Stories, meaning, and experience: narrativity and enaction
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Routledge
2015
|
| Schriftenreihe: | Routledge Studies in Rhetoric and Stylistics
9 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 200 Seiten |
| ISBN: | 9781138499171 9780415715881 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents
Acknowledgments ix
Introduction: Why We Have Stories 1
PART ONE
1 Perceptual Causality and Narrative Causality7 13
2 Narrativity and Enaction: The Social Nature of Literary
Narrative Understanding 51
3 Narrative and Metaphor: On Two Alternative Organizations
of Human Experience 94
PART TWO
4 Narrativity and Enaction in Chronicle of a Death Foretold
by Gabriel García Márquez 121
5 Narrative and Allegory in Kazuo Ishiguro’s Never Let Me Go 137
6 Narrative and Metaphor in the Tales of Henry James 150
Afterword 173
References 179
Index 195
Stories, Meaning, and Experience
In Stories, Meaning and Experience, Yanna Popova takes an original, inter-
disciplinary approach to narrative, situating the study of stories within an
enactive understanding of human cognition. Enactive approaches to cog-
nition foreground the role of interaction in explanations of social under-
standing, which includes the human practices of telling and reading stories.
Such an understanding of narrative makes a decisive break with both text-
centered approaches that have dominated structuralist and early cognitivist
views of narrative meaning, as well as pragmatic ones that view narrative
understanding as a form of linguistic implicature. Popova argues that the
intersubjective experience that each narrative both affords and requires
serves to highlight the active yet cooperative and communal nature of
human sociality, expressed in the multiple forms of human interaction, of
which storytelling is one. The understanding of narrative elaborated in this
book cuts across many of the core issues in fields such as narratology, phi-
losophy, cognitive psychology and traditional story grammars, providing
a critically productive framework for exploring the enduring human pro-
pensity to think and experience the world through stories. The theoretical
discussion is supplemented with close readings of literary works by Kazuo
Ishiguro, Henry James and Gabriel García Márquez.
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| title | Stories, meaning, and experience narrativity and enaction |
| title_auth | Stories, meaning, and experience narrativity and enaction |
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