The French cinema book:
Gespeichert in:
Weitere Verfasser: | , |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London
Palgrave
2018
|
Ausgabe: | Second edition |
Schriftenreihe: | A BFI book
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | xx, 370 Seiten Illustrationen, Diagramme 26 cm |
ISBN: | 9781844574650 9781844574667 |
Internformat
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Datensatz im Suchindex
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adam_text | Contents
Acknowledgments / ix
Notes on Contributors / x
Introduction / xv
Michael Temple and Michael Witt
PART ONE: 1890-1920 / 1
1 PEOPLE: The Men and Women Who Made
French Cinema / 3
Richard Abel
2 BUSINESS: The Birth of the
Industry / 14
Laurent Le Forestier
3 TECHNOLOGY: Innovation, Standardisation
and Commercialisation in Early Film
Technology / 21
Laurent Mannoni
4 FORMS: The Shifting Boundaries of Art and
Industry / 28
Ian Christie
5 REPRESENTATIONS: Our Little Planet / 38
Teresa Castro
6 SPECTATORS: The Cinemising Process:
Film-Going in the Silent Era / 46
Elizabeth Ezra
7 DEBATES: Early Developments in
Film-Thinking / 53
Monica Dall’Asta
PART TWO: 1920-50 / 59
8 PEOPLE: Migration and Exile in the Classical
Period / 61
Alastair Phillips
9 BUSINESS: Anarchy and Order in the French
Film Industry / 73
Colin Crisp
10 TECHNOLOGY: Plant, Imported Technologies
and Film Style / 81
Charles O’Brien
11 FORMS: The Place and Desire of Avant-Garde
and Experimental Forms / 89
Jennifer Wild
1 2 FORMS: The Art of Spectacle: The Aesthetics
of Classical French Cinema / 101
Ginette Vincendeau
13 REPRESENTATIONS: The Geography and
Topography of French Cinema / 112
Keith Reader
14 REPRESENTATIONS: Gender Representations
in French Fiction Films / 119
Noël Burch and Geneviève Sellier
1 5 REPRESENTATIONS: Region, Colony and
Nation in French Documentary Films / 127
Alison J. Murray Levine
16 SPECTATORS: In the Dark: Looking for the
French Film Public / 134
Michael Temple and Muriel Tinel-Temple
17 DEBATES: Trends and Developments in Film
Criticism and Theory from the 1920s to the
1940s / 143
Monica Dali’Asta
PART THREE: 1950-80 / 151
PART FOUR: 1980-PRESENT / 241
18 PEOPLE: Film-Making as a Collaborative
Activity: The Contribution of Cinematographers,
Screenwriters and Actors / 153
Alison Smith
19 BUSINESS: The End of a Golden Era for the
Industry / 164
Laurent Creton and Anne Jackel
20 TECHNOLOGY: Technological Innovation and
Change from the Mainstream to the Margins / 172
Michael Witt
21 FORMS: The Diversity of Film-Making Forms
and Practices during the Thirty Glorious
Years / 180
Michael Temple and Michael Witt
22 FORMS: Forms of Resistance and Revolt: ‘We
Are in Agreement with All That Has Struggled,
and Is Struggling Still, since the World Began’ / 191
Nicole Brenez
23 REPRESENTATIONS: A Camera of One’s Own:
Video in Feminist Hands / 204
Hélène Fleckinger
24 REPRESENTATIONS: Material Turns: French
Cinema and the Construction of Everyday Life / 211
Sam Di lorio
25 REPRESENTATIONS: A Greater France? French
Cinema from the Colonial to the Postcolonial
Period / 219
Sébastien Denis
26 SPECTATORS: Going Back Home / 227
Franck Le Gac
27 DEBATES: Bazin and His Legacies / 234
Daniel Morgan
28 PEOPLE: The Human Factor: Producers, Directors,
Actors / 243
Jean-Michel Frodon
29 BUSINESS: A Business Model under Threat?
/ 254
Laurent Creton and Anne Jackel
30 TECHNOLOGY: ‘Delay the Start to Hasten the Finish’:
French Exhibitors and the Digital Revolution / 264
Kira Kitsopanidou
31 FORMS: The Documentary Renaissance / 274
Michael Witt
32 FORMS: From Cinema to Film Arts / 285
Nicole Brenez
33 REPRESENTATIONS: Fiction, Documentary and the
Political / 297
Martin O’Shaughnessy
34 REPRESENTATIONS: Representations of Ethnic
Minorities in French Cinema since 1980 / 304
Will Higbee
35 REPRESENTATIONS: From Gay Visibility to Queer
In/Visibilities / 313
James S. Williams
36 SPECTATORS: The Spectator as Expert - French
Cinephilia Today/321
Laurent Jullier and Jean-Marc Leveratto
