The devil's music: how Christians inspired, condemned, and embraced rock 'n' roll
When rock and roll emerged in the 1950s, ministers denounced it from their pulpits and Sunday school teachers warned of the music's demonic origins. The big beat, said Billy Graham, was "ever working in the world for evil." Yet by the early 2000s Christian rock had become a billion-do...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, Massachusetts
Harvard University Press
2018
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | When rock and roll emerged in the 1950s, ministers denounced it from their pulpits and Sunday school teachers warned of the music's demonic origins. The big beat, said Billy Graham, was "ever working in the world for evil." Yet by the early 2000s Christian rock had become a billion-dollar industry. The Devil's Music tells the story of this transformation. Rock's origins lie in part with the energetic Southern Pentecostal churches where Elvis, Little Richard, James Brown, and other pioneers of the genre worshipped as children. Randall J. Stephens shows that the music, styles, and ideas of tongue-speaking churches powerfully influenced these early performers. As rock 'n' roll's popularity grew, white preachers tried to distance their flock from this "blasphemous jungle music," with little success. By the 1960s, Christian leaders feared the Beatles really were more popular than Jesus, as John Lennon claimed. Stephens argues that in the early days of rock 'n' roll, faith served as a vehicle for whites' racial fears. A decade later, evangelical Christians were at odds with the counterculture and the antiwar movement. By associating the music of blacks and hippies with godlessness, believers used their faith to justify racism and conservative politics. But in a reversal of strategy in the early 1970s, the same evangelicals embraced Christian rock as a way to express Jesus's message within their own religious community and project it into a secular world. In Stephens's compelling narrative, the result was a powerful fusion of conservatism and popular culture whose effects are still felt today.... |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 337 Seiten Illustrationen |
| ISBN: | 9780674980846 |
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| 520 | |a When rock and roll emerged in the 1950s, ministers denounced it from their pulpits and Sunday school teachers warned of the music's demonic origins. The big beat, said Billy Graham, was "ever working in the world for evil." Yet by the early 2000s Christian rock had become a billion-dollar industry. The Devil's Music tells the story of this transformation. Rock's origins lie in part with the energetic Southern Pentecostal churches where Elvis, Little Richard, James Brown, and other pioneers of the genre worshipped as children. Randall J. Stephens shows that the music, styles, and ideas of tongue-speaking churches powerfully influenced these early performers. As rock 'n' roll's popularity grew, white preachers tried to distance their flock from this "blasphemous jungle music," with little success. By the 1960s, Christian leaders feared the Beatles really were more popular than Jesus, as John Lennon claimed. Stephens argues that in the early days of rock 'n' roll, faith served as a vehicle for whites' racial fears. A decade later, evangelical Christians were at odds with the counterculture and the antiwar movement. By associating the music of blacks and hippies with godlessness, believers used their faith to justify racism and conservative politics. But in a reversal of strategy in the early 1970s, the same evangelicals embraced Christian rock as a way to express Jesus's message within their own religious community and project it into a secular world. In Stephens's compelling narrative, the result was a powerful fusion of conservatism and popular culture whose effects are still felt today.... | ||
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Datensatz im Suchindex
| _version_ | 1804178454307930112 |
|---|---|
| adam_text | THE DEVIL S MUSIC
/ STEPHENS, RANDALL J.YYD1973-YYEAUTHOR
: 2018
TABLE OF CONTENTS / INHALTSVERZEICHNIS
PENTECOSTALISM AND ROCK N ROLL IN THE 1950S
RACE, RELIGION, AND ROCK N ROLL
THE BEATLES, CHRISTIANITY, AND THE CONSERVATIVE BACKLASH
THE ADVENT OF JESUS ROCK
THE FUNDAMENTALIST REACTION TO CHRISTIAN ROCK
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
| any_adam_object | 1 |
| author | Stephens, Randall J. 1973- |
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| callnumber-first | M - Music |
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| callnumber-raw | ML3921.8.R63 |
| callnumber-search | ML3921.8.R63 |
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| callnumber-subject | ML - Literature on Music |
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| discipline | Soziologie Musikwissenschaft |
| era | Geschichte 1950-2017 gnd |
