Television: visual storytelling and screen culture
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge
2018
|
| Ausgabe: | Fifth edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xiii, 407 Seiten |
| ISBN: | 9781138743960 9781138744004 |
Internformat
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| 650 | 4 | |a Television |x Semiotics | |
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| 650 | 4 | |a Television criticism | |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
Preface
Acknowledgments
PART I
Television Structures and Systems
1 An Introduction to Television Structures and Systems: Ebb and Flow in
the Network Era
Television s Not-So-Distant Past: The Network Era 4
Polysemy, Heterogeneity, Contradiction 5
Interruption and Sequence 12
Segmentation 13
Summary 13
Further Readings 15
2 Television in the Contemporary Media Environment
AMANDA D. LOTZ
Internet-Distributed Television: Digital Endemic and Legacy Media 17
But! Don t Have a TV 20
We Can All Make Television 21
Summary 22
Further Readings 22
3 Narrative Structure: Television Stories
The Theatrical Film 24
The Television Series 34
The Television Serial 40
Transmedia Storytelling and Binge-Watching 48
Summary 51
Further Readings 52
4 Building Narrative: Character, Actor, Star
Building Characters 54
A Typology of Character Signs 57
vi Contents
Building Performances 62
A Typology of Performance Signs 63
Strategies of Performance 66
The Star System? 75
Summary 85
Further Readings 86
5 Beyond and Beside Narrative Structure
Television s Reality 90
Television s Reality: Forms and Modes 92
Television s Reality: Genres 102
Summary 125
Further Readings 128
6 The Television Commercial
U.S. Linear-TV s Economic Structure 131
The Polysemy of Commodities 140
The Persuasive Style of Commercials 153
Summary: Capitalism in Action 177
Further Readings 180
PART II
Television Style: Image and Sound
7 An Introduction to Television Style: Modes of Production
Single-Camera Mode of Production 186
Multiple-Camera Mode of Production 192
Hybrid Modes of Production 195
Summary 196
Further Readings 197
8 Style and Setting: Mise-en-Scene
Set Design 199
Costume Design 210
Lighting Design 211
Actor Movement 217
Summary 218
Further Readings 219
9 Style and the Camera: Videography and Cinematography
Basic Optics: The Camera Lens 221
Image Definition and Resolution 227
Color and Black-and-White 234
Contents vii
Framing 235
Aspect Ratio 245
In-Camera Visual Effects 253
Summary 255
Further Readings 256
10 Style and Editing 257
The Single-Camera Mode of Production 257
The Multiple-Camera Mode of Production 274
Continuity Editing and Hybrid Modes of Production 278
Summary 280
Further Readings 281
11 Style and Sound 282
Types of Television Sound 282
Audio s Mode of Production 289
Purposes of Sound on Television 290
Acoustic Properties and Sound Technology 295
Space, Time, and Narrative 302
Summary 305
Further Readings 306
PART ill
Television Studies 309
12 An Introduction to Television Studies
Critical Research and Television 312
Further Readings 315
13 Textual Analysis
Television Authorship 317
Style and Stylistics 319
Genre Study 323
Semiotics 328
Summary 336
Further Readings 337
14 Discourse and Identity
Ideological Criticism and Cultural Studies 339
The Discourse of the Industry I: Production Studies 346
The Discourse of the Industry II: Political Economy 349
Discourse and Identity I: Gender 352
Discourse and identity II: Queer Theory 357
311
317
339
viii Contents
Discourse and Identity III: Race and Ethnicity 358
Summary 361
Further Readings 364
Appendix I: Sample Analyses and Exercises 367
Appendix II: Mass Communication Research 371
Glossary 378
Index 396
For over two decades, Television has served as the foremost guide to television studies, offering
readers an in-depth understanding of how television programs and commercials are made and how
they function as producers of meaning. Author Jeremy G. Butler shows the ways in which camera
style, lighting, set design, editing, and sound combine to produce meanings that viewers take away
from their television experience.
Highlights of the fifth edition include:
• An entirely new chapter by Amanda D. Lotz on television in the contemporary digital media
environment.
• Discussions integrated throughout on the latest developments in screen culture during the
on-demand era, including the impact of binge-watching and the proliferation of screens
(smartphones, tablets, computer monitors, etc.).
• Updates on the effects of new digital technologies on TV style.
Jeremy G. Butler is Professor of journalism and Creative Media at the University of Alabama.
He has taught television, film, and new media courses since 1980 and is active in online educational
resources for television and film studies.
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| spelling | Butler, Jeremy G. 1954- Verfasser (DE-588)139520112 aut Television visual storytelling and screen culture Jeremy G. Butler with a contribution from Amanda D. Lotz Fifth edition New York ; London Routledge 2018 xiii, 407 Seiten txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Television Psychological aspects Television Semiotics Television broadcasting United States Television criticism Semiotik (DE-588)4054498-9 gnd rswk-swf Fernsehen (DE-588)4016825-6 gnd rswk-swf Fernsehen (DE-588)4016825-6 s Semiotik (DE-588)4054498-9 s DE-604 Lotz, Amanda D. 1974- (DE-588)1030577498 ctb Erscheint auch als Online-Ausgabe 978-1-315-18129-5 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030159139&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030159139&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Butler, Jeremy G. 1954- Television visual storytelling and screen culture Television Psychological aspects Television Semiotics Television broadcasting United States Television criticism Semiotik (DE-588)4054498-9 gnd Fernsehen (DE-588)4016825-6 gnd |
| subject_GND | (DE-588)4054498-9 (DE-588)4016825-6 |
| title | Television visual storytelling and screen culture |
| title_auth | Television visual storytelling and screen culture |
| title_exact_search | Television visual storytelling and screen culture |
| title_full | Television visual storytelling and screen culture Jeremy G. Butler with a contribution from Amanda D. Lotz |
| title_fullStr | Television visual storytelling and screen culture Jeremy G. Butler with a contribution from Amanda D. Lotz |
| title_full_unstemmed | Television visual storytelling and screen culture Jeremy G. Butler with a contribution from Amanda D. Lotz |
| title_short | Television |
| title_sort | television visual storytelling and screen culture |
| title_sub | visual storytelling and screen culture |
| topic | Television Psychological aspects Television Semiotics Television broadcasting United States Television criticism Semiotik (DE-588)4054498-9 gnd Fernsehen (DE-588)4016825-6 gnd |
| topic_facet | Television Psychological aspects Television Semiotics Television broadcasting United States Television criticism Semiotik Fernsehen |
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