William Kentridge: process as metaphor and other doubtful enterprises
What does it mean to render the processes of making art-cutting, pasting, and projecting light-as a series of metaphors for how we think and how we live? And why would an artist embark on such an enterprise? This book considers how renowned artist William Kentridge spins the material operations of t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Oakland, California
University of California Press
[2018]
|
| Schlagworte: | |
| Online-Zugang: | Rezension Inhaltsverzeichnis |
| Zusammenfassung: | What does it mean to render the processes of making art-cutting, pasting, and projecting light-as a series of metaphors for how we think and how we live? And why would an artist embark on such an enterprise? This book considers how renowned artist William Kentridge spins the material operations of the studio into a web of politically astute and historically grounded metaphors, likening erasure to forgetting, comparing animation to the flux of history, and marshaling drawing as a form of nonlinear argument. Placing Kentridge's visual vocabulary and unorthodox methods of production in the context of South Africa's histories of change, Leora Maltz-Leca explores studio process in all of its metaphoric and philosophical dimensions |
| Beschreibung: | xi, 400 Seiten Illustrationen, Portraits |
| ISBN: | 9780520290556 0520290550 |
Internformat
MARC
| LEADER | 00000nam a22000001c 4500 | ||
|---|---|---|---|
| 001 | BV044792293 | ||
| 003 | DE-604 | ||
| 005 | 20181108 | ||
| 007 | t | ||
| 008 | 180222s2018 ac|| m||| 00||| eng d | ||
| 020 | |a 9780520290556 |c hardback |9 978-0-520-29055-6 | ||
| 020 | |a 0520290550 |c hardback |9 0-520-29055-0 | ||
| 035 | |a (OCoLC)1029454892 | ||
| 035 | |a (DE-599)BSZ490812848 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-19 |a DE-12 |a DE-255 |a DE-Y2 |a DE-188 | ||
| 050 | 0 | |a N6490 | |
| 082 | 0 | |a 700.411 | |
| 084 | |a LI 99999 |0 (DE-625)97471: |2 rvk | ||
| 100 | 1 | |a Maltz-Leca, Leora |e Verfasser |0 (DE-588)1034983938 |4 aut | |
| 245 | 1 | 0 | |a William Kentridge |b process as metaphor and other doubtful enterprises |c Leora Maltz-Leca |
| 264 | 1 | |a Oakland, California |b University of California Press |c [2018] | |
| 264 | 4 | |c © 2018 | |
| 300 | |a xi, 400 Seiten |b Illustrationen, Portraits | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 502 | |b Dissertation |g basiert auf einer Dissertation | ||
| 520 | 3 | |a What does it mean to render the processes of making art-cutting, pasting, and projecting light-as a series of metaphors for how we think and how we live? And why would an artist embark on such an enterprise? This book considers how renowned artist William Kentridge spins the material operations of the studio into a web of politically astute and historically grounded metaphors, likening erasure to forgetting, comparing animation to the flux of history, and marshaling drawing as a form of nonlinear argument. Placing Kentridge's visual vocabulary and unorthodox methods of production in the context of South Africa's histories of change, Leora Maltz-Leca explores studio process in all of its metaphoric and philosophical dimensions | |
| 600 | 1 | 7 | |a Kentridge, William |d 1955- |0 (DE-588)119119811 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Kentridge, William |d 1955- |0 (DE-588)119119811 |D p |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Kentridge, William |d 1955- |0 (DE-588)119119811 |4 ill | |
| 856 | 4 | 2 | |u http://www.sehepunkte.de/2019/12/32390.html |y rezensiert in: sehepunkte 19 (2019), Nr. 12 |3 Rezension |
| 856 | 4 | 2 | |m DNB Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030187471&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-030187471 | |
Datensatz im Suchindex
| _version_ | 1811019573503197184 |
|---|---|
| adam_text |
IMAGE 1
I N H A L T S V E R Z E I C H N I S
VORWORT VII
EINLEITUNG IX
I. ZUR EDITION IX
1.1 TEXTBESTAND IX
1.2 TEXTGESTALTUNG XI
1.3 QUELLENLAGE XIV
II. CIRIACO ROCCI, NUNTIUS IN WIEN 1630-1634 XXI
III. GIROLAMO GRIMALDI, AUBERORDENTLICHER NUNTIUS IN WIEN 1632-1633
XXVIII
IV. DIE AUFGABEN DER NUNTIEN XLVIII
V. DAS PERSONAL UND INTERNE ANGELEGENHEITEN DER NUNTIATUR L
N U N T I A T U R K O R R E S P O N D E N Z NR. 1-187.5 1
ANHANG NR. 1* - NR. 7* 887
ABKIIRZUNGEN UND SIGLEN 899
ABGEKIIRZTE ANREDE- UND TITELFORMEN 902
ARCHIVALIEN 904
QUELLEN UND DARSTELLUNGEN 906
REGISTER 933
HTTP://D-NB.INFO/1029454892 |
| any_adam_object | 1 |
| author | Maltz-Leca, Leora |
| author2 | Kentridge, William 1955- |
| author2_role | ill |
| author2_variant | w k wk |
| author_GND | (DE-588)1034983938 (DE-588)119119811 |
| author_facet | Maltz-Leca, Leora Kentridge, William 1955- |
| author_role | aut |
| author_sort | Maltz-Leca, Leora |
| author_variant | l m l lml |
| building | Verbundindex |
| bvnumber | BV044792293 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N6490 |
| callnumber-raw | N6490 |
| callnumber-search | N6490 |
| callnumber-sort | N 46490 |
| callnumber-subject | N - Visual Arts |
| classification_rvk | LI 99999 |
| ctrlnum | (OCoLC)1029454892 (DE-599)BSZ490812848 |
| dewey-full | 700.411 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700.411 |
| dewey-search | 700.411 |
