Music glocalization: heritage and innovation in a digital age
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne, UK
Cambridge Scholars Publishing
2018
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xlviii, 383 Seiten Illustrationen, Karte, Notenbeispiele |
| ISBN: | 9781527503939 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1812112989845716992 |
|---|---|
| adam_text |
Table of Contents
Contributors.viii
Acknowledgements.xvi
Preface. xix
Mikoiaj Rykowski
Introduction.xxiii
David G. Hebert and Mikotaj Rykowski: An Overture to Music
Glocalization
Part One: Theoretical Perspectives on Glocality and Music
Chapter One. 2
Music in the Conditions of Glocalization
David G. Hebert
Chapter Two.20
The Challenge of Orality
Krzysztof Moraczewski
Chapter Three.32
The Myth of Globalization and Contemporary Musical Culture
David Kozel
Chapter Four.52
Traces and Echoes of the Frontier Idiom in Polish Music of the “Age
of Passions ”
Mieczyslaw Tomaszewski
Chapter Five.61
Reframing the Gesamtkunstwerk; On the Multiplicity o/The Ring’s
Leitmotifs in the Age of Global Media
Victor Nefkens
VI
Table of Contents
Part Two: Art Music Composition in a Digital Age
Chapter Six. 106
Mixed Identities in Arvo Part's Adam's Lament
Kerri Kotta
Chapter Seven.135
Northern Irish, Irish, British or European? The Orchestral Music
of Kevin OfConnell
Jennifer McKay
Chapter Eight. 157
Musical Hybrids of Zbigniew Bargielski in the Context ofPostmodern
Culture
Violetta Przech
Chapter Nine.179
Concert Hall or Cinema Hall?: Adam Walacihski ’s Film Music
Ewa Czachorowska-Zygor
Part Three: Glocalized Music beyond Europe
Chapter Ten.190
A National School for Global Music: The Case of Uzbekistan
in the Globalized Network of Western-Style “Contemporary Music “
Lucille Lisack
Chapter Eleven.218
Musical Attitudes and Actions of Inhabitants of West Sumatra
in the Light of Globalization
Maria Szymanska-Ilnata
Chapter Twelve.235
What do Eucalyptus and PVC Pipe Have in Common?
Lukasz Smoluch
Music Giocalization: Heritage and Innovation in a Digital Age vii
Part Four: Glocalized Music Professions
Chapter Thirteen.254
How to Become a European Composer?: Musical Careers of two 19th
Century Polish Artists, Jozef Michal Ksawery Poniatowski
and Juliusz Zar^bski
Ryszard Daniel Golianek
Chapter Fourteen.271
The Repertoire of Street Musicians in a Time of Globalization
Ewelina Grygier
Chapter Fifteen.306
Italian Opera as a Glocalized Profession
David G. Hebert, Mikolaj Rykowski, Renato Meucci,
Karen Odrobna-Gerardi, Paolo Rosato, and Walter Zidaric
Conclusion.346
Toward a Theoretical Model of Music Giocalization
Mikolaj Rykowski and David G. Hebert
Index
375 |
| any_adam_object | 1 |
| author2 | Hebert, David G. Rykowski, Mikołaj ca. 20./21. Jh |
| author2_role | edt edt |
| author2_variant | d g h dg dgh m r mr |
| author_GND | (DE-588)101948926X (DE-588)112485679X |
| author_facet | Hebert, David G. Rykowski, Mikołaj ca. 20./21. Jh |
| building | Verbundindex |
| bvnumber | BV044766386 |
| ctrlnum | (OCoLC)1024134877 (DE-599)BVBBV044766386 |
| format | Book |
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| title | Music glocalization heritage and innovation in a digital age |
| title_auth | Music glocalization heritage and innovation in a digital age |
| title_exact_search | Music glocalization heritage and innovation in a digital age |
| title_full | Music glocalization heritage and innovation in a digital age edited by David Hebert and Mikolaj Rykowski |
| title_fullStr | Music glocalization heritage and innovation in a digital age edited by David Hebert and Mikolaj Rykowski |
| title_full_unstemmed | Music glocalization heritage and innovation in a digital age edited by David Hebert and Mikolaj Rykowski |
| title_short | Music glocalization |
| title_sort | music glocalization heritage and innovation in a digital age |
| title_sub | heritage and innovation in a digital age |
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