O čem se nedá mluvit, o tom se musí zpívat: od formy zobrazení k formám života = Whereof we cannot speak, thereof we must sing
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | Czech |
| Veröffentlicht: |
Praha
Filosofia
2017
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| Ausgabe: | Vydání první |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract Literaturverzeichnis Register // Personenregister |
| Beschreibung: | 296 Seiten Illustrationen, Notenbeispiele 22 cm |
| ISBN: | 9788070074985 8070074981 |
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| 653 | 0 | |a opera / philosophical approach | |
| 653 | 0 | |a reflection | |
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Datensatz im Suchindex
| _version_ | 1804178319017508864 |
|---|---|
| adam_text | Obsah
Poznámka............................................. 13
Úvod................................................. 17
O cem je tato kniha ................................. 28
I. REFLEXIVITA ZKUSENOSTI
1. Proc se musí logika postarat sama o sebe? ........ 35
1.1 Zákon identity................................. 39
L2 Zákon indukce.................................... 47
1.3 Zákon sporu .................................... 52
1.4 Od forem zobrazení k formám zivota.............. 55
1.5 Závér......................................... 63
2. Spatné nekonecno jako logicky problem ........ 66
2.1 „Spatná“ pojmotvorba............................ 69
2.2 Nekonecnost rízení se pravidlem................. 76
2.3 Diskrétní a spojité aspekty kvantity ........... 81
2.4 Matematické dúsledky........................... . 87
2.5 Filosofické dúsledky............................ 91
2.6 Závér........................................... 94
3. Hudební „gramatika“ a její píehledná znázornéní ... 96
3.1 Píehledná znázornéní............................ 97
3.2 Kruhy a osmistény barev.........................104
3.3 Chromaticky kruh a konsonance...................107
3.4 Kvintovÿ kruh a spirâla ...................113
3.5 Od akustického k hudebnimu prostoru ............117
3.6 Zàvër...........................................120
II. REFLEXIVITA HUDBY
4. Hudba a cas.........................................125
4.1 Hudba a rytmus..................................126
4.2 Hudba a jejf zvëcnéni...........................134
4.3 Struktura hudebni zkusenosti....................138
4.4 Hudba a emoce ..................................144
4.5 Zàvër...........................................148
5. Hudba jako jazykovà hra.............................150
5.1 Akustickÿ prostor...............................153
5.2 Hudebni prostor ................................156
5.3 Prostor dùvodû .................................161
5.4 Zàvër...........................................165
6. Emoce a porozumëni v hudbë..........................167
6.1 Korigovatelnost ocekávání.......................169
6.2 Afektivíta ocekávání ...........................172
6.3 Struktura ocekávání.............................176
6.4 Reflexivita ocekávání........................ . . 179
6.5 Zàvër...........................................184
III. REFLEXIVITA OPERY
7. O cem se nedá mluvit, o tom se musí zpivat ........189
7.1 O cem se nedá mluvit, o tom se musí mlcet.......191
7.2 O cem se dà mluvit, o tom se nesmi mlcet........194
7.3 O cem se nemluví, o tom se nedá mluvit ............200
7.4 O cem se nedá mluvit, o tom se musí zpívat...........203
7.5 Závér................................................209
8. Wittgenstein a Richard Wagner o pravidlech .............211
8.1 Momenty srovnání.....................................212
8.2 Úrovné obecnosti ...................................215
8.3 Prostíední pozice...................................219
8.4 Textová evidence ...................................223
8.5 Mistri a sílenství .................................229
8.6 Závér...............................................236
9. Smyslové vyzaíování opery ..............................238
9.1 Pravda o sobé a pravda pro nás.......................239
9.2 Smyslové vyzaíování pravdy..........................244
9.3 Proc je ve zpévu pravda? ...........................249
9.4 Mistri pévci nejen norimberstí......................255
9.5 Reflexe praktické politiky..........................261
9.6 Verdiho naivní reflexivita..........................267
9.7 Závér...............................................274
Summary....................................................277
Edicní poznámka ...........................................279
Literatura ................................................281
Seznam reprodukcí a notovych zápisu......................291
Jmenny rejstrík ...........................................293
277
Summary
Using a paraphrase of the last sentence of Wittgenstein’s Tractatus as
its basis, the book Whereof we cannot speak, thereof we must sing aims to
apply the standard analytical and linguistically oriented approach of
philosophy to the problems of sapience and understanding in all the
traditional realms of spirit - including art - with a particular focus on
music. The thread running through all of the individual chapters is
a critique of the correspondence theory of truth (in its role of being
a paradigm of knowledge that was adopted by the positive sciences)
and its replacement by a reflexive conception of truth exemplified by
German idealism and its thesis that all knowledge is self-knowledge.
