Music theory and composition: a practical approach
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lanham
Rowman & Littlefield
[2019]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes index |
| Beschreibung: | xiv, 529 Seiten Diagramme, Notenbeispiele |
| ISBN: | 9781538101230 9781538101223 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804178322705350656 |
|---|---|
| adam_text | Preface vii
A Note for Instructors ix
A Student’s Introduction xi
Acknowledgments xiii
PRELUDES: RUDIMENTS
Prelude 1: Notation of Sound 3
Prelude 2: Meter 10
Prelude 3: Scales and Key Signatures 17
Prelude 4: Intervals 24
Prelude 5: Triads 31
Prelude 6: Seventh Chords 37
PART I: MELODY
Chapter 1: Melodic Construction 45
Chapter 2: Major Key Functionality 49
Chapter 3: Minor Key Functionality 57
Chapter 4: Chromaticism in Melodies 65
PART II: SPECIES COUNTERPOINT
TO CHORALE STYLE
Chapter 5: Background for Species Counterpoint 73
Chapter 6: First Species in Two Voices (Note against
Note) 81
Chapter 7: Second and Third Species in Two Voices
(Two and Four Notes to One) 89
Chapter 8; Fourth Species in Two Voices (Syncopations
and Suspensions) 97
Chapter 9: Fifth Species (Florid Counterpoint) in
Two Voices 104
Chapter 10: Two-Voice Counterpoint 111
Chapter 11: Three Voices and Chords 122
Chapter 12: First Species in Three Voices (Note against
Note) 126
Chapter 13: Second and Third Species in Three
Voices (Two and Four Notes to One) 132
Chapter 14: Fourth Species in Three Voices
(Syncopations and Suspensions) 138
Chapter 15: Fifth Species (Florid Counterpoint) in
Three Voices and Three-Voice Counterpoint 144
Chapters 12-15 Redux 154
Chapter 16: Four-Voice Counterpoint and Chorale
Style 156
Chapter 17: Figured Bass 166
Chapter 18: Other Dissonances 175
Chapter 19: The Purpose of Chorale Style 186
PART III: DIATONIC HARMONY
TO FORM
Chapter 20: Harmonic Progressions 197
Chapter 21: Tonic and Dominant: The Fundamental
Relationship 200
Chapter 22: Pre-dominant: The Basic Progression 208
Chapter 23: Intensifying the Motion: Adding
Dissonance 218
Chapter 24: Submediant 233
Chapter 25: Mediant 242
Chapter 26: Harmonic Rhythm 248
Chapter 27: Harmonizations 254
Chapter 28: Linear Chords 264
Chapter 29: Sequences 273
Chapter 30: Tonicization 282
Chapter 31: Modulation 297
Chapter 32: Phrase-Level Analysis 316
Chapter 33: Small Forms 323
PART IV: COLOR CHORDS AND
BOLD CHROMATICISM
Chapter 34: Modal Mixture 337
Chapter 35: Neapolitan 348
vi Contents
Chapter 36: Augmented Sixth (Nationality) Chords 361
Chapter 37: Altered Dominants 377
Chapter 38: Enharmonic Reinterpretation 383
Chapter 39: Third Relations 392
PART V: POPULAR MUSIC
Chapter 40: Introduction to Popular Music 403
Chapter 41: General Stylistic Elements 406
Chapter 42: Sonorities from Jazz: Stable Sevenths,
Extended Tertian, and Added-Note Harmonies 414
Chapter 43: Lead Sheet Notation 421
Chapter 44: Pop Progressions Following Classical
Diatonic Functions 428
Chapter 45: Blues and the Retrogression 435
Chapter 46: Mediant and Ascending Thirds 442
Chapter 47: Supertonic, Linear Harmonic Motion,
and Diatonic Summary 447
Chapter 48: Chromaticism from Classical Music 455
Chapter 49: Chromaticism from Jazz: Tritone
Substitution 461
Chapter 50: Pop Chromaticism 1: L7 and 1 VII 466
Chapter 51: Pop Chromaticism 2: Quality Change 473
Chapter 52: Three Analyses 480
APPENDIXES
Appendix A: Melodies for Study 489
Appendix B: Cantus Firmi and Figured Basses 494
Appendix C: Church Modes 500
Appendix D: Extended Tertian Harmony in Classical
Music 502
Glossary 507
Index 513
About the Author 531
|
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| callnumber-first | M - Music |
| callnumber-label | MT6 |
| callnumber-raw | MT6.S7868 |
| callnumber-search | MT6.S7868 |
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| ctrlnum | (OCoLC)1031050275 (DE-599)BVBBV044802657 |
| dewey-full | 781 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781 |
| dewey-search | 781 |
| dewey-sort | 3781 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Book |
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| isbn | 9781538101230 9781538101223 |
| language | English |
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| spelling | Stone, Stephen C. Verfasser aut Music theory and composition a practical approach Stephen C. Stone Lanham Rowman & Littlefield [2019] xiv, 529 Seiten Diagramme, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Includes index Composition (Music) Music theory Popular music Writing and publishing Musiktheorie (DE-588)4040876-0 gnd rswk-swf Komposition (DE-588)4032012-1 gnd rswk-swf Unterhaltungsmusik (DE-588)4061916-3 gnd rswk-swf Musiktheorie (DE-588)4040876-0 s Komposition (DE-588)4032012-1 s DE-604 Unterhaltungsmusik (DE-588)4061916-3 s Erscheint auch als Online-Ausgabe 978-1-5381-0124-7 Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030197575&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Stone, Stephen C. Music theory and composition a practical approach Composition (Music) Music theory Popular music Writing and publishing Musiktheorie (DE-588)4040876-0 gnd Komposition (DE-588)4032012-1 gnd Unterhaltungsmusik (DE-588)4061916-3 gnd |
| subject_GND | (DE-588)4040876-0 (DE-588)4032012-1 (DE-588)4061916-3 |
| title | Music theory and composition a practical approach |
| title_auth | Music theory and composition a practical approach |
| title_exact_search | Music theory and composition a practical approach |
| title_full | Music theory and composition a practical approach Stephen C. Stone |
| title_fullStr | Music theory and composition a practical approach Stephen C. Stone |
| title_full_unstemmed | Music theory and composition a practical approach Stephen C. Stone |
| title_short | Music theory and composition |
| title_sort | music theory and composition a practical approach |
| title_sub | a practical approach |
| topic | Composition (Music) Music theory Popular music Writing and publishing Musiktheorie (DE-588)4040876-0 gnd Komposition (DE-588)4032012-1 gnd Unterhaltungsmusik (DE-588)4061916-3 gnd |
| topic_facet | Composition (Music) Music theory Popular music Writing and publishing Musiktheorie Komposition Unterhaltungsmusik |
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