Reading fragments and fragmentation in modernist literature:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Brighton ; Portland ; Toronto
Sussex Academic Press
2018
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | viii, 244 Seiten |
| ISBN: | 9781845198954 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents
Acknowledgments vi
Introduction (I thought of Fragilion, that shy figure) 1
CHAPTER ONE
Fragmenting Literary Modernism 11
CHAPTER TWO
Translating Stéphane Mallarmé’s Cento 42
CHAPTER THREE
Funny Fragments, Lunatic Sport 91
CHAPTER FOUR
Kaleidoscopic Cities, Historical Kitsch 137
Conclusion: Fragments as Dream-Texts 170
Notes 184
Bibliography 220
Index 236
This book begins with the question: How are literary fragments defined as such? As a critical term,
fragment is more of a starting-point than a definition: Is part of the manuscript missing? Is it
grammatically incomplete, using unfinished sentences? Is it made to look unfinished? Fragment
and fragmentation have been used to describe damaged manuscripts; drafts; notes; subverted
grammatical structures; the emergence of vers libre from formal verse; texts without linear plots;
translations; quotations; and works titled Fragment regardless of how formally complete they
might appear. This book offers a phenomenological reading of modernist literary fragments,
arguing that fragments create states of conflicted embodiment in which mind and body cannot
cleanly separate. Drawing on the concept of aestheticism as an overstimulated body, each chapter
connects fragments to experiences of physical and emotional ambiguity, exploring difficulties in
speaking, writing and translating; spasms of laughter; and disrupted vision.
The author introduces fragmentation as an aspect of what Julia Kristeva and Hélène Cixous
term écriture féminine , and offers new readings of the texts that Stéphane Mallarmé struggled
to finish, associating his fragmentation with translation and the Crise (Crisis) of vers libre. The
author then considers the fragmentary affects of humour, ranging from Henri Bergson to Mina
Loy and T. S. Eliot. Urban fragmentation is explored in Hope Mirrlees Paris: A Poem, John Maynard
Keynes The Economic Consequences of the Peace, Félix Fénéon s Nouvelles en trois lignes,
Apollinaire s Zone, and Walter Benjamins Arcades Project. The author ultimately weighs the claim
of literary fragmentation as an ethical commitment to detail, embedded in the living body, against
a view of fragments as more numbed traces or disembodied remnants.
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| isbn | 9781845198954 |
| language | English |
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| title | Reading fragments and fragmentation in modernist literature |
| title_auth | Reading fragments and fragmentation in modernist literature |
| title_exact_search | Reading fragments and fragmentation in modernist literature |
| title_full | Reading fragments and fragmentation in modernist literature Rebecca Varley-Winter |
| title_fullStr | Reading fragments and fragmentation in modernist literature Rebecca Varley-Winter |
| title_full_unstemmed | Reading fragments and fragmentation in modernist literature Rebecca Varley-Winter |
| title_short | Reading fragments and fragmentation in modernist literature |
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