Canonising Shakespeare: stationers and the book trade, 1640-1740
Canonising Shakespeare offers the first comprehensive reassessment of Shakespeare's afterlife as a print phenomenon, demonstrating the crucial role that the book trade played in his rise to cultural pre-eminence. 1640–1740 was the period in which Shakespeare's canon was determined, in whic...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2017
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Canonising Shakespeare offers the first comprehensive reassessment of Shakespeare's afterlife as a print phenomenon, demonstrating the crucial role that the book trade played in his rise to cultural pre-eminence. 1640–1740 was the period in which Shakespeare's canon was determined, in which the poems resumed their place alongside the plays in print, and in which artisans and named editors crafted a new, contemporary Shakespeare for Restoration and eighteenth-century consumers. A team of international contributors highlight the impact of individual booksellers, printers, publishers and editors on the Shakespearean text, the books in which it was presented, and the ways in which it was promoted. From radical adaptations of the Sonnets to new characters in plays, and from elegant subscription volumes to cheap editions churned out by feuding publishers, this period was marked by eclecticism, contradiction and innovation as stationers looked to the past and the future to create a Shakespeare for their own times |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 29 Sep 2017) |
| Beschreibung: | 1 online resource (x, 272 pages) |
| DOI: | 10.1017/9781316650752 |
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| 505 | 8 | |a Machine generated contents note: 1. Introduction Emma Depledge and Peter Kirwan; Part I. Selling Shakespeare: 2. Shakespeare for sale, 1640-1740 Emma Depledge; 3. Royalist Shakespeare: publishers, politics and the appropriation of The Rape of Lucrece (1655) Adam G. Hooks; 4. Henry Herringman, Richard Bentley and Shakespeare's Fourth Folio (1685) Francis X. Connor; 5. Shakespeare without rules: the fifth Shakespeare folio and market demand in the early 1700s Lara Hansen and Eric Rasmussen; 6. The 1734-5 price wars, Antony and Cleopatra and the theatrical imagination Anthony Brano. Part II. Consolidating the Shakespeare Canon: 7. Consolidating the Shakespeare canon, 1640-1740 Peter Kirwan; 8. John Benson's 1640 poems and its literary precedents Faith Acker; 9. Cupids Cabinet Unlock't (1662), ostensibly 'by W. Shakespeare', in fact partly by John Milton Lukas Erne; 10. Discovering Shakespeare's personal style: editing and connoisseurship in the eighteenth century Edmund G. C. King; Part III. Editing Shakespeare: 11. Editing Shakespeare, 1640-1740 Emma Depledge and Peter Kirwan; 12. Dramatic typography and the restoration quartos of Hamlet Claire M. L. Bourne; 13. The 1709/11 editions of Shakespeare's poems Paul D. Cannan; 14. Alexander Pope, interventionist editing and The Taming of the Shrew (1725) Jonathan H. Holmes; 15. Editorial annotations in Shakespeare editions after 1733 Adam Rounce; 16. Afterword Patrick Cheney | |
| 520 | |a Canonising Shakespeare offers the first comprehensive reassessment of Shakespeare's afterlife as a print phenomenon, demonstrating the crucial role that the book trade played in his rise to cultural pre-eminence. 1640–1740 was the period in which Shakespeare's canon was determined, in which the poems resumed their place alongside the plays in print, and in which artisans and named editors crafted a new, contemporary Shakespeare for Restoration and eighteenth-century consumers. A team of international contributors highlight the impact of individual booksellers, printers, publishers and editors on the Shakespearean text, the books in which it was presented, and the ways in which it was promoted. From radical adaptations of the Sonnets to new characters in plays, and from elegant subscription volumes to cheap editions churned out by feuding publishers, this period was marked by eclecticism, contradiction and innovation as stationers looked to the past and the future to create a Shakespeare for their own times | ||
| 600 | 1 | 4 | |a Shakespeare, William / 1564-1616 / Criticism, Textual |
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Datensatz im Suchindex
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| author2 | Depledge, Emma Kirwan, Peter |
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| author_GND | (DE-588)1142006913 (DE-588)1070544264 |
| author_facet | Depledge, Emma Kirwan, Peter |