The book, dealing with the reflexivity of knowledge from the
perspectives of different generality, consists of three parts. The first,
methodological part provides the basic concepts for analysis of the
reflexivity of knowledge, many of them originating in Hegel’s sci-
ence of logic (bad infinity) and the philosophy of Wittgenstein (per-
spicuous representation). The second part is devoted to reflexivity in
music, sketching a theory of emotions that would provide a unified
account for both the cognitive and affective parts of musical experi-
ence. The tension between the recent empirical approach, as repre-
sented particularly by Huron’s ITPRA theory, and the transcendental
fact that music as an instance of art is something one can understand
and, moreover, can understand oneself through, is reconciled by fo-
cusing on the self-conscious structure of music and its embedment,
along the lines of Meyer and Brandom, into the broader framework
of the pragmatists’ theories of meaning.
In the third, last part, the focus on music is taken further, to
the phenomenon of singing and musical theatre that are both rep-
resented in the book’s title. In the beginning, the proposal by the
early-Wittgenstein that we shall avoid the antinomies of pure reason
by excluding the tendency of our reason to talk about talk is dis-
cussed. Given that such a policy is in its very character controversial,
the book considers the possibility as to whether antimonies of pure
reason might not be better dealt with by a shift from the sphere of
278
O cem se neda mluvit, o tom se musi zpivat
epistemology to that of aesthetics. To this end, the principles of Witt-
gensteinian aesthetics are developed and reconsidered in connection
with their roots in German idealism, particularly as given in HegeTs
famous delimitation of beauty as a sensuous manifestation of truth.
The joint treatment of the epistemic and aesthetic questions as relat-
ed issues makes the book a unique contribution to the thesis about
the unity of experience.
281
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Aristotelés 18, 40, 52-54, 98, 128,
192, 239, 254
Bach, Johann Sebastian 116,118,
162, 193
Baker, Gordon Park 37, 38, 104
Ball, Philip 146, 155
Barthes, Roland 207
Beethoven, Ludwig van 106, 118,
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Benjamin, Walter 192
Beran, Ondrej 37, 105
Berkeley, George 71, 173
Berlin, Isaiah 135, 266, 267, 268
Bernstein, Leonard 112, 133
Berwald, Franz 182
Bizet, Georges 269
Bolzano, Bernard 68, 72, 89
Bowie, Andrew 150-152, 163
Brandom, Robert 13, 23, 31, 39,
56, 64, 65, 98, 149, 150-154,
157, 161-165, 169-171, 184,
185, 221
Brouwer, Luitzen Egbertus Jan 86,
90
Bruckner, Anton 133, 148, 182
Budden, Julian 274
Cage, John 135
Cantor, Georg 69, 72, 72, 74, 85-89
Carroll, Joseph 208
Carroll, Lewis 64
Cauchy, Augustin Louis 74
Cohen, Ted 256
Cooper, Grosvenor 131
Cajkovskij, Petr Iljic 182, 203
Dahlhaus, Carl 217
Darwin, Charles 62, 152
Dawkins, Richard 208
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Decker, Willy 265
Descartes, René 18
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177, 179, 185
Diletsky, Nikolay 114
Drury, Maurice O’Connor 106,
213
Dürrer, Albrecht 255
Eggersova, Katrin 97, 119, 211, 212
Eschenbach, Wolfram von 201,
202
Estes, Simon 252
Eudoxos z Knidu 74
Eukleidés 88
294
O cem se neda mluvit, o tom se musi zpivat
Feferman, Solomon 89
Foucault, Michel 255
Frazer, James George 103
Frege, Gottlob 29, 38-41, 44, 46,
48-50, 51, 56, 191
Galilei, Galileo 72
Genova, Judith 36, 64
Gödel, Kurt 22, 47, 88, 89, 94,
208
Goethe, Johann Wolfgang 59,
