Critical craft: technology, globalization, and capitalism
"From Oaxacan wood carvings to dessert kitchens in provincial France, Critical Craft presents thirteen ethnographies which examine what defines and makes 'craft' in a wide variety of practices from around the world. Challenging the conventional understanding of craft as a survival, a...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; Oxford ; New York ; Nel Delhi ; Sydney
Bloomsbury Academic
2016
|
| Schlagworte: | |
| Online-Zugang: | UBR01 URL des Erstveröffentlichers |
| Zusammenfassung: | "From Oaxacan wood carvings to dessert kitchens in provincial France, Critical Craft presents thirteen ethnographies which examine what defines and makes 'craft' in a wide variety of practices from around the world. Challenging the conventional understanding of craft as a survival, a revival, or something that resists capitalism, the book turns instead to the designers, DIY enthusiasts, traditional artisans, and technical programmers who consider their labor to be craft, in order to comprehend how they make sense of it. The authors' ethnographic studies focus on the individuals and communities who claim a practice as their own, bypassing the question of craft survival to ask how and why activities termed craft are mobilized and reproduced. Moving beyond regional studies of heritage artisanship, the authors suggest that ideas of craft are by definition part of a larger cosmopolitan dialogue of power and identity. By paying careful attention to these sometimes conflicting voices, this collection shows that there is great flexibility in terms of which activities are labelled 'craft'. In fact, there are many related ideas of craft and these shape distinct engagements with materials, people, and the economy. Case studies from countries including Mexico, Nigeria, India, Taiwan, the Philippines, and France draw together evidence based on linguistics, microsociology, and participant observation to explore the shifting terrain on which those engaged in craft are operating. What emerges is a fascinating picture which shows how claims about craft are an integral part of contemporary global change"-- |
| Beschreibung: | 1 Online-Ressource (xvi, 298 Seiten) Illustrationen |
| ISBN: | 9781474224055 9781472594877 |
| DOI: | 10.5040/9781474224055 |
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| 245 | 1 | 0 | |a Critical craft |b technology, globalization, and capitalism |c edited by Clare M. Wilkinson-Weber and Alicia Ory DeNicola |
| 264 | 1 | |a London ; Oxford ; New York ; Nel Delhi ; Sydney |b Bloomsbury Academic |c 2016 | |
| 300 | |a 1 Online-Ressource (xvi, 298 Seiten) |b Illustrationen | ||
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| 505 | 8 | |a Machine generated contents note: -- 1: Introduction -- Clare M. Wilkinson-Weber, Washington State University Vancouver, USA and Alicia Ory DeNicola, Oxford College of Emory University, USA -- SECTION ONE: Claims -- 2: Who Authors Crafts? Producing Woodcarvings and Authorship in Oaxaca, Mexico -- Alanna Cant, University of Oslo, Norway -- 3: Number in Craft: Situated Numbering Practices in Do-It-Yourself Sensor Systems -- Richard Beckwith, Intel Corporation, USA -- 4: Arts and Crafts as a Lived Aesthetic -- Fran Mascia-Lees, Rutgers University, USA -- 5: Designs on Craft: Negotiating Artisanal Knowledge and Identity in India -- Clare M. Wilkinson-Weber, Washington State University Vancouver, USA and Alicia Ory DeNicola, Oxford College of Emory University, USA -- 6: Nomadic Artisans in Central America: Building Plurilocal Communities through Craft -- Villalobos Rojas, Dirección General de Migración y Extranjería, Costa RicaSECTION TWO: Conundrums -- | |
| 505 | 8 | |a 7. We Have Never Been Analog: Situating the Study of Digital Crafts -- Lane DeNicola, Emory University, USA -- 8: Crafting Good Chocolate in France and the US -- Susan Terrio, Georgetown University, USA -- 9: Creativity, Critique and Conservatism: Keeping Craft Alive among Moroccan Carpet Weavers and French Organic Farmers -- Myriem Naji, University College London, UK -- 10: Refashioning a Global Craft Commodity Flow from the Central Philippines -- B. Lynne Milgram, OCAD University, Canada -- SECTION THREE: Conflicts -- 11: Modern Craft: Locating the Material in a Digital Age -- Daniela Rosner, University of Washington, USA -- 12: Materials, the Nation and the Self: Division of Labor in a Taiwanese Craft -- Geoffrey Gowlland, University of Oslo, Norway -- 13: The Weight of Tradition: Crafting Robes, Power and Politics in Nigeria's Zaria City -- Elisha Renne, University of Michigan, USA -- 14: Crafting Muslim Artisans: Agency and Exclusion in India's Urban Craft Communities -- | |