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| contents | Machine generated contents note: 1. Introduction Emma Depledge and Peter Kirwan; Part I. Selling Shakespeare: 2. Shakespeare for sale, 1640-1740 Emma Depledge; 3. Royalist Shakespeare: publishers, politics and the appropriation of The Rape of Lucrece (1655) Adam G. Hooks; 4. Henry Herringman, Richard Bentley and Shakespeare's Fourth Folio (1685) Francis X. Connor; 5. Shakespeare without rules: the fifth Shakespeare folio and market demand in the early 1700s Lara Hansen and Eric Rasmussen; 6. The 1734-5 price wars, Antony and Cleopatra and the theatrical imagination Anthony Brano. Part II. Consolidating the Shakespeare Canon: 7. Consolidating the Shakespeare canon, 1640-1740 Peter Kirwan; 8. John Benson's 1640 poems and its literary precedents Faith Acker; 9. Cupids Cabinet Unlock't (1662), ostensibly 'by W. Shakespeare', in fact partly by John Milton Lukas Erne; 10. Discovering Shakespeare's personal style: editing and connoisseurship in the eighteenth century Edmund G. C. King; Part III. Editing Shakespeare: 11. Editing Shakespeare, 1640-1740 Emma Depledge and Peter Kirwan; 12. Dramatic typography and the restoration quartos of Hamlet Claire M. L. Bourne; 13. The 1709/11 editions of Shakespeare's poems Paul D. Cannan; 14. Alexander Pope, interventionist editing and The Taming of the Shrew (1725) Jonathan H. Holmes; 15. Editorial annotations in Shakespeare editions after 1733 Adam Rounce; 16. Afterword Patrick Cheney |
| ctrlnum | (ZDB-20-CBO)CR9781316650752 (OCoLC)1012745616 (DE-599)BVBBV044764082 |
| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.3/3 |
| dewey-search | 822.3/3 |
| dewey-sort | 3822.3 13 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/9781316650752 |
| era | Geschichte 1640-1740 gnd |
| era_facet | Geschichte 1640-1740 |
| format | Electronic eBook |
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| indexdate | 2024-07-10T08:01:34Z |
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| publisher | Cambridge University Press |
| record_format | marc |
| spelling | Canonising Shakespeare stationers and the book trade, 1640-1740 edited by Emma Depledge and Peter Kirwan Cambridge Cambridge University Press 2017 1 online resource (x, 272 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 29 Sep 2017) Machine generated contents note: 1. Introduction Emma Depledge and Peter Kirwan; Part I. Selling Shakespeare: 2. Shakespeare for sale, 1640-1740 Emma Depledge; 3. Royalist Shakespeare: publishers, politics and the appropriation of The Rape of Lucrece (1655) Adam G. Hooks; 4. Henry Herringman, Richard Bentley and Shakespeare's Fourth Folio (1685) Francis X. Connor; 5. Shakespeare without rules: the fifth Shakespeare folio and market demand in the early 1700s Lara Hansen and Eric Rasmussen; 6. The 1734-5 price wars, Antony and Cleopatra and the theatrical imagination Anthony Brano. Part II. Consolidating the Shakespeare Canon: 7. Consolidating the Shakespeare canon, 1640-1740 Peter Kirwan; 8. John Benson's 1640 poems and its literary precedents Faith Acker; 9. Cupids Cabinet Unlock't (1662), ostensibly 'by W. Shakespeare', in fact partly by John Milton Lukas Erne; 10. Discovering Shakespeare's personal style: editing and connoisseurship in the eighteenth century Edmund G. C. King; Part III. Editing Shakespeare: 11. Editing Shakespeare, 1640-1740 Emma Depledge and Peter Kirwan; 12. Dramatic typography and the restoration quartos of Hamlet Claire M. L. Bourne; 13. The 1709/11 editions of Shakespeare's poems Paul D. Cannan; 14. Alexander Pope, interventionist editing and The Taming of the Shrew (1725) Jonathan H. Holmes; 15. Editorial annotations in Shakespeare editions after 1733 Adam Rounce; 16. Afterword Patrick Cheney Canonising Shakespeare offers the first comprehensive reassessment of Shakespeare's afterlife as a print phenomenon, demonstrating the crucial role that the book trade played in his rise to cultural pre-eminence. 1640–1740 was the period in which Shakespeare's canon was determined, in which the poems resumed their place alongside the plays in print, and in which artisans and named editors crafted a new, contemporary Shakespeare for Restoration and eighteenth-century consumers. A team of international contributors highlight the impact of individual booksellers, printers, publishers and editors on the Shakespearean text, the books in which it was presented, and the ways in which it was promoted. From radical adaptations of the Sonnets to new characters in plays, and from elegant subscription volumes to cheap editions churned out by feuding publishers, this period was marked by eclecticism, contradiction and innovation as stationers looked to the past and the future to create a Shakespeare for their own times Shakespeare, William / 1564-1616 / Criticism, Textual Shakespeare, William / 1564-1616 / Influence Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Geschichte 1640-1740 gnd rswk-swf Book industries and trade / England / History / 17th century Book industries and trade / England / History / 18th century Literature publishing / England / History / 17th century Literature publishing / England / History / 18th century Drama / Editing Druck (DE-588)4013083-6 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Kanon (DE-588)4131583-2 gnd rswk-swf Buchhandel (DE-588)4008626-4 gnd rswk-swf England (DE-588)4014770-8 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Shakespeare, William 1564-1616 (DE-588)118613723 p Kanon (DE-588)4131583-2 s Buchhandel (DE-588)4008626-4 s Geschichte 1640-1740 z 2\p DE-604 Rezeption (DE-588)4049716-1 s England (DE-588)4014770-8 g Druck (DE-588)4013083-6 s DE-604 Depledge, Emma (DE-588)1142006913 edt Kirwan, Peter (DE-588)1070544264 edt Erscheint auch als Druck-Ausgabe, hardback 9781107154599 Erscheint auch als Druck-Ausgabe, paperback 9781316608258 https://doi.org/10.1017/9781316650752 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Canonising Shakespeare stationers and the book trade, 1640-1740 Machine generated contents note: 1. Introduction Emma Depledge and Peter Kirwan; Part I. Selling Shakespeare: 2. Shakespeare for sale, 1640-1740 Emma Depledge; 3. Royalist Shakespeare: publishers, politics and the appropriation of The Rape of Lucrece (1655) Adam G. Hooks; 4. Henry Herringman, Richard Bentley and Shakespeare's Fourth Folio (1685) Francis X. Connor; 5. Shakespeare without rules: the fifth Shakespeare folio and market demand in the early 1700s Lara Hansen and Eric Rasmussen; 6. The 1734-5 price wars, Antony and Cleopatra and the theatrical imagination Anthony Brano. Part II. Consolidating the Shakespeare Canon: 7. Consolidating the Shakespeare canon, 1640-1740 Peter Kirwan; 8. John Benson's 1640 poems and its literary precedents Faith Acker; 9. Cupids Cabinet Unlock't (1662), ostensibly 'by W. Shakespeare', in fact partly by John Milton Lukas Erne; 10. Discovering Shakespeare's personal style: editing and connoisseurship in the eighteenth century Edmund G. C. King; Part III. Editing Shakespeare: 11. Editing Shakespeare, 1640-1740 Emma Depledge and Peter Kirwan; 12. Dramatic typography and the restoration quartos of Hamlet Claire M. L. Bourne; 13. The 1709/11 editions of Shakespeare's poems Paul D. Cannan; 14. Alexander Pope, interventionist editing and The Taming of the Shrew (1725) Jonathan H. Holmes; 15. Editorial annotations in Shakespeare editions after 1733 Adam Rounce; 16. Afterword Patrick Cheney Shakespeare, William / 1564-1616 / Criticism, Textual Shakespeare, William / 1564-1616 / Influence Shakespeare, William 1564-1616 (DE-588)118613723 gnd Book industries and trade / England / History / 17th century Book industries and trade / England / History / 18th century Literature publishing / England / History / 17th century Literature publishing / England / History / 18th century Drama / Editing Druck (DE-588)4013083-6 gnd Rezeption (DE-588)4049716-1 gnd Kanon (DE-588)4131583-2 gnd Buchhandel (DE-588)4008626-4 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4013083-6 (DE-588)4049716-1 (DE-588)4131583-2 (DE-588)4008626-4 (DE-588)4014770-8 (DE-588)4143413-4 |
| title | Canonising Shakespeare stationers and the book trade, 1640-1740 |
| title_auth | Canonising Shakespeare stationers and the book trade, 1640-1740 |
| title_exact_search | Canonising Shakespeare stationers and the book trade, 1640-1740 |
| title_full | Canonising Shakespeare stationers and the book trade, 1640-1740 edited by Emma Depledge and Peter Kirwan |
| title_fullStr | Canonising Shakespeare stationers and the book trade, 1640-1740 edited by Emma Depledge and Peter Kirwan |
| title_full_unstemmed | Canonising Shakespeare stationers and the book trade, 1640-1740 edited by Emma Depledge and Peter Kirwan |
| title_short | Canonising Shakespeare |
| title_sort | canonising shakespeare stationers and the book trade 1640 1740 |
| title_sub | stationers and the book trade, 1640-1740 |
| topic | Shakespeare, William / 1564-1616 / Criticism, Textual Shakespeare, William / 1564-1616 / Influence Shakespeare, William 1564-1616 (DE-588)118613723 gnd Book industries and trade / England / History / 17th century Book industries and trade / England / History / 18th century Literature publishing / England / History / 17th century Literature publishing / England / History / 18th century Drama / Editing Druck (DE-588)4013083-6 gnd Rezeption (DE-588)4049716-1 gnd Kanon (DE-588)4131583-2 gnd Buchhandel (DE-588)4008626-4 gnd |
| topic_facet | Shakespeare, William / 1564-1616 / Criticism, Textual Shakespeare, William / 1564-1616 / Influence Shakespeare, William 1564-1616 Book industries and trade / England / History / 17th century Book industries and trade / England / History / 18th century Literature publishing / England / History / 17th century Literature publishing / England / History / 18th century Drama / Editing Druck Rezeption Kanon Buchhandel England Aufsatzsammlung |
| url | https://doi.org/10.1017/9781316650752 |
| work_keys_str_mv | AT depledgeemma canonisingshakespearestationersandthebooktrade16401740 AT kirwanpeter canonisingshakespearestationersandthebooktrade16401740 |