Utopia's doom: the "Graal" as paradise of lust, the sect of the free spirit and Jheronimus Bosch's so-called "Garden of delights"
The so-called 'Garden of delights' by Jheronimus Bosch (c. 1450-1516) remains an absolutely iconic work in European art history. The highly complex and enigmatic image has frequently been interpreted as a paradisiacal utopia, in which people indulge playfully in erotic pleasure in harmony...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Leuven ; Paris ; Bristol, CT
Peeters
2017
|
| Schriftenreihe: | Art & religion
8 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The so-called 'Garden of delights' by Jheronimus Bosch (c. 1450-1516) remains an absolutely iconic work in European art history. The highly complex and enigmatic image has frequently been interpreted as a paradisiacal utopia, in which people indulge playfully in erotic pleasure in harmony with nature. It is a visual utopia framed before Thomas More had actually coined the word in a book whose entirely unfrivolous blueprint for society could hardly differ more from Bosch's phantasm. More traditional art historians have identified Bosch's masterpiece as a painted warning against the sins of the body, more specifically that of 'lust,' citing the image of Hell in the right wing in support. Vandenbroeck argues that these two interpretations need not preclude one another: Bosch painted a phantasmagorical false paradise that leads inexorably to ruin. He drew his inspiration from folk ideas about a semi-earthly, semi-supernatural erotic paradise or grail, in which those who entered could live in a dream-world of unbridled pleasure. But only until Judgement Day, upon which they would all wind up in Hell |
| Beschreibung: | VII, 343 Seiten Illustrationen 26 cm |
| ISBN: | 9789042934689 |
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| 520 | 3 | |a The so-called 'Garden of delights' by Jheronimus Bosch (c. 1450-1516) remains an absolutely iconic work in European art history. The highly complex and enigmatic image has frequently been interpreted as a paradisiacal utopia, in which people indulge playfully in erotic pleasure in harmony with nature. It is a visual utopia framed before Thomas More had actually coined the word in a book whose entirely unfrivolous blueprint for society could hardly differ more from Bosch's phantasm. More traditional art historians have identified Bosch's masterpiece as a painted warning against the sins of the body, more specifically that of 'lust,' citing the image of Hell in the right wing in support. Vandenbroeck argues that these two interpretations need not preclude one another: Bosch painted a phantasmagorical false paradise that leads inexorably to ruin. He drew his inspiration from folk ideas about a semi-earthly, semi-supernatural erotic paradise or grail, in which those who entered could live in a dream-world of unbridled pleasure. But only until Judgement Day, upon which they would all wind up in Hell | |
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Datensatz im Suchindex
| _version_ | 1804178269764845568 |
|---|---|
| adam_text | CONTENTS
PREFACE
.........................
1
BARBARA
BAERT
&
JAN
VAN
DER
STOCK
........................
FOREWORD
3
1
DREAMS
OF
BOUNDLESS PLEASURE:
THE
MEDIEVAL
FOLK
MYTH
OF
THE
PARADISE
OF
DELIGHTS
OR
GRAIL
.........
7
......
DREAMS OF PLEASURE BETWEEN EARTH AND HEAVEN
7
FROM ARTHURIAN GRAIL TO LOVE PARADISE
.........
21
THE
MISTRESS
OF THE
GAME AND
THE LADIES OF THE NIGHT
....
28
.....
THE WANDERING
MASTERS AND MISTRESSES VISUALIZED
37
.......
FROM ECSTATIC EXPERIENCE TO SOCIAL SUBVERSION
48
I1
THE
A~MORAL
UTOPIA
HERE AND
NOW:
THE
SECT
OF
THE
FREE
SPIRIT
IN
THE
LATE
MIDDLE
AGES
AND
THE
WORLDLY
PARADISE
49
.........
ORTHODOX/HETERODOX UTOPIAN DREAMS
49
A
UTOPIA OF THE MEDIEVAL FRINGE
OF
SOCIETY
........
54
THE FREE SPIRIT: THE DREAM OF LAWLESS NATURE AND THE TIME OF
..................
ADAM
62
UTOPIA. ESCHATOLOGY. AND THE REJECTION OF
ALL
INSTITUTIONS
...
72
QZLODFILICTNR
HABETZRR IN ISTA VITA ET NON IN ALIA
......
73
111
UTOPIA
DREAMED AND
CASTIGATED:
~HERONIMUS
BOSCH S
TRIP-
TYCH
OF
THE
GML
OR
FALSE
LOVE
PARADISE.
COMMONLY CALLED
.........
.
THE
GARDEN
OF
DELIGHTS
(C
1480-5)
81
.........
1
.
PRIMITIVISM. INSTINCT AND SEDUCTION
82
.....
R
.
MOORS AND RUILD
FOLK.
MEMAIDR AND SEA-KNIGHTS
82
6
.
WILDNESS
AND INSTINCT:
THE
SIGHT
OF
WOMEN
DRIVES
ME
WILD
106
CONTENTS
...........
C
.