103-107, 129
Gogh, Vincent van 60
Goodman, Russell B. 62
Händel, Georg Friedrich 132
Hanslick, Eduard 144, 216, 222,
230, 260, 267, 275
Hegel, Georg Wilhelm
Friedrich 17, 19, 20, 24, 25,
27-32, 39, 65-72, 74, 76-79,
80, 83, 84, 86, 88, 89, 91, 92,
95, 121, 136, 150, 151, 156,
159, 161, 164, 165, 166, 169,
175, 179, 184-186, 190, 194,
195, 199-201, 204, 205, 208-
210, 220, 230, 234, 238-244,
246-248, 251, 254, 255, 258,
261, 262, 266, 274
Heidegger, Martin 161, 189
Helmholtz, Hermann von 56,
110-112, 117, 154
Hilbert, David 90, 94, 109, 120
Hodges, Wilfrid 131, 132
Homér 268
Hume, David 158, 179, 219, 220,
234
Huron, David 143, 145-147, 153,
158-160, 165, 168, 172, 175-179
Chomsky, Noam 112
Ibsen, Henrik 268
James, William 26, 39, 56, 62, 63,
151, 172, 173, 176, 178, 179,
207,; 244, 246, 247
Kant, Immanuel 9, 12, 20, 25, 29,
36, 39, 40, 42, 48, 49, 51, 52,
57, 58, 64, 65, 81, 83, 84, 97,
98, 128, 135, 136, 151, 159, 185,
190, 191, 194-196, 200, 208,
209, 219, 220, 234, 240
Kerman, Joseph 251
Kripke, Saul 78, 159, 214, 218
Kupfer, Harry 252
Kvasz, Ladislav 13, 65, 255
Lacroix, Alain 67, 74
Lange, Carl 72, 178
Leibniz, Gottfried Wilhelm 39,
40, 42, 45-47, 71
Lerdahl, Fred 110
Liszt, Ferenc 131
Lloyd, Robert 265
Lorenzen, Paul 86, 94
Mann, Thomas 15, 16
Massey, Lyle 256
Jmennÿ rejstfik
295
McGuinness, Brian 37, 119, 211
Meyer, Leonard 104, 131, 145, 146,
149, 156-159, 162, 166, 168-172,
174-177, 182, 185, 216
Miyazaki, Keni 108
Motte, Diether de la 140
Mozart, Wolfgang Amadeus 60,
257
Neurath, Otto 62
Newton, Isaac 66, 71, 104, 105-107,
112, 173, 240
Nietzsche, Friedrich 96
Pascal, Biaise 135
Peano, Giuseppe 102
Peirce, Charles Sanders 158, 171,
185, 244
Pinkard, Terry 67
Pinker, Steven 153, 207, 208
Platon 19-21, 23, 27, 28, 40, 75, 97,
98, 106, 113, 195, 196, 218, 242
Poincaré, Henri 48
Pro ko fje v, Sergej 182
Puccini, Giacomo 269
Quine, Willard Van Orman 43
Robinson, Paul 72, 226, 233, 237,
239, 259, 261-263, 271, 275
Rossini, Gioacchino 181
Russell, Bertrand 20, 36, 38, 39, 41,
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170, 230
Ryle, Gilbert 38
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155, 169, 247
Sellars, Wilfrid 31, 39, 56, 59,
92, 101, 150, 163, 184
Shakespeare, William 268
Schiller, Friedrich 135, 261,
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Schönberg, Arnold 117, 141,
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Schopenhauer, Arthur 56, 58,
96
Schubert, Friedrich 129, 131
Skolem, Thoralf 47, 50
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Spinoza, Baruch 77
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54, 68, 69, 74, 79, 92, 128,
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262
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Tetens, Holm 56
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248, 268
Tugendhat, Ernst 46
Turing, Alan 208
Varese, Edgar 135
Velazquez, Diego 255
Verdi, Giuseppe 32, 239, 253,
261-275
296
O cem se neda mluvit, o tom se musi zpivat
Wagner, Richard 32, 119, 132-135,
137, 160, 183, 201, 202, 210,
211, 212, 213-219, 222, 223,
228-234, 236, 239, 248, 251,
258-262, 266-269, 275
Weber, Max 117, 139, 142
Weill, Kurt 262
Wersin, Michael 131
Weyl, Hermann 86, 90, 94
Williams, John Towner 183
Wittgenstein, Ludwig 15, 16,
20, 25, 26, 29, 30, 35-39, 40,
41-46, 48, 49, 50, 51, 52, 53,
55-65, 69, 76, 78, 86, 90-92,
95-108, 110, 117-121, 135,
136, 153, 154, 156, 157, 159,
170, 180, 186, 189, 190,
192-197, 200, 204, 205,
208-221, 223-225, 228, 229,
234, 235, 236, 237, 241, 249,
250, 254
Wolf, Michael 67
Zenon z Eleje 87, 126, 135, 191
Zizek, Slavoj 67
!