| 505 | 8 | |a Mira Mohsini, Kalamazoo College, USABibliography -- Index | |
| 520 | |a "From Oaxacan wood carvings to dessert kitchens in provincial France, Critical Craft presents thirteen ethnographies which examine what defines and makes 'craft' in a wide variety of practices from around the world. Challenging the conventional understanding of craft as a survival, a revival, or something that resists capitalism, the book turns instead to the designers, DIY enthusiasts, traditional artisans, and technical programmers who consider their labor to be craft, in order to comprehend how they make sense of it. The authors' ethnographic studies focus on the individuals and communities who claim a practice as their own, bypassing the question of craft survival to ask how and why activities termed craft are mobilized and reproduced. Moving beyond regional studies of heritage artisanship, the authors suggest that ideas of craft are by definition part of a larger cosmopolitan dialogue of power and identity. By paying careful attention to these sometimes conflicting voices, this collection shows that there is great flexibility in terms of which activities are labelled 'craft'. In fact, there are many related ideas of craft and these shape distinct engagements with materials, people, and the economy. Case studies from countries including Mexico, Nigeria, India, Taiwan, the Philippines, and France draw together evidence based on linguistics, microsociology, and participant observation to explore the shifting terrain on which those engaged in craft are operating. What emerges is a fascinating picture which shows how claims about craft are an integral part of contemporary global change"-- | ||
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Datensatz im Suchindex
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| author_GND | (DE-588)1084216744 |
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| bvnumber | BV044862258 |
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| contents | Machine generated contents note: -- 1: Introduction -- Clare M. Wilkinson-Weber, Washington State University Vancouver, USA and Alicia Ory DeNicola, Oxford College of Emory University, USA -- SECTION ONE: Claims -- 2: Who Authors Crafts? Producing Woodcarvings and Authorship in Oaxaca, Mexico -- Alanna Cant, University of Oslo, Norway -- 3: Number in Craft: Situated Numbering Practices in Do-It-Yourself Sensor Systems -- Richard Beckwith, Intel Corporation, USA -- 4: Arts and Crafts as a Lived Aesthetic -- Fran Mascia-Lees, Rutgers University, USA -- 5: Designs on Craft: Negotiating Artisanal Knowledge and Identity in India -- Clare M. Wilkinson-Weber, Washington State University Vancouver, USA and Alicia Ory DeNicola, Oxford College of Emory University, USA -- 6: Nomadic Artisans in Central America: Building Plurilocal Communities through Craft -- Villalobos Rojas, Dirección General de Migración y Extranjería, Costa RicaSECTION TWO: Conundrums -- 7. We Have Never Been Analog: Situating the Study of Digital Crafts -- Lane DeNicola, Emory University, USA -- 8: Crafting Good Chocolate in France and the US -- Susan Terrio, Georgetown University, USA -- 9: Creativity, Critique and Conservatism: Keeping Craft Alive among Moroccan Carpet Weavers and French Organic Farmers -- Myriem Naji, University College London, UK -- 10: Refashioning a Global Craft Commodity Flow from the Central Philippines -- B. Lynne Milgram, OCAD University, Canada -- SECTION THREE: Conflicts -- 11: Modern Craft: Locating the Material in a Digital Age -- Daniela Rosner, University of Washington, USA -- 12: Materials, the Nation and the Self: Division of Labor in a Taiwanese Craft -- Geoffrey Gowlland, University of Oslo, Norway -- 13: The Weight of Tradition: Crafting Robes, Power and Politics in Nigeria's Zaria City -- Elisha Renne, University of Michigan, USA -- 14: Crafting Muslim Artisans: Agency and Exclusion in India's Urban Craft Communities -- Mira Mohsini, Kalamazoo College, USABibliography -- Index |
| ctrlnum | (OCoLC)1028896050 (DE-599)BVBBV044862258 |
| discipline | Soziologie Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| doi_str_mv | 10.5040/9781474224055 |
| format | Electronic eBook |
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| publisher | Bloomsbury Academic |
