Making believe: screen performance and special effects in popular cinema
"In the past twenty years, we have seen the rise of digital effects cinema in which the human performer is entangled with animation, collaged with other performers, or inserted into perilous or fantastic situations and scenery. Making Believe sheds new light on these developments by historicizi...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick
Rutgers University Press
[2017]
|
| Schriftenreihe: | Techniques of the moving image
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "In the past twenty years, we have seen the rise of digital effects cinema in which the human performer is entangled with animation, collaged with other performers, or inserted into perilous or fantastic situations and scenery. Making Believe sheds new light on these developments by historicizing screen performance within the context of visual and special effects cinema and technological change in Hollywood filmmaking, through the silent, early sound, and current digital eras. Making Believe incorporates North American film reviews and editorials, actor and crew interviews, trade and fan magazine commentary, actor training manuals, and film production publicity materials to discuss the shifts in screen acting practice and philosophy around transfiguring makeup, doubles, motion capture, and acting to absent places or characters. Along the way it considers how performers and visual and special effects crew work together, and struggle with the industry, critics, and each other to define the aesthetic value of their work, in an industrial system of technological reproduction. Bode opens our eyes to the performing illusions we love and the tensions we experience in wanting to believe in spite of our knowledge that it is all make believe in the end"... |
| Beschreibung: | 234 Seiten Illustrationen |
| ISBN: | 9780813579986 9780813579979 |
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| 520 | |a "In the past twenty years, we have seen the rise of digital effects cinema in which the human performer is entangled with animation, collaged with other performers, or inserted into perilous or fantastic situations and scenery. Making Believe sheds new light on these developments by historicizing screen performance within the context of visual and special effects cinema and technological change in Hollywood filmmaking, through the silent, early sound, and current digital eras. Making Believe incorporates North American film reviews and editorials, actor and crew interviews, trade and fan magazine commentary, actor training manuals, and film production publicity materials to discuss the shifts in screen acting practice and philosophy around transfiguring makeup, doubles, motion capture, and acting to absent places or characters. Along the way it considers how performers and visual and special effects crew work together, and struggle with the industry, critics, and each other to define the aesthetic value of their work, in an industrial system of technological reproduction. Bode opens our eyes to the performing illusions we love and the tensions we experience in wanting to believe in spite of our knowledge that it is all make believe in the end"... | ||
| 650 | 4 | |a PERFORMING ARTS / Film & Video / History & Criticism / bisacsh | |
| 650 | 4 | |a TECHNOLOGY & ENGINEERING / Television & Video / bisacsh | |
| 650 | 4 | |a COMPUTERS / Digital Media / Video & Animation / bisacsh | |
| 650 | 4 | |a ART / Film & Video / bisacsh | |
| 650 | 4 | |a Cinematography |x Special effects | |
| 650 | 4 | |a Digital cinematography | |
| 650 | 4 | |a Human locomotion |x Computer simulation | |
| 650 | 4 | |a Movement (Acting) |x Technique | |
| 650 | 4 | |a PERFORMING ARTS / Film & Video / History & Criticism | |
| 650 | 4 | |a TECHNOLOGY & ENGINEERING / Television & Video | |
| 650 | 4 | |a COMPUTERS / Digital Media / Video & Animation | |
| 650 | 4 | |a ART / Film & Video | |
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Datensatz im Suchindex
| _version_ | 1804178277208686592 |
|---|---|
| adam_text | MAKING BELIEVE
/ BODE, LISAYYD1970-YYEAUTHOR
: 2017
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION
ACTING THROUGH MACHINES: FIDELITY AND EXPRESSION FROM CAMERAS TO MO-CAP
BEHIND RUBBER AND PIXELS: MIMESIS, SEAMLESSNESS, AND ACTING ACHIEVEMENT
IN ANOTHER S SKIN: TYPECASTING, IDENTITY, AND THE LIMITS OF PROTEANISM
DOUBLE TROUBLE: AUTHENTICITY, FAKERY, AND CONCEALED PERFORMANCE LABOR
PERFORMING WITH THEMSELVES: VERSATILITY, TIMING, AND NUANCE IN MULTIPLE
ROLES
THERE IS NO THERE THERE: MAKING BELIEVE IN COMPOSITE SCREEN SPACE
CONCLUSION
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
mm
i
p.- -l
¿Ví
n the past twenty years, we have seen the rise of digital effects cinema in which the
human performer is entangled with animation, collaged with other performers, or
inserted into perilous or fantastic situations and scenery. Making Believe sheds new
light on these developments by historicizing screen performance within the context
Ü of visual and special effects cinema and technological change in Hollywood film-
making, through the silent, early sound, and current digital eras.