|
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| author_sort | Kolman, Vojtěch 1975- |
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| building | Verbundindex |
| bvnumber | BV044800562 |
| ctrlnum | (OCoLC)1027762427 (DE-599)BVBBV044800562 |
| edition | Vydání první |
| format | Book |
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| illustrated | Illustrated |
| indexdate | 2024-07-10T08:02:05Z |
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| isbn | 9788070074985 8070074981 |
| language | Czech |
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| physical | 296 Seiten Illustrationen, Notenbeispiele 22 cm |
| publishDate | 2017 |
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| spelling | Kolman, Vojtěch 1975- Verfasser (DE-588)1113612797 aut O čem se nedá mluvit, o tom se musí zpívat od formy zobrazení k formám života = Whereof we cannot speak, thereof we must sing Vojtěch Kolman Od formy zobrazení k formám života Whereof we cannot speak, thereof we must sing Vydání první Praha Filosofia 2017 296 Seiten Illustrationen, Notenbeispiele 22 cm txt rdacontent n rdamedia nc rdacarrier Zusammenfassung in englischer Sprache Wittgenstein, Ludwig 1889-1951 (DE-588)118634313 gnd rswk-swf Wagner, Richard 1813-1883 (DE-588)118594117 gnd rswk-swf Musikphilosophie (DE-588)4123809-6 gnd rswk-swf filozofie hudby opera / filozofické pojetí reflexe (filozofie) philosophy of music / philosophical approach opera / philosophical approach reflection monografie monographs Musikphilosophie (DE-588)4123809-6 s Wagner, Richard 1813-1883 (DE-588)118594117 p Wittgenstein, Ludwig 1889-1951 (DE-588)118634313 p DE-604 Filosofický Ústav (Prag) (DE-588)3050798-4 isb Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030195524&sequence=000005&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030195524&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030195524&sequence=000007&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030195524&sequence=000008&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA Register // Personenregister |
| spellingShingle | Kolman, Vojtěch 1975- O čem se nedá mluvit, o tom se musí zpívat od formy zobrazení k formám života = Whereof we cannot speak, thereof we must sing Wittgenstein, Ludwig 1889-1951 (DE-588)118634313 gnd Wagner, Richard 1813-1883 (DE-588)118594117 gnd Musikphilosophie (DE-588)4123809-6 gnd |
| subject_GND | (DE-588)118634313 (DE-588)118594117 (DE-588)4123809-6 |
| title | O čem se nedá mluvit, o tom se musí zpívat od formy zobrazení k formám života = Whereof we cannot speak, thereof we must sing |
| title_alt | Od formy zobrazení k formám života Whereof we cannot speak, thereof we must sing |
| title_auth | O čem se nedá mluvit, o tom se musí zpívat od formy zobrazení k formám života = Whereof we cannot speak, thereof we must sing |
| title_exact_search | O čem se nedá mluvit, o tom se musí zpívat od formy zobrazení k formám života = Whereof we cannot speak, thereof we must sing |
| title_full | O čem se nedá mluvit, o tom se musí zpívat od formy zobrazení k formám života = Whereof we cannot speak, thereof we must sing Vojtěch Kolman |
| title_fullStr | O čem se nedá mluvit, o tom se musí zpívat od formy zobrazení k formám života = Whereof we cannot speak, thereof we must sing Vojtěch Kolman |
| title_full_unstemmed | O čem se nedá mluvit, o tom se musí zpívat od formy zobrazení k formám života = Whereof we cannot speak, thereof we must sing Vojtěch Kolman |
| title_short | O čem se nedá mluvit, o tom se musí zpívat |
| title_sort | o cem se neda mluvit o tom se musi zpivat od formy zobrazeni k formam zivota whereof we cannot speak thereof we must sing |
| title_sub | od formy zobrazení k formám života = Whereof we cannot speak, thereof we must sing |
| topic | Wittgenstein, Ludwig 1889-1951 (DE-588)118634313 gnd Wagner, Richard 1813-1883 (DE-588)118594117 gnd Musikphilosophie (DE-588)4123809-6 gnd |
| topic_facet | Wittgenstein, Ludwig 1889-1951 Wagner, Richard 1813-1883 Musikphilosophie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030195524&sequence=000005&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030195524&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030195524&sequence=000007&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030195524&sequence=000008&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA |
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