Leonardo: discoveries from Verrocchio's studio : early paintings and new attributions
Presents exciting, original conclusions about Leonardo da Vinci's early life as an artist and amplifies his role in Andrea del Verrocchio's studio This groundbreaking re-examination of the beginnings of Leonardo da Vinci's (1452-1519) life as an artist suggests new candidates for his...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | , |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Haven
Yale University Art Gallery
2018
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| Schlagworte: | |
| Zusammenfassung: | Presents exciting, original conclusions about Leonardo da Vinci's early life as an artist and amplifies his role in Andrea del Verrocchio's studio This groundbreaking re-examination of the beginnings of Leonardo da Vinci's (1452-1519) life as an artist suggests new candidates for his earliest surviving work and revises our understanding of his role in the studio of his teacher, Andrea del Verrocchio (1435-1488). Anchoring this analysis are important yet often overlooked considerations about Verrocchio's studio-specifically, the collaborative nature of most works that emerged from it and the probability that Leonardo must initially have learned to paint in tempera, as his teacher did. The book searches for the young artist's hand among the tempera works from Verrocchio's studio and proposes new criteria for judging Verrocchio's own painting style. Several paintings are identified here as likely the work of Leonardo and others long considered works by Verrocchio or his assistant Lorenzo di Credi (1457/59-1536) may now be seen as collaborations with Leonardo sometime before his departure from Florence in 1482/83. In addition to Laurence Kanter's detailed arguments, the book features three essays presenting recent scientific analysis and imaging that support the new attributions of paintings, or parts of paintings, to Leonardo.00Exhibition: Yale University Art Gallery, New Haven, USA (Summer-Fall 2018) |
| Beschreibung: | 144 Seiten Illustrationen |
| ISBN: | 9780300233018 |
Internformat
MARC
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| 264 | 1 | |a New Haven |b Yale University Art Gallery |c 2018 | |
| 264 | 2 | |a New Haven ; London |b Yale University Press | |
| 300 | |a 144 Seiten |b Illustrationen | ||
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| 520 | 3 | |a Presents exciting, original conclusions about Leonardo da Vinci's early life as an artist and amplifies his role in Andrea del Verrocchio's studio This groundbreaking re-examination of the beginnings of Leonardo da Vinci's (1452-1519) life as an artist suggests new candidates for his earliest surviving work and revises our understanding of his role in the studio of his teacher, Andrea del Verrocchio (1435-1488). Anchoring this analysis are important yet often overlooked considerations about Verrocchio's studio-specifically, the collaborative nature of most works that emerged from it and the probability that Leonardo must initially have learned to paint in tempera, as his teacher did. The book searches for the young artist's hand among the tempera works from Verrocchio's studio and proposes new criteria for judging Verrocchio's own painting style. Several paintings are identified here as likely the work of Leonardo and others long considered works by Verrocchio or his assistant Lorenzo di Credi (1457/59-1536) may now be seen as collaborations with Leonardo sometime before his departure from Florence in 1482/83. In addition to Laurence Kanter's detailed arguments, the book features three essays presenting recent scientific analysis and imaging that support the new attributions of paintings, or parts of paintings, to Leonardo.00Exhibition: Yale University Art Gallery, New Haven, USA (Summer-Fall 2018) | |
| 600 | 0 | 7 | |a Lorenzo |c di Credi |d 1459-1537 |0 (DE-588)119248506 |2 gnd |9 rswk-swf |
| 600 | 0 | 7 | |a Leonardo |c da Vinci |d 1452-1519 |0 (DE-588)118640445 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Del Verrocchio, Andrea |d 1435-1488 |0 (DE-588)118768158 |2 gnd |9 rswk-swf |
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| 689 | 0 | 0 | |a Leonardo |c da Vinci |d 1452-1519 |0 (DE-588)118640445 |D p |
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| 700 | 1 | |a Mottin, Bruno |0 (DE-588)188379916 |4 ctb | |
| 700 | 1 | |a Piccione Albertson, Rita |0 (DE-588)1167705270 |4 ctb | |
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Datensatz im Suchindex
| _version_ | 1804178289192861696 |
|---|---|
| any_adam_object | |
| author | Kanter, Laurence B. 1954- |
| author2 | Mottin, Bruno Piccione Albertson, Rita |
| author2_role | ctb ctb |
| author2_variant | b m bm a r p ar arp |
| author_GND | (DE-588)1036944115 (DE-588)118640445 (DE-588)188379916 (DE-588)1167705270 |
| author_facet | Kanter, Laurence B. 1954- Mottin, Bruno Piccione Albertson, Rita |
| author_role | aut |
| author_sort | Kanter, Laurence B. 1954- |
| author_variant | l b k lb lbk |
| building | Verbundindex |
| bvnumber | BV044765253 |
| classification_rvk | LI 53260 |
| ctrlnum | (OCoLC)1054386435 (DE-599)BVBBV044765253 |
| discipline | Kunstgeschichte |