| dewey-sort | 3700.411 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Thesis Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a22000001c 4500</leader><controlfield tag="001">BV044792293</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20181108</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">180222s2018 ac|| m||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780520290556</subfield><subfield code="c">hardback</subfield><subfield code="9">978-0-520-29055-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0520290550</subfield><subfield code="c">hardback</subfield><subfield code="9">0-520-29055-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1029454892</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BSZ490812848</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-19</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-Y2</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">N6490</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">700.411</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LI 99999</subfield><subfield code="0">(DE-625)97471:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Maltz-Leca, Leora</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1034983938</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">William Kentridge</subfield><subfield code="b">process as metaphor and other doubtful enterprises</subfield><subfield code="c">Leora Maltz-Leca</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oakland, California</subfield><subfield code="b">University of California Press</subfield><subfield code="c">[2018]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xi, 400 Seiten</subfield><subfield code="b">Illustrationen, Portraits</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="502" ind1=" " ind2=" "><subfield code="b">Dissertation</subfield><subfield code="g">basiert auf einer Dissertation</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">What does it mean to render the processes of making art-cutting, pasting, and projecting light-as a series of metaphors for how we think and how we live? And why would an artist embark on such an enterprise? This book considers how renowned artist William Kentridge spins the material operations of the studio into a web of politically astute and historically grounded metaphors, likening erasure to forgetting, comparing animation to the flux of history, and marshaling drawing as a form of nonlinear argument. Placing Kentridge's visual vocabulary and unorthodox methods of production in the context of South Africa's histories of change, Leora Maltz-Leca explores studio process in all of its metaphoric and philosophical dimensions</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Kentridge, William</subfield><subfield code="d">1955-</subfield><subfield code="0">(DE-588)119119811</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Kentridge, William</subfield><subfield code="d">1955-</subfield><subfield code="0">(DE-588)119119811</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Kentridge, William</subfield><subfield code="d">1955-</subfield><subfield code="0">(DE-588)119119811</subfield><subfield code="4">ill</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">http://www.sehepunkte.de/2019/12/32390.html</subfield><subfield code="y">rezensiert in: sehepunkte 19 (2019), Nr. 12</subfield><subfield code="3">Rezension</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">DNB Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030187471&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030187471</subfield></datafield></record></collection> |
| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV044792293 |
| illustrated | Illustrated |
| indexdate | 2024-09-23T20:20:53Z |
| institution | BVB |
| isbn | 9780520290556 0520290550 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030187471 |
| oclc_num | 1029454892 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM DE-12 DE-255 DE-Y2 DE-188 |
| owner_facet | DE-19 DE-BY-UBM DE-12 DE-255 DE-Y2 DE-188 |
| physical | xi, 400 Seiten Illustrationen, Portraits |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | University of California Press |
| record_format | marc |
| spelling | Maltz-Leca, Leora Verfasser (DE-588)1034983938 aut William Kentridge process as metaphor and other doubtful enterprises Leora Maltz-Leca Oakland, California University of California Press [2018] © 2018 xi, 400 Seiten Illustrationen, Portraits txt rdacontent sti rdacontent n rdamedia nc rdacarrier Dissertation basiert auf einer Dissertation What does it mean to render the processes of making art-cutting, pasting, and projecting light-as a series of metaphors for how we think and how we live? And why would an artist embark on such an enterprise? This book considers how renowned artist William Kentridge spins the material operations of the studio into a web of politically astute and historically grounded metaphors, likening erasure to forgetting, comparing animation to the flux of history, and marshaling drawing as a form of nonlinear argument. Placing Kentridge's visual vocabulary and unorthodox methods of production in the context of South Africa's histories of change, Leora Maltz-Leca explores studio process in all of its metaphoric and philosophical dimensions Kentridge, William 1955- (DE-588)119119811 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Kentridge, William 1955- (DE-588)119119811 p DE-604 Kentridge, William 1955- (DE-588)119119811 ill http://www.sehepunkte.de/2019/12/32390.html rezensiert in: sehepunkte 19 (2019), Nr. 12 Rezension DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030187471&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Maltz-Leca, Leora William Kentridge process as metaphor and other doubtful enterprises Kentridge, William 1955- (DE-588)119119811 gnd |
| subject_GND | (DE-588)119119811 (DE-588)4113937-9 |
| title | William Kentridge process as metaphor and other doubtful enterprises |
| title_auth | William Kentridge process as metaphor and other doubtful enterprises |
| title_exact_search | William Kentridge process as metaphor and other doubtful enterprises |
| title_full | William Kentridge process as metaphor and other doubtful enterprises Leora Maltz-Leca |
| title_fullStr | William Kentridge process as metaphor and other doubtful enterprises Leora Maltz-Leca |
| title_full_unstemmed | William Kentridge process as metaphor and other doubtful enterprises Leora Maltz-Leca |
| title_short | William Kentridge |
| title_sort | william kentridge process as metaphor and other doubtful enterprises |
| title_sub | process as metaphor and other doubtful enterprises |
| topic | Kentridge, William 1955- (DE-588)119119811 gnd |
| topic_facet | Kentridge, William 1955- Hochschulschrift |
| url | http://www.sehepunkte.de/2019/12/32390.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030187471&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT maltzlecaleora williamkentridgeprocessasmetaphorandotherdoubtfulenterprises AT kentridgewilliam williamkentridgeprocessasmetaphorandotherdoubtfulenterprises |