37 DEBATES: Philosophy and Film: Re-Framing the
Cinematic Century / 328
Hunter Vaughan
Further Reading / 335
Online Resources / 344
Index / 348
THIS EXTENSIVELY REVISED AND EXPANDED NEW EDITION OF THE FRENCH
CINEMA BOOK OFFERS AN INNOVATIVE AND ACCESSIBLE ACCOUNT OF THE
RICHNESS AND DIVERSITY OF FRENCH FILM HISTORY FROM THE 1890S TO
THE 2010S. IT CONTAINS BOTH THOROUGHLY UPDATED AND ENTIRELY NEW
CONTRIBUTIONS FROM THIRTY-SIX LEADING COMMENTATORS ON FRENCH
CINEMA FROM AROUND THE WORLD.
Michael Temple and Michael Witt assemble a broad
range of approaches to the study and appreciation of
French cinema:
• PEOPLE: Who are the men and women who have
made French cinema happen?
• BUSINESS: What is the industrial culture in which
French cinema has developed?
• TECHNOLOGY: To what extent have technological
factors determined the course of French cinema?
• FORMS: How can we study the diversity of film forms
practiced across French cinema, and the evolution of
. the formal ‘languages of film?
• REPRESENTATIONS: What have French films shown
us of France, its society, its concerns, and the changing
lives of its citizens?
• SPECTATORS: How have audiences experiences of
film-going changed in France over time?
• DEBATES: How has cinema been represented and
discussed in French culture?
The French Cinema Book is essential reading whether
you are a student, teacher, specialist or simply a fan
of French cinema.
Michael Temple is Director of Birkbeck Institute for the
Moving Image and the Essay Film Festival. He is the
author of Jean Vigo (2005), and has co-edited several books
about Jean-Luc Godard, as well as Decades Never Start on
Time: A Richard Roud Anthology (2014).
Michael Witt is Professor of Cinema and Co-Director of
the Centre for Research in Film and Audiovisual Cultures
at the University of Roehampton, London. He is the
co-editor of For Euer Godard (2004) and Jean-Luc Godard:
Documents (2006), and the author of Jean-Luc Godard,
Cinema Historian (2013).
^^palgrave
A BFI book published by Palgrave
ISBN 978-1-84457-465-0
781
44
574650
|
any_adam_object | 1 |
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discipline | Allgemeines |
edition | Second edition |
era | Geschichte gnd Geschichte 1890-2004 gnd |
era_facet | Geschichte Geschichte 1890-2004 |
format | Book |
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isbn | 9781844574650 9781844574667 |
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publisher | Palgrave |
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series2 | A BFI book |
spelling | The French cinema book edited by Michael Temple and Michael Witt Second edition London Palgrave 2018 xx, 370 Seiten Illustrationen, Diagramme 26 cm txt rdacontent n rdamedia nc rdacarrier A BFI book Geschichte gnd rswk-swf Geschichte 1890-2004 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Filmwirtschaft (DE-588)4154384-1 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Frankreich (DE-588)4018145-5 g Film (DE-588)4017102-4 s Filmwirtschaft (DE-588)4154384-1 s Geschichte z DE-604 Geschichte 1890-2004 z 1\p DE-604 Temple, Michael 1963- (DE-588)1015770428 edt Witt, Michael 1963- (DE-588)1047380323 edt Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030289594&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030289594&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
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title | The French cinema book |
title_auth | The French cinema book |
title_exact_search | The French cinema book |
title_full | The French cinema book edited by Michael Temple and Michael Witt |
title_fullStr | The French cinema book edited by Michael Temple and Michael Witt |
title_full_unstemmed | The French cinema book edited by Michael Temple and Michael Witt |
title_short | The French cinema book |
title_sort | the french cinema book |
topic | Film (DE-588)4017102-4 gnd Filmwirtschaft (DE-588)4154384-1 gnd |
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