The ballad and its pasts: literary histories and the play of memory
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
D.S. Brewer
2018
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xv, 226 Seiten Illustrationen 24 cm |
| ISBN: | 9781843844921 1843844923 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
List of Illustrations viii
Preface and Acknowledgements ix
Abbreviations and Citations, Sources, Note on the Text xii
Glossary xvi
1 The Ballad and the Idea of the Past 1
2 Survival and Revival: The Medieval Ballad and Ballad Medievalism 31
3 Gothic Beginnings: Dead Lovers Return 67
4 Imitations of Ancient Ballads?: Swordsmen in the Landscape 103
5 The Idea of a Memory: Worse Things Happen at Sea 131
6 Providence and the (Re-)Ordering of Reality: Murder Will Out? 161
Afterword 193
Select Bibliography 199
Index 219
The ballad genre and its material are frequently
backward-looking in terms of subject and style: it is
ideally suited to the reimagining of past events, both
real and fictional. This volume addresses the past of
the ballad and the past in the ballad. It challenges
existing scholarship by embracing discontinuity rather
than continuity, seeing the ballad as belonging to
a culture of cheap print and imaginative literature
rather than the rarefied construct of a mythical folk’.
It finds a conscious antiquarianism and medievalism
reinterpreting the genre at different stages of its
literary history, at the same time as the ballad itself is
continually adapting to the needs of readers, singers,
and audience.
Chapters cover the few remaining examples of the
medieval ballad, and Thomas Percy’s medievalism;
David Mallet’s William and Margaret’ and the
beginnings of the gothic mode early in the eighteenth
century; ballads of Sir James the Rose’ and the culture
of cheap print in Scotland from the late eighteenth
through to the early twentieth century; shipwreck
ballads on the loss of the Ramillies and Sir Patrick
Spens’, and the reimagining of the past in the present,
with a diversion into Coleridge’s Dejection: An Ode’;
murder ballads, special providence, and the history of
mentalities from early modern to Victorian times.
|
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| title | The ballad and its pasts literary histories and the play of memory |
| title_auth | The ballad and its pasts literary histories and the play of memory |
| title_exact_search | The ballad and its pasts literary histories and the play of memory |
| title_full | The ballad and its pasts literary histories and the play of memory David Atkinson |
| title_fullStr | The ballad and its pasts literary histories and the play of memory David Atkinson |
| title_full_unstemmed | The ballad and its pasts literary histories and the play of memory David Atkinson |
| title_short | The ballad and its pasts |
| title_sort | the ballad and its pasts literary histories and the play of memory |
| title_sub | literary histories and the play of memory |
| topic | Ballade (DE-588)4004343-5 gnd Englisch (DE-588)4014777-0 gnd |
| topic_facet | Ballade Englisch |
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