THE
WILD RIDING OF ANIMALR
D
.
WOMEN
AT THE CENTRE:
YET STILL AN ANDROCENTRIC
VISION
...
............
2
.
NATURE
AS
ALCHEMICAL ARTIST
..........
A
.
NATURA
:
THE WORLD
SEXUALIZED
...........
6
.
NATZRRA:
SEXUALITY AND
EVIL
C
.
NATURA/ARS: THE
SIGNIFCANRE OF THE MIRABILIA OF THE ARS NATURAE
D. NATURE. LOVE
AND
WOMAN
...........
...........
E
.
THE
ARCHITECTURE OFPARADISE
3
.
PRIMORDIAL ERA AND ESCHATOLOGICAL TIMES
( AS
IT
WAS
IN THE DAYS
................
OF
NOAH ?)
A
.
DID
BOSCH DIPICT THE
SICUT IN DIEBUS
NOE THEME?
....
6
.
FROMPRIMORDIALERATOESCHATOLOGICA~TIMES
......
.....
C
.
THE
MEDIEVAL VIEW OF THE WORLD? EARLIEST HISTORY
D
.
THE
VISUALIZZTION
OF THE PRIMORDIAL ERA IN THE
FJEENTH AND
SIX-
TEENTH CENTURIES
..............
E
.
THE RE-ACTUALKTION OF THE DELUGE AND THE END-OF-THE-WORLD
............
.
THEME. C
1484-1524
.
.............
4
MARRIAGE
AND
PLEASURE
.......
.
A LINK BETWEEN CENTRAL PANEL AND
LEFI
WING
..........
.
6 MARRIAGE AND
SMAL
PLEASURE
5
.
PARADISE AND
PSEUDO-PARADISE
...........
....
.
A PARADISE ICONOGRAPHY IN BOSCH AND RELATED IMAGES
6
.
PARALLELISM AND THEFWION
OFPARADISE AND
LOCUS AMOENUS
.
.....
.
C THE
PLEASURES OFPARADISE. EARTHLY AND
HEAVENLY
D
.
BECOMING ONE WITH NATURE
...........
E
.
THE
CENTRE
POINT OF COURTLY LOVE ALLEGORIES AND
OF BOSCHI PANEL
.......
(THE
SCENE IN THE
SPHERE OF THE
FOUNTAIN)
.............
F:
SEXUAL MRRLTIPLICITY
G.
A
HYPOTHETICAL
PARNDISE?
............
6
.
PRIMORDIAL ERA. GOLDEN AGE. PARADISAICAL TIME AND ESCHATOLOGICAL
TIME
..................
.....
A
.
PRIMORDIAL ERA. GOLDEN AGE AND
$HE) PARADISE
....
B
.
PRIMORDIAL ERN. MARRIAGE/SEXZRALI~
AND
ESCHATOLOG
C
.
PRIMORDIAL ERA. GOLDEN AGE. PARADISE. ESCBATOLOGICAL
TIME
.
HET-
ERODOX/ORTBODOX
MILLENNRIANISM
..........
CONTENTS
7
.
THE
FUNDAMENTAL THEME OF BOSCH S PANEL EXPLAINED THROUGH ITS
PARALLELS WITH FOLK MYTHS AND
LEARNED POETRY
...
257
A
.
BOSCH? GARDEN OF DELIGHTS AND THE
FOLK
GRAIL (C
.
135&
R~OO)
...............
257
B
.
BOSCH? GRAIL
AND
BEBEL? TRIUMPHUS
VENERIS
...
260
8
.
THE
PURPOSE AND
PATRON OF BOSCH S GRAIL TRIPTYCH
.
267
A
.
A
CLOUD OFASSOCIATIONS
............
267
..............
6
.
ENGELBERT
I1
OFNARSAU
273
C
.
OR
.....................
278
...........
D.
CIMBURGA. THE GRA
IL.
LOVE
281
IV
THE
REPRESSION
OF
THE
PHYSICAL
EXPERIENCE
AND
THE
RISE
OF
NEW
ARTISTIC
GENRES
.
BEAUTY
AND~FROM
MADNESS
.
AN
EXISTEN-
TIAL AND AESTHETIC CONNECTION. FIFTEENTH-SIXTEENTH
..................
CENTURY
293
.........
FATRASIE.
FITRAS.
RESUERIE
AND
DISPARATE
301
.........
THE
AESTHETICS OF DROLLERIES
AND
&LI
304
...........
NATURE AND ART. THE ART OF NATURE
309
A
LONGING FOR INCOMPREHENSIBLE AND IMPENETRABLE BEAUTY
.
3 13
.....................
