US was in the final year of George W. Bush's presidency. Similarly inspired by contemporary events, the large group portrait The Triumph of Poverty (2009), painted in the aftermath of the 2008 financial crisis, is a reimagining of a lost sixteenth-century painting of the same title by Hans Holbein. | |
| 520 | 3 | |a "Nicole Eisenman: Al-ugh-ories" also includes one of the artist's large-scale plaster figures, which she began producing in recent years, and two new oversize wax heads made specifically for this exhibition." -- New Museum website | |
| 600 | 1 | 7 | |a Eisenman, Nicole |d 1965- |0 (DE-588)12438630X |2 gnd |9 rswk-swf |
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| 700 | 1 | |a Gioni, Massimiliano |d 1973- |0 (DE-588)137277784 |4 edt | |
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Datensatz im Suchindex
| _version_ | 1811019597182140416 |
|---|---|
| adam_text | |
| any_adam_object | |
| author2 | Christoffersen, Helga ca. 20. Jh Gioni, Massimiliano 1973- |
| author2_role | edt edt |
| author2_variant | h c hc m g mg |
| author_GND | (DE-588)12438630X (DE-588)1140875396 (DE-588)137277784 |
| author_additional | Lisa Phillips Massimiliano Gioni & Helga Christoffersen Grace Dunham Eileen Myles |
| author_facet | Christoffersen, Helga ca. 20. Jh Gioni, Massimiliano 1973- |
| building | Verbundindex |
| bvnumber | BV044901222 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N6537 |
| callnumber-raw | N6537.E475 |
| callnumber-search | N6537.E475 |
| callnumber-sort | N 46537 E475 |
| callnumber-subject | N - Visual Arts |
| classification_rvk | LI 99999 |
| contents | Foreword Interview with Nicole Eisenman A world without heroes Proposal for a new Google logo by Nicole Eisenman |
| ctrlnum | (OCoLC)960428196 (DE-599)BSZ477507174 |
| dewey-full | 709.2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.2 |
| dewey-search | 709.2 |
| dewey-sort | 3709.2 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | Geschichte 1996-2016 gnd |
| era_facet | Geschichte 1996-2016 |
| format | Book |
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| genre_facet | Ausstellungskatalog New Museum 04.05.2016-26.06.2016 New York, NY Bildband |
| id | DE-604.BV044901222 |
| illustrated | Not Illustrated |
| indexdate | 2024-09-23T20:21:15Z |
| institution | BVB |
| institution_GND | (DE-588)5013630-6 |
| isbn | 9781942607311 1942607318 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030295015 |
| oclc_num | 960428196 |
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| physical | 91 Seiten 25 cm |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | New Museum |
| record_format | marc |
| spelling | Eisenman, Nicole 1965- (DE-588)12438630X art Nicole Eisenman - Al-ugh-ories edited by Helga Christoffersen and Massimiliano Gioni ; New Museum Al-ugh-ories New York, NY New Museum [2016] 91 Seiten 25 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier On the occasion of the exhibition ... May 4-June 26, 2016 Foreword Lisa Phillips Interview with Nicole Eisenman Massimiliano Gioni & Helga Christoffersen A world without heroes Grace Dunham Proposal for a new Google logo by Nicole Eisenman Eileen Myles "This show marks the first New York museum survey exhibition of Eisenman's work and provides an in-depth look at the symbolic nature of the artist's most striking depictions of individuals and groups--from intimate portraits to more complex narrative scenes. One of the most important painters of her generation, Eisenman (b. 1965, Verdun, France) has developed a distinct figurative language that combines the imaginative with the lucid, the absurd with the banal, and the stereotypical with the countercultural and queer. "Nicole Eisenman: Al-ugh-ories" highlights how allegory permeates