A companion to pastoral poetry of the English Renaissance:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Manchester
Manchester University Press
2018
|
| Schriftenreihe: | The Manchester Spenser
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 335 Seiten 22 cm |
| ISBN: | 9781526126986 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgements P ge vi
Introduction 1
Pastoral 1
Text 103
Textual notes 124
Notes on authors 246
Analytical indices 295
(A) Index of genres 295
(B) Analytical index of themes 296
(C) Pastoral and other fictional names 305
(D) Mythological names and allusions 310
(E) Biblical names and allusions 315
(F) Historical and other personal names and allusions 316
(G) Place-names (geographical and mythological) 319
General index 324
This is a companion to Pastoral poetry of the English Renaissance:
An (Uithology (2016), the largest ever collection of its kind. The
monograph-length Introduction traces the course of pastoral from
antiquity to the present day. The historical account is woven into a
thematic map of the richly varied pastoral mode, and it is linked to the
social context, not onlv be local alienorv and allusion but bv its deeper
origins and affinities. English Renaissance pastoral is set within the
context of’this total perspective.
Besides the formal eclogue, the stud} covers man} genres: lyric, epoele,
georgic, country-house poem, ballad, romantic epic, drama and prose
romance. Major practitioners like Theocritus, Virgil, Sidney, Spenser,
Dravton and Milton are discussed individually.
The Introduction also charts the many means by which pastoral texts
circulated during the Renaissance, with implications for the history and
reception of all Earl} Modern poetry. The poems in the Anthology have
been edited from the original manuscripts and early printed texts, and
the textual notes comprehensively document the sources and variant
readings. There are also notes on the poets and analytical indices of
themes, genres, and various categories of proper names. Seldom, if
ever, has a cross-section of English Renaissance poetry been textual!}
annotated in such detail.
Besides being indispensable for full use of the Anthology, the Companion
will be invaluable for students and advanced scholars of both the
pastoral mode and the poetry of the Renaissance.
|
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