American independent cinema: rites of passage and the crisis image
Examines crisis, transition and metamorphosis in American independent cinema. By examining six films, all of which conform to the notion of 'indiewood' (King 2005) from a formal perspective, this book argues that American 'indie' cinema is not one merely in crisis, but also of cr...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2015
|
| Schriftenreihe: | Edinburgh studies in film and intermediality
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Examines crisis, transition and metamorphosis in American independent cinema. By examining six films, all of which conform to the notion of 'indiewood' (King 2005) from a formal perspective, this book argues that American 'indie' cinema is not one merely in crisis, but also of crisis. As a cinema that draws upon an American cinematic heritage that explores various rites of passage (the teen movie, the road movie, the western), these films deal in images of crisis, transition and metamorphosis. This cinema of crisis offers surprisingly subversive and critical images that both engage with and undermine modes of cliched representation and thought by exploring notions of ambiguity and opacity.Key Features: Case studies include: The Virgin Suicides , Elephant , Dead Man , Last Days , Somewhere and Broken Flowers * Engages with and develops on recent scholarship on American independent film from a formal perspective * Situates analysis of indie film within the context of American generic cinematic (and historical) traditions |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 29 Sep 2017) |
| Beschreibung: | 1 online resource (170 pages) |
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| 520 | |a Examines crisis, transition and metamorphosis in American independent cinema. By examining six films, all of which conform to the notion of 'indiewood' (King 2005) from a formal perspective, this book argues that American 'indie' cinema is not one merely in crisis, but also of crisis. As a cinema that draws upon an American cinematic heritage that explores various rites of passage (the teen movie, the road movie, the western), these films deal in images of crisis, transition and metamorphosis. This cinema of crisis offers surprisingly subversive and critical images that both engage with and undermine modes of cliched representation and thought by exploring notions of ambiguity and opacity.Key Features: Case studies include: The Virgin Suicides , Elephant , Dead Man , Last Days , Somewhere and Broken Flowers * Engages with and develops on recent scholarship on American independent film from a formal perspective * Situates analysis of indie film within the context of American generic cinematic (and historical) traditions | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Backman Rogers, Anna 1981- |
| author_GND | (DE-588)1073231925 |
| author_facet | Backman Rogers, Anna 1981- |
| author_role | aut |
| author_sort | Backman Rogers, Anna 1981- |
| author_variant | r a b ra rab |
| building | Verbundindex |
| bvnumber | BV044763825 |
| classification_rvk | AP 44983 AP 53800 |
| collection | ZDB-20-CBO |
| contents | Adolescence: Sofia Coppola's The Virgin Suicides (1999) -- Adolescence: Gus Van Sant's Elephant (2003) -- Death: Jim Jarmusch's Dead Man (1994) -- Death: Gus Van Sant's Last Days (2004) -- Life-crisis: Sofia Coppola's Somewhere (2011) -- Life-crisis: Jim Jarmusch's Broken Flowers (2005) -- Conclusion: the crisis image - mumblecore and beyond |
| ctrlnum | (ZDB-20-CBO)CR9780748693610 (OCoLC)1024099553 (DE-599)BVBBV044763825 |
| dewey-full | 791.4/3/0973 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4/3/0973 |
| dewey-search | 791.4/3/0973 |
| dewey-sort | 3791.4 13 3973 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| spelling | Backman Rogers, Anna 1981- Verfasser (DE-588)1073231925 aut American independent cinema rites of passage and the crisis image Anna Backman Rogers Edinburgh Edinburgh University Press 2015 1 online resource (170 pages) txt rdacontent c rdamedia cr rdacarrier Edinburgh studies in film and intermediality Title from publisher's bibliographic system (viewed on 29 Sep 2017) Adolescence: Sofia Coppola's The Virgin Suicides (1999) -- Adolescence: Gus Van Sant's Elephant (2003) -- Death: Jim Jarmusch's Dead Man (1994) -- Death: Gus Van Sant's Last Days (2004) -- Life-crisis: Sofia Coppola's Somewhere (2011) -- Life-crisis: Jim Jarmusch's Broken Flowers (2005) -- Conclusion: the crisis image - mumblecore and beyond Examines crisis, transition and metamorphosis in American independent cinema. By examining six films, all of which conform to the notion of 'indiewood' (King 2005) from a formal perspective, this book argues that American 'indie' cinema is not one merely in crisis, but also of crisis. As a cinema that draws upon an American cinematic heritage that explores various rites of passage (the teen movie, the road movie, the western), these films deal in images of crisis, transition and metamorphosis. This cinema of crisis offers surprisingly subversive and critical images that both engage with and undermine modes of cliched representation and thought by exploring notions of ambiguity and opacity.Key Features: Case studies include: The Virgin Suicides , Elephant , Dead Man , Last Days , Somewhere and Broken Flowers * Engages with and develops on recent scholarship on American independent film from a formal perspective * Situates analysis of indie film within the context of American generic cinematic (and historical) traditions Coppola, Sofia 1971- (DE-588)129584800 gnd rswk-swf Van Sant, Gus 1952- (DE-588)119373432 gnd rswk-swf Jarmusch, Jim 1953- (DE-588)120820366 gnd rswk-swf Independent films / United States / History and criticism Unabhängiger Film (DE-588)4485045-1 gnd rswk-swf Übergangsritus Motiv (DE-588)7566586-4 gnd rswk-swf Krise Motiv (DE-588)4249964-1 gnd rswk-swf Erwachsenwerden Motiv (DE-588)4363293-2 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Coppola, Sofia 1971- (DE-588)129584800 p Jarmusch, Jim 1953- (DE-588)120820366 p Van Sant, Gus 1952- (DE-588)119373432 p USA (DE-588)4078704-7 g Unabhängiger Film (DE-588)4485045-1 s Krise Motiv (DE-588)4249964-1 s Erwachsenwerden Motiv (DE-588)4363293-2 s Übergangsritus Motiv (DE-588)7566586-4 s 1\p DE-604 Erscheint auch als Druck-Ausgabe, hardback 9780748693603 https://www.cambridge.org/core/product/identifier/9780748693610/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Backman Rogers, Anna 1981- American independent cinema rites of passage and the crisis image Adolescence: Sofia Coppola's The Virgin Suicides (1999) -- Adolescence: Gus Van Sant's Elephant (2003) -- Death: Jim Jarmusch's Dead Man (1994) -- Death: Gus Van Sant's Last Days (2004) -- Life-crisis: Sofia Coppola's Somewhere (2011) -- Life-crisis: Jim Jarmusch's Broken Flowers (2005) -- Conclusion: the crisis image - mumblecore and beyond Coppola, Sofia 1971- (DE-588)129584800 gnd Van Sant, Gus 1952- (DE-588)119373432 gnd Jarmusch, Jim 1953- (DE-588)120820366 gnd Independent films / United States / History and criticism Unabhängiger Film (DE-588)4485045-1 gnd Übergangsritus Motiv (DE-588)7566586-4 gnd Krise Motiv (DE-588)4249964-1 gnd Erwachsenwerden Motiv (DE-588)4363293-2 gnd |
| subject_GND | (DE-588)129584800 (DE-588)119373432 (DE-588)120820366 (DE-588)4485045-1 (DE-588)7566586-4 (DE-588)4249964-1 (DE-588)4363293-2 (DE-588)4078704-7 |
| title | American independent cinema rites of passage and the crisis image |
| title_auth | American independent cinema rites of passage and the crisis image |
| title_exact_search | American independent cinema rites of passage and the crisis image |
| title_full | American independent cinema rites of passage and the crisis image Anna Backman Rogers |
| title_fullStr | American independent cinema rites of passage and the crisis image Anna Backman Rogers |
| title_full_unstemmed | American independent cinema rites of passage and the crisis image Anna Backman Rogers |
| title_short | American independent cinema |
| title_sort | american independent cinema rites of passage and the crisis image |
| title_sub | rites of passage and the crisis image |
| topic | Coppola, Sofia 1971- (DE-588)129584800 gnd Van Sant, Gus 1952- (DE-588)119373432 gnd Jarmusch, Jim 1953- (DE-588)120820366 gnd Independent films / United States / History and criticism Unabhängiger Film (DE-588)4485045-1 gnd Übergangsritus Motiv (DE-588)7566586-4 gnd Krise Motiv (DE-588)4249964-1 gnd Erwachsenwerden Motiv (DE-588)4363293-2 gnd |
| topic_facet | Coppola, Sofia 1971- Van Sant, Gus 1952- Jarmusch, Jim 1953- Independent films / United States / History and criticism Unabhängiger Film Übergangsritus Motiv Krise Motiv Erwachsenwerden Motiv USA |
| url | https://www.cambridge.org/core/product/identifier/9780748693610/type/BOOK |
| work_keys_str_mv | AT backmanrogersanna americanindependentcinemaritesofpassageandthecrisisimage |