| era_facet | Geschichte 1950-2017 |
| format | Book |
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| spelling | Stephens, Randall J. 1973- Verfasser (DE-588)141268549 aut The devil's music how Christians inspired, condemned, and embraced rock 'n' roll Randall J. Stephens Cambridge, Massachusetts Harvard University Press 2018 337 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index When rock and roll emerged in the 1950s, ministers denounced it from their pulpits and Sunday school teachers warned of the music's demonic origins. The big beat, said Billy Graham, was "ever working in the world for evil." Yet by the early 2000s Christian rock had become a billion-dollar industry. The Devil's Music tells the story of this transformation. Rock's origins lie in part with the energetic Southern Pentecostal churches where Elvis, Little Richard, James Brown, and other pioneers of the genre worshipped as children. Randall J. Stephens shows that the music, styles, and ideas of tongue-speaking churches powerfully influenced these early performers. As rock 'n' roll's popularity grew, white preachers tried to distance their flock from this "blasphemous jungle music," with little success. By the 1960s, Christian leaders feared the Beatles really were more popular than Jesus, as John Lennon claimed. Stephens argues that in the early days of rock 'n' roll, faith served as a vehicle for whites' racial fears. A decade later, evangelical Christians were at odds with the counterculture and the antiwar movement. By associating the music of blacks and hippies with godlessness, believers used their faith to justify racism and conservative politics. But in a reversal of strategy in the early 1970s, the same evangelicals embraced Christian rock as a way to express Jesus's message within their own religious community and project it into a secular world. In Stephens's compelling narrative, the result was a powerful fusion of conservatism and popular culture whose effects are still felt today.... Geschichte 1950-2017 gnd rswk-swf Rock music Religious aspects Christianity Rock music History and criticism Rock music United States History and criticism Christian rock music United States History and criticism Fundamentalism United States History Christentum (DE-588)4010074-1 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Rockmusik (DE-588)4115774-6 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Rockmusik (DE-588)4115774-6 s Rezeption (DE-588)4049716-1 s Christentum (DE-588)4010074-1 s Geschichte 1950-2017 z DE-604 Erscheint auch als Online-Ausgabe Stephens, Randall J. The Devil's Music : How Christians Inspired, Condemned, and Embraced Rock 'n' Roll 978-0-674-91974-7 Cambridge : Harvard University Press,c2018 (DE-604)BV044983707 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030293703&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Stephens, Randall J. 1973- The devil's music how Christians inspired, condemned, and embraced rock 'n' roll Rock music Religious aspects Christianity Rock music History and criticism Rock music United States History and criticism Christian rock music United States History and criticism Fundamentalism United States History Christentum (DE-588)4010074-1 gnd Rezeption (DE-588)4049716-1 gnd Rockmusik (DE-588)4115774-6 gnd |
| subject_GND | (DE-588)4010074-1 (DE-588)4049716-1 (DE-588)4115774-6 (DE-588)4078704-7 |
| title | The devil's music how Christians inspired, condemned, and embraced rock 'n' roll |
| title_auth | The devil's music how Christians inspired, condemned, and embraced rock 'n' roll |
| title_exact_search | The devil's music how Christians inspired, condemned, and embraced rock 'n' roll |
| title_full | The devil's music how Christians inspired, condemned, and embraced rock 'n' roll Randall J. Stephens |
| title_fullStr | The devil's music how Christians inspired, condemned, and embraced rock 'n' roll Randall J. Stephens |
| title_full_unstemmed | The devil's music how Christians inspired, condemned, and embraced rock 'n' roll Randall J. Stephens |
| title_short | The devil's music |
| title_sort | the devil s music how christians inspired condemned and embraced rock n roll |
| title_sub | how Christians inspired, condemned, and embraced rock 'n' roll |
| topic | Rock music Religious aspects Christianity Rock music History and criticism Rock music United States History and criticism Christian rock music United States History and criticism Fundamentalism United States History Christentum (DE-588)4010074-1 gnd Rezeption (DE-588)4049716-1 gnd Rockmusik (DE-588)4115774-6 gnd |
| topic_facet | Rock music Religious aspects Christianity Rock music History and criticism Rock music United States History and criticism Christian rock music United States History and criticism Fundamentalism United States History Christentum Rezeption Rockmusik USA |
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