Making Believe incorporates North American film reviews and editorials, actor and
crew interviews, trade and fan magazine commentary, actor training manuals, and film
production publicity materials to discuss the shifts in screen acting practice and philoso-
phy around transfiguring makeup, doubles, motion capture, and acting to absent places
or characters. Along the way it considers how performers and visual and special effects
crew work together, and struggle with the industry, critics, and each other to define the
aesthetic value of their work in an industrial system of technological reproduction. Bode
opens our eyes to the performing illusions we love and the tensions we experience in
wanting to believe in spite of our knowledge that it is all make believe in the end.
|
| any_adam_object | 1 |
| author | Bode, Lisa 1970- |
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| dewey-full | 791.4302/4 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302/4 |
| dewey-search | 791.4302/4 |
| dewey-sort | 3791.4302 14 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Book |
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| isbn | 9780813579986 9780813579979 |
| language | English |
| lccn | 016043412 |
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| series2 | Techniques of the moving image |
| spelling | Bode, Lisa 1970- Verfasser (DE-588)1153359987 aut Making believe screen performance and special effects in popular cinema Lisa Bode New Brunswick Rutgers University Press [2017] © 2017 234 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Techniques of the moving image "In the past twenty years, we have seen the rise of digital effects cinema in which the human performer is entangled with animation, collaged with other performers, or inserted into perilous or fantastic situations and scenery. Making Believe sheds new light on these developments by historicizing screen performance within the context of visual and special effects cinema and technological change in Hollywood filmmaking, through the silent, early sound, and current digital eras. Making Believe incorporates North American film reviews and editorials, actor and crew interviews, trade and fan magazine commentary, actor training manuals, and film production publicity materials to discuss the shifts in screen acting practice and philosophy around transfiguring makeup, doubles, motion capture, and acting to absent places or characters. Along the way it considers how performers and visual and special effects crew work together, and struggle with the industry, critics, and each other to define the aesthetic value of their work, in an industrial system of technological reproduction. Bode opens our eyes to the performing illusions we love and the tensions we experience in wanting to believe in spite of our knowledge that it is all make believe in the end"... PERFORMING ARTS / Film & Video / History & Criticism / bisacsh TECHNOLOGY & ENGINEERING / Television & Video / bisacsh COMPUTERS / Digital Media / Video & Animation / bisacsh ART / Film & Video / bisacsh Cinematography Special effects Digital cinematography Human locomotion Computer simulation Movement (Acting) Technique PERFORMING ARTS / Film & Video / History & Criticism TECHNOLOGY & ENGINEERING / Television & Video COMPUTERS / Digital Media / Video & Animation ART / Film & Video Erscheint auch als Online-Ausgabe 978-0-8135-7999-3 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030153987&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030153987&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Bode, Lisa 1970- Making believe screen performance and special effects in popular cinema PERFORMING ARTS / Film & Video / History & Criticism / bisacsh TECHNOLOGY & ENGINEERING / Television & Video / bisacsh COMPUTERS / Digital Media / Video & Animation / bisacsh ART / Film & Video / bisacsh Cinematography Special effects Digital cinematography Human locomotion Computer simulation Movement (Acting) Technique PERFORMING ARTS / Film & Video / History & Criticism TECHNOLOGY & ENGINEERING / Television & Video COMPUTERS / Digital Media / Video & Animation ART / Film & Video |
| title | Making believe screen performance and special effects in popular cinema |
| title_auth | Making believe screen performance and special effects in popular cinema |
| title_exact_search | Making believe screen performance and special effects in popular cinema |
| title_full | Making believe screen performance and special effects in popular cinema Lisa Bode |
| title_fullStr | Making believe screen performance and special effects in popular cinema Lisa Bode |
| title_full_unstemmed | Making believe screen performance and special effects in popular cinema Lisa Bode |
| title_short | Making believe |
| title_sort | making believe screen performance and special effects in popular cinema |
| title_sub | screen performance and special effects in popular cinema |
| topic | PERFORMING ARTS / Film & Video / History & Criticism / bisacsh TECHNOLOGY & ENGINEERING / Television & Video / bisacsh COMPUTERS / Digital Media / Video & Animation / bisacsh ART / Film & Video / bisacsh Cinematography Special effects Digital cinematography Human locomotion Computer simulation Movement (Acting) Technique PERFORMING ARTS / Film & Video / History & Criticism TECHNOLOGY & ENGINEERING / Television & Video COMPUTERS / Digital Media / Video & Animation ART / Film & Video |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism / bisacsh TECHNOLOGY & ENGINEERING / Television & Video / bisacsh COMPUTERS / Digital Media / Video & Animation / bisacsh ART / Film & Video / bisacsh Cinematography Special effects Digital cinematography Human locomotion Computer simulation Movement (Acting) Technique PERFORMING ARTS / Film & Video / History & Criticism TECHNOLOGY & ENGINEERING / Television & Video COMPUTERS / Digital Media / Video & Animation ART / Film & Video |
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