| format | Book |
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| genre_facet | Ausstellungskatalog 29.06.2018-07.10.2018 New Haven, Conn. |
| id | DE-604.BV044765253 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:01:36Z |
| institution | BVB |
| isbn | 9780300233018 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030160571 |
| oclc_num | 1054386435 |
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| physical | 144 Seiten Illustrationen |
| publishDate | 2018 |
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| publisher | Yale University Art Gallery |
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| spelling | Kanter, Laurence B. 1954- Verfasser (DE-588)1036944115 aut Leonardo discoveries from Verrocchio's studio : early paintings and new attributions Laurence Kanter ; with contributions by Bruno Mottin and Rita Piccione Albertson New Haven Yale University Art Gallery 2018 New Haven ; London Yale University Press 144 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Presents exciting, original conclusions about Leonardo da Vinci's early life as an artist and amplifies his role in Andrea del Verrocchio's studio This groundbreaking re-examination of the beginnings of Leonardo da Vinci's (1452-1519) life as an artist suggests new candidates for his earliest surviving work and revises our understanding of his role in the studio of his teacher, Andrea del Verrocchio (1435-1488). Anchoring this analysis are important yet often overlooked considerations about Verrocchio's studio-specifically, the collaborative nature of most works that emerged from it and the probability that Leonardo must initially have learned to paint in tempera, as his teacher did. The book searches for the young artist's hand among the tempera works from Verrocchio's studio and proposes new criteria for judging Verrocchio's own painting style. Several paintings are identified here as likely the work of Leonardo and others long considered works by Verrocchio or his assistant Lorenzo di Credi (1457/59-1536) may now be seen as collaborations with Leonardo sometime before his departure from Florence in 1482/83. In addition to Laurence Kanter's detailed arguments, the book features three essays presenting recent scientific analysis and imaging that support the new attributions of paintings, or parts of paintings, to Leonardo.00Exhibition: Yale University Art Gallery, New Haven, USA (Summer-Fall 2018) Lorenzo di Credi 1459-1537 (DE-588)119248506 gnd rswk-swf Leonardo da Vinci 1452-1519 (DE-588)118640445 gnd rswk-swf Del Verrocchio, Andrea 1435-1488 (DE-588)118768158 gnd rswk-swf Werkstatt (DE-588)4140619-9 gnd rswk-swf Zuschreibung (DE-588)4132036-0 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog 29.06.2018-07.10.2018 New Haven, Conn. gnd-content Leonardo da Vinci 1452-1519 (DE-588)118640445 p Lorenzo di Credi 1459-1537 (DE-588)119248506 p Del Verrocchio, Andrea 1435-1488 (DE-588)118768158 p Werkstatt (DE-588)4140619-9 s Zuschreibung (DE-588)4132036-0 s DE-604 Leonardo da Vinci 1452-1519 (DE-588)118640445 art Mottin, Bruno (DE-588)188379916 ctb Piccione Albertson, Rita (DE-588)1167705270 ctb |
| spellingShingle | Kanter, Laurence B. 1954- Leonardo discoveries from Verrocchio's studio : early paintings and new attributions Lorenzo di Credi 1459-1537 (DE-588)119248506 gnd Leonardo da Vinci 1452-1519 (DE-588)118640445 gnd Del Verrocchio, Andrea 1435-1488 (DE-588)118768158 gnd Werkstatt (DE-588)4140619-9 gnd Zuschreibung (DE-588)4132036-0 gnd |
| subject_GND | (DE-588)119248506 (DE-588)118640445 (DE-588)118768158 (DE-588)4140619-9 (DE-588)4132036-0 (DE-588)4135467-9 |
| title | Leonardo discoveries from Verrocchio's studio : early paintings and new attributions |
| title_auth | Leonardo discoveries from Verrocchio's studio : early paintings and new attributions |
| title_exact_search | Leonardo discoveries from Verrocchio's studio : early paintings and new attributions |
| title_full | Leonardo discoveries from Verrocchio's studio : early paintings and new attributions Laurence Kanter ; with contributions by Bruno Mottin and Rita Piccione Albertson |
| title_fullStr | Leonardo discoveries from Verrocchio's studio : early paintings and new attributions Laurence Kanter ; with contributions by Bruno Mottin and Rita Piccione Albertson |
| title_full_unstemmed | Leonardo discoveries from Verrocchio's studio : early paintings and new attributions Laurence Kanter ; with contributions by Bruno Mottin and Rita Piccione Albertson |
| title_short | Leonardo |
| title_sort | leonardo discoveries from verrocchio s studio early paintings and new attributions |
| title_sub | discoveries from Verrocchio's studio : early paintings and new attributions |
| topic | Lorenzo di Credi 1459-1537 (DE-588)119248506 gnd Leonardo da Vinci 1452-1519 (DE-588)118640445 gnd Del Verrocchio, Andrea 1435-1488 (DE-588)118768158 gnd Werkstatt (DE-588)4140619-9 gnd Zuschreibung (DE-588)4132036-0 gnd |
| topic_facet | Lorenzo di Credi 1459-1537 Leonardo da Vinci 1452-1519 Del Verrocchio, Andrea 1435-1488 Werkstatt Zuschreibung Ausstellungskatalog 29.06.2018-07.10.2018 New Haven, Conn. |
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