her oeuvre and how she fluidly ties the fictional to the autobiographical and the past to the present. From the outset of her career, Eisenman's investment in painting has led to frequent experimentation in other mediums, and her practice is characterized by visible shifts that mark her effort never to become too comfortable with any one approach to painting. Eisenman’s preoccupation with the figure and the complexity of its gestures and form has resulted in mesmerizing portraits of an array of characters who range from friends and fellow New Yorkers, to imagined heroines, to tragic losers. From Success to Obscurity (2004) depicts a monstrous superhero contemplating the contents of a letter it holds in its hands and alludes, perhaps, to the fragility of fame and fortune. In Hamlet (2007), a depiction of Shakespeare's beautiful and frail Danish prince with lowered sword, Eisenman ponders the possibility of a sensitive and cautious leader at a time when the US was in the final year of George W. Bush's presidency. Similarly inspired by contemporary events, the large group portrait The Triumph of Poverty (2009), painted in the aftermath of the 2008 financial crisis, is a reimagining of a lost sixteenth-century painting of the same title by Hans Holbein. "Nicole Eisenman: Al-ugh-ories" also includes one of the artist's large-scale plaster figures, which she began producing in recent years, and two new oversize wax heads made specifically for this exhibition." -- New Museum website Eisenman, Nicole 1965- (DE-588)12438630X gnd rswk-swf Geschichte 1996-2016 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Eisenman, Nicole 1965- Eisenman, Nicole 1965- / Exhibitions / Eisenman, Nicole 1965- (DE-588)4135467-9 Ausstellungskatalog New Museum 04.05.2016-26.06.2016 New York, NY gnd-content (DE-588)4145395-5 Bildband gnd-content Eisenman, Nicole 1965- (DE-588)12438630X p Malerei (DE-588)4037220-0 s Geschichte 1996-2016 z DE-604 Christoffersen, Helga ca. 20. Jh. (DE-588)1140875396 edt Gioni, Massimiliano 1973- (DE-588)137277784 edt New Museum of Contemporary Art (New York, NY) (DE-588)5013630-6 orm isb |
| spellingShingle | Nicole Eisenman - Al-ugh-ories Foreword Interview with Nicole Eisenman A world without heroes Proposal for a new Google logo by Nicole Eisenman Eisenman, Nicole 1965- (DE-588)12438630X gnd Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)12438630X (DE-588)4037220-0 (DE-588)4135467-9 (DE-588)4145395-5 |
| title | Nicole Eisenman - Al-ugh-ories |
| title_alt | Al-ugh-ories Foreword Interview with Nicole Eisenman A world without heroes Proposal for a new Google logo by Nicole Eisenman |
| title_auth | Nicole Eisenman - Al-ugh-ories |
| title_exact_search | Nicole Eisenman - Al-ugh-ories |
| title_full | Nicole Eisenman - Al-ugh-ories edited by Helga Christoffersen and Massimiliano Gioni ; New Museum |
| title_fullStr | Nicole Eisenman - Al-ugh-ories edited by Helga Christoffersen and Massimiliano Gioni ; New Museum |
| title_full_unstemmed | Nicole Eisenman - Al-ugh-ories edited by Helga Christoffersen and Massimiliano Gioni ; New Museum |
| title_short | Nicole Eisenman - Al-ugh-ories |
| title_sort | nicole eisenman al ugh ories |
| topic | Eisenman, Nicole 1965- (DE-588)12438630X gnd Malerei (DE-588)4037220-0 gnd |
| topic_facet | Eisenman, Nicole 1965- Malerei Ausstellungskatalog New Museum 04.05.2016-26.06.2016 New York, NY Bildband |
| work_keys_str_mv | AT eisenmannicole nicoleeisenmanalughories AT christoffersenhelga nicoleeisenmanalughories AT gionimassimiliano nicoleeisenmanalughories AT newmuseumofcontemporaryartnewyorkny nicoleeisenmanalughories AT eisenmannicole alughories AT christoffersenhelga alughories AT gionimassimiliano alughories AT newmuseumofcontemporaryartnewyorkny alughories |