| record_format | marc |
| spelling | Critical craft technology, globalization, and capitalism edited by Clare M. Wilkinson-Weber and Alicia Ory DeNicola London ; Oxford ; New York ; Nel Delhi ; Sydney Bloomsbury Academic 2016 1 Online-Ressource (xvi, 298 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Machine generated contents note: -- 1: Introduction -- Clare M. Wilkinson-Weber, Washington State University Vancouver, USA and Alicia Ory DeNicola, Oxford College of Emory University, USA -- SECTION ONE: Claims -- 2: Who Authors Crafts? Producing Woodcarvings and Authorship in Oaxaca, Mexico -- Alanna Cant, University of Oslo, Norway -- 3: Number in Craft: Situated Numbering Practices in Do-It-Yourself Sensor Systems -- Richard Beckwith, Intel Corporation, USA -- 4: Arts and Crafts as a Lived Aesthetic -- Fran Mascia-Lees, Rutgers University, USA -- 5: Designs on Craft: Negotiating Artisanal Knowledge and Identity in India -- Clare M. Wilkinson-Weber, Washington State University Vancouver, USA and Alicia Ory DeNicola, Oxford College of Emory University, USA -- 6: Nomadic Artisans in Central America: Building Plurilocal Communities through Craft -- Villalobos Rojas, Dirección General de Migración y Extranjería, Costa RicaSECTION TWO: Conundrums -- 7. We Have Never Been Analog: Situating the Study of Digital Crafts -- Lane DeNicola, Emory University, USA -- 8: Crafting Good Chocolate in France and the US -- Susan Terrio, Georgetown University, USA -- 9: Creativity, Critique and Conservatism: Keeping Craft Alive among Moroccan Carpet Weavers and French Organic Farmers -- Myriem Naji, University College London, UK -- 10: Refashioning a Global Craft Commodity Flow from the Central Philippines -- B. Lynne Milgram, OCAD University, Canada -- SECTION THREE: Conflicts -- 11: Modern Craft: Locating the Material in a Digital Age -- Daniela Rosner, University of Washington, USA -- 12: Materials, the Nation and the Self: Division of Labor in a Taiwanese Craft -- Geoffrey Gowlland, University of Oslo, Norway -- 13: The Weight of Tradition: Crafting Robes, Power and Politics in Nigeria's Zaria City -- Elisha Renne, University of Michigan, USA -- 14: Crafting Muslim Artisans: Agency and Exclusion in India's Urban Craft Communities -- Mira Mohsini, Kalamazoo College, USABibliography -- Index "From Oaxacan wood carvings to dessert kitchens in provincial France, Critical Craft presents thirteen ethnographies which examine what defines and makes 'craft' in a wide variety of practices from around the world. Challenging the conventional understanding of craft as a survival, a revival, or something that resists capitalism, the book turns instead to the designers, DIY enthusiasts, traditional artisans, and technical programmers who consider their labor to be craft, in order to comprehend how they make sense of it. The authors' ethnographic studies focus on the individuals and communities who claim a practice as their own, bypassing the question of craft survival to ask how and why activities termed craft are mobilized and reproduced. Moving beyond regional studies of heritage artisanship, the authors suggest that ideas of craft are by definition part of a larger cosmopolitan dialogue of power and identity. By paying careful attention to these sometimes conflicting voices, this collection shows that there is great flexibility in terms of which activities are labelled 'craft'. In fact, there are many related ideas of craft and these shape distinct engagements with materials, people, and the economy. Case studies from countries including Mexico, Nigeria, India, Taiwan, the Philippines, and France draw together evidence based on linguistics, microsociology, and participant observation to explore the shifting terrain on which those engaged in craft are operating. What emerges is a fascinating picture which shows how claims about craft are an integral part of contemporary global change"-- Material culture Artisans Handicraft industries Folk art Workmanship SOCIAL SCIENCE / Anthropology / General bisacsh ART / General bisacsh Artisans fast Folk art fast Handicraft industries fast Material culture fast Workmanship fast Kunsthandwerk (DE-588)4073883-8 gnd rswk-swf Ethnologie (DE-588)4078931-7 gnd rswk-swf Kulturvergleich (DE-588)4114328-0 gnd rswk-swf Handwerk (DE-588)4023299-2 gnd rswk-swf Globalisierung (DE-588)4557997-0 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Handwerk (DE-588)4023299-2 s Kunsthandwerk (DE-588)4073883-8 s Kulturvergleich (DE-588)4114328-0 s Globalisierung (DE-588)4557997-0 s Ethnologie (DE-588)4078931-7 s DE-604 Wilkinson-Weber, Clare M. edt DeNicola, Alicia Ory (DE-588)1084216744 edt Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4725-9486-0 Erscheint auch als Druck-Ausgabe, Paperback 978-1-4725-9485-3 https://doi.org/10.5040/9781474224055 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Critical craft technology, globalization, and capitalism Machine generated contents note: -- 1: Introduction -- Clare M. Wilkinson-Weber, Washington State University Vancouver, USA and Alicia Ory DeNicola, Oxford College of Emory University, USA -- SECTION ONE: Claims -- 2: Who Authors Crafts? Producing Woodcarvings and Authorship in Oaxaca, Mexico -- Alanna Cant, University of Oslo, Norway -- 3: Number in Craft: Situated Numbering Practices in Do-It-Yourself Sensor Systems -- Richard Beckwith, Intel Corporation, USA -- 4: Arts and Crafts as a Lived Aesthetic -- Fran Mascia-Lees, Rutgers University, USA -- 5: Designs on Craft: Negotiating Artisanal Knowledge and Identity in India -- Clare M. Wilkinson-Weber, Washington State University Vancouver, USA and Alicia Ory DeNicola, Oxford College of Emory University, USA -- 6: Nomadic Artisans in Central America: Building Plurilocal Communities through Craft -- Villalobos Rojas, Dirección General de Migración y Extranjería, Costa RicaSECTION TWO: Conundrums -- 7. We Have Never Been Analog: Situating the Study of Digital Crafts -- Lane DeNicola, Emory University, USA -- 8: Crafting Good Chocolate in France and the US -- Susan Terrio, Georgetown University, USA -- 9: Creativity, Critique and Conservatism: Keeping Craft Alive among Moroccan Carpet Weavers and French Organic Farmers -- Myriem Naji, University College London, UK -- 10: Refashioning a Global Craft Commodity Flow from the Central Philippines -- B. Lynne Milgram, OCAD University, Canada -- SECTION THREE: Conflicts -- 11: Modern Craft: Locating the Material in a Digital Age -- Daniela Rosner, University of Washington, USA -- 12: Materials, the Nation and the Self: Division of Labor in a Taiwanese Craft -- Geoffrey Gowlland, University of Oslo, Norway -- 13: The Weight of Tradition: Crafting Robes, Power and Politics in Nigeria's Zaria City -- Elisha Renne, University of Michigan, USA -- 14: Crafting Muslim Artisans: Agency and Exclusion in India's Urban Craft Communities -- Mira Mohsini, Kalamazoo College, USABibliography -- Index Material culture Artisans Handicraft industries Folk art Workmanship SOCIAL SCIENCE / Anthropology / General bisacsh ART / General bisacsh Artisans fast Folk art fast Handicraft industries fast Material culture fast Workmanship fast Kunsthandwerk (DE-588)4073883-8 gnd Ethnologie (DE-588)4078931-7 gnd Kulturvergleich (DE-588)4114328-0 gnd Handwerk (DE-588)4023299-2 gnd Globalisierung (DE-588)4557997-0 gnd |
| subject_GND | (DE-588)4073883-8 (DE-588)4078931-7 (DE-588)4114328-0 (DE-588)4023299-2 (DE-588)4557997-0 (DE-588)4143413-4 |
| title | Critical craft technology, globalization, and capitalism |
| title_auth | Critical craft technology, globalization, and capitalism |
| title_exact_search | Critical craft technology, globalization, and capitalism |
| title_full | Critical craft technology, globalization, and capitalism edited by Clare M. Wilkinson-Weber and Alicia Ory DeNicola |
| title_fullStr | Critical craft technology, globalization, and capitalism edited by Clare M. Wilkinson-Weber and Alicia Ory DeNicola |
| title_full_unstemmed | Critical craft technology, globalization, and capitalism edited by Clare M. Wilkinson-Weber and Alicia Ory DeNicola |
| title_short | Critical craft |
| title_sort | critical craft technology globalization and capitalism |
| title_sub | technology, globalization, and capitalism |
| topic | Material culture Artisans Handicraft industries Folk art Workmanship SOCIAL SCIENCE / Anthropology / General bisacsh ART / General bisacsh Artisans fast Folk art fast Handicraft industries fast Material culture fast Workmanship fast Kunsthandwerk (DE-588)4073883-8 gnd Ethnologie (DE-588)4078931-7 gnd Kulturvergleich (DE-588)4114328-0 gnd Handwerk (DE-588)4023299-2 gnd Globalisierung (DE-588)4557997-0 gnd |
| topic_facet | Material culture Artisans Handicraft industries Folk art Workmanship SOCIAL SCIENCE / Anthropology / General ART / General Kunsthandwerk Ethnologie Kulturvergleich Handwerk Globalisierung Aufsatzsammlung |
| url | https://doi.org/10.5040/9781474224055 |
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