Allusion as narrative premise in Brahms's instrumental music:
Who inspired Johannes Brahms in his art of writing music? In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
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Bloomington, Indiana
Indiana University Press
[2018]
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| Schriftenreihe: | Musical meaning and interpretation
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Who inspired Johannes Brahms in his art of writing music? In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahms's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history. - Jacquelyn E. C. Sholes serves on the faculty of the Department of Musicology and Ethnomusicology at Boston University. |
| Beschreibung: | 356 Seiten Notenbeispiele |
| ISBN: | 9780253033147 9780253033154 |
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| 505 | 8 | |a Acknowledgments. List of Musical Instrument Abbreviation. Introduction. 1. The Notion of Allusion as Narrative Premise in Brahms’s Instrumental Music. 2. Lovelorn Lamentation, or Histrionic Historicism? Reexamining Allusion and Extramusical Meaning in the B-Major Piano Trio, op. 8. 3. Musical Memory and the D-Major Serenade, op. 11. 4. A Historical Model, an Emerging Soloist, a Young Composer in Turmoil: The Piano Concerto in D Minor, op. 15. 5. A Later Example: Tragic Antiquarianism in Brahms’s Fourth Symphony. Conclusion. Bibliography. Index | |
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Datensatz im Suchindex
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| adam_text | Contents
Acknowledgments ix
List of Musical Instrument Abbreviations xiii
Introduction 1
1 The Notion of Allusion as Narrative Premise in
Brahmss Instrumental Music 11
2 Lovelorn Lamentation or Histrionic Historicism?
Reexamining Allusion and Extramusical Meaning
in the B-Major Piano Trio, op. 8 68
3 Musical Memory and the D-Major Serenade, op. n 103
4 A Historical Model, an Emerging Soloist, a Young Composer
in Turmoil: The Piano Concerto in D Minor, op. 15 133 5
5 A Later Example: Tragic Antiquarianism in
Brahms’s Fourth Symphony 179
Conclusion 227
Bibliography 233
Index 249
|
| any_adam_object | 1 |
| author | Sholes, Jacquelyn |
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| author_variant | j s js |
| building | Verbundindex |
| bvnumber | BV044872903 |
| classification_rvk | LP 63391 |
| contents | Acknowledgments. List of Musical Instrument Abbreviation. Introduction. 1. The Notion of Allusion as Narrative Premise in Brahms’s Instrumental Music. 2. Lovelorn Lamentation, or Histrionic Historicism? Reexamining Allusion and Extramusical Meaning in the B-Major Piano Trio, op. 8. 3. Musical Memory and the D-Major Serenade, op. 11. 4. A Historical Model, an Emerging Soloist, a Young Composer in Turmoil: The Piano Concerto in D Minor, op. 15. 5. A Later Example: Tragic Antiquarianism in Brahms’s Fourth Symphony. Conclusion. Bibliography. Index |
| ctrlnum | (OCoLC)1042943957 (DE-599)BVBBV044872903 |
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| spelling | Sholes, Jacquelyn Verfasser (DE-588)1127616528 aut Allusion as narrative premise in Brahms's instrumental music Jacquelyn E.C. Scholes Bloomington, Indiana Indiana University Press [2018] © 2018 356 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Musical meaning and interpretation Acknowledgments. List of Musical Instrument Abbreviation. Introduction. 1. The Notion of Allusion as Narrative Premise in Brahms’s Instrumental Music. 2. Lovelorn Lamentation, or Histrionic Historicism? Reexamining Allusion and Extramusical Meaning in the B-Major Piano Trio, op. 8. 3. Musical Memory and the D-Major Serenade, op. 11. 4. A Historical Model, an Emerging Soloist, a Young Composer in Turmoil: The Piano Concerto in D Minor, op. 15. 5. A Later Example: Tragic Antiquarianism in Brahms’s Fourth Symphony. Conclusion. Bibliography. Index Who inspired Johannes Brahms in his art of writing music? In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahms's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history. - Jacquelyn E. C. Sholes serves on the faculty of the Department of Musicology and Ethnomusicology at Boston University. Brahms, Johannes 1833-1897 (DE-588)118514253 gnd rswk-swf Zitat (DE-588)4067889-1 gnd rswk-swf Instrumentalmusik (DE-588)4129951-6 gnd rswk-swf Brahms, Johannes / 1833-1897 / Criticism and interpretation Brahms, Johannes / 1833-1897 / Instrumental music Brahms, Johannes / 1833-1897 (DE-588)4113937-9 Hochschulschrift gnd-content Brahms, Johannes 1833-1897 (DE-588)118514253 p Instrumentalmusik (DE-588)4129951-6 s Zitat (DE-588)4067889-1 s DE-604 Erscheint auch als Online-Ausgabe, PDF 978-0-253-03316-1 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030267299&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Sholes, Jacquelyn Allusion as narrative premise in Brahms's instrumental music Acknowledgments. List of Musical Instrument Abbreviation. Introduction. 1. The Notion of Allusion as Narrative Premise in Brahms’s Instrumental Music. 2. Lovelorn Lamentation, or Histrionic Historicism? Reexamining Allusion and Extramusical Meaning in the B-Major Piano Trio, op. 8. 3. Musical Memory and the D-Major Serenade, op. 11. 4. A Historical Model, an Emerging Soloist, a Young Composer in Turmoil: The Piano Concerto in D Minor, op. 15. 5. A Later Example: Tragic Antiquarianism in Brahms’s Fourth Symphony. Conclusion. Bibliography. Index Brahms, Johannes 1833-1897 (DE-588)118514253 gnd Zitat (DE-588)4067889-1 gnd Instrumentalmusik (DE-588)4129951-6 gnd |
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| title | Allusion as narrative premise in Brahms's instrumental music |
| title_auth | Allusion as narrative premise in Brahms's instrumental music |
| title_exact_search | Allusion as narrative premise in Brahms's instrumental music |
| title_full | Allusion as narrative premise in Brahms's instrumental music Jacquelyn E.C. Scholes |
| title_fullStr | Allusion as narrative premise in Brahms's instrumental music Jacquelyn E.C. Scholes |
| title_full_unstemmed | Allusion as narrative premise in Brahms's instrumental music Jacquelyn E.C. Scholes |
| title_short | Allusion as narrative premise in Brahms's instrumental music |
| title_sort | allusion as narrative premise in brahms s instrumental music |
| topic | Brahms, Johannes 1833-1897 (DE-588)118514253 gnd Zitat (DE-588)4067889-1 gnd Instrumentalmusik (DE-588)4129951-6 gnd |
| topic_facet | Brahms, Johannes 1833-1897 Zitat Instrumentalmusik Hochschulschrift |
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