INDEX
NOMINUM
337
|
| any_adam_object | 1 |
| author | Vandenbroeck, Paul 1953- |
| author2 | Baert, Barbara 1967- |
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| author_role | aut |
| author_sort | Vandenbroeck, Paul 1953- |
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| building | Verbundindex |
| bvnumber | BV044754422 |
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| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| id | DE-604.BV044754422 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:01:18Z |
| institution | BVB |
| isbn | 9789042934689 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030149992 |
| oclc_num | 1024122940 |
| open_access_boolean | |
| owner | DE-12 DE-255 DE-Y3 DE-Y2 |
| owner_facet | DE-12 DE-255 DE-Y3 DE-Y2 |
| physical | VII, 343 Seiten Illustrationen 26 cm |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Peeters |
| record_format | marc |
| series | Art & religion |
| series2 | Art & religion |
| spelling | Vandenbroeck, Paul 1953- Verfasser (DE-588)143608940 aut Utopia's doom the "Graal" as paradise of lust, the sect of the free spirit and Jheronimus Bosch's so-called "Garden of delights" by Paul Vandenbroeck ; edited by Barbara Baert Leuven ; Paris ; Bristol, CT Peeters 2017 VII, 343 Seiten Illustrationen 26 cm txt rdacontent n rdamedia nc rdacarrier Art & religion 8 The so-called 'Garden of delights' by Jheronimus Bosch (c. 1450-1516) remains an absolutely iconic work in European art history. The highly complex and enigmatic image has frequently been interpreted as a paradisiacal utopia, in which people indulge playfully in erotic pleasure in harmony with nature. It is a visual utopia framed before Thomas More had actually coined the word in a book whose entirely unfrivolous blueprint for society could hardly differ more from Bosch's phantasm. More traditional art historians have identified Bosch's masterpiece as a painted warning against the sins of the body, more specifically that of 'lust,' citing the image of Hell in the right wing in support. Vandenbroeck argues that these two interpretations need not preclude one another: Bosch painted a phantasmagorical false paradise that leads inexorably to ruin. He drew his inspiration from folk ideas about a semi-earthly, semi-supernatural erotic paradise or grail, in which those who entered could live in a dream-world of unbridled pleasure. But only until Judgement Day, upon which they would all wind up in Hell Bosch, Hieronymus 1450-1516 Garten der Lüste (DE-588)4304600-9 gnd rswk-swf Geschichte gnd rswk-swf Jenseitsglaube (DE-588)4162734-9 gnd rswk-swf Utopie (DE-588)4041251-9 gnd rswk-swf Gral (DE-588)4021799-1 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Bosch, Hieronymus / -1516 / Garden of delights Lust in art Utopias in art Hell in art Bosch, Hieronymus 1450-1516 Garten der Lüste (DE-588)4304600-9 u Utopie (DE-588)4041251-9 s Jenseitsglaube (DE-588)4162734-9 s DE-604 Gral (DE-588)4021799-1 s Kunst (DE-588)4114333-4 s Geschichte z Baert, Barbara 1967- (DE-588)133359964 edt Art & religion 8 (DE-604)BV041404156 8 KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030149992&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Vandenbroeck, Paul 1953- Utopia's doom the "Graal" as paradise of lust, the sect of the free spirit and Jheronimus Bosch's so-called "Garden of delights" Art & religion Bosch, Hieronymus 1450-1516 Garten der Lüste (DE-588)4304600-9 gnd Jenseitsglaube (DE-588)4162734-9 gnd Utopie (DE-588)4041251-9 gnd Gral (DE-588)4021799-1 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4304600-9 (DE-588)4162734-9 (DE-588)4041251-9 (DE-588)4021799-1 (DE-588)4114333-4 |
| title | Utopia's doom the "Graal" as paradise of lust, the sect of the free spirit and Jheronimus Bosch's so-called "Garden of delights" |
| title_auth | Utopia's doom the "Graal" as paradise of lust, the sect of the free spirit and Jheronimus Bosch's so-called "Garden of delights" |
| title_exact_search | Utopia's doom the "Graal" as paradise of lust, the sect of the free spirit and Jheronimus Bosch's so-called "Garden of delights" |
| title_full | Utopia's doom the "Graal" as paradise of lust, the sect of the free spirit and Jheronimus Bosch's so-called "Garden of delights" by Paul Vandenbroeck ; edited by Barbara Baert |
| title_fullStr | Utopia's doom the "Graal" as paradise of lust, the sect of the free spirit and Jheronimus Bosch's so-called "Garden of delights" by Paul Vandenbroeck ; edited by Barbara Baert |
| title_full_unstemmed | Utopia's doom the "Graal" as paradise of lust, the sect of the free spirit and Jheronimus Bosch's so-called "Garden of delights" by Paul Vandenbroeck ; edited by Barbara Baert |
| title_short | Utopia's doom |
| title_sort | utopia s doom the graal as paradise of lust the sect of the free spirit and jheronimus bosch s so called garden of delights |
| title_sub | the "Graal" as paradise of lust, the sect of the free spirit and Jheronimus Bosch's so-called "Garden of delights" |
| topic | Bosch, Hieronymus 1450-1516 Garten der Lüste (DE-588)4304600-9 gnd Jenseitsglaube (DE-588)4162734-9 gnd Utopie (DE-588)4041251-9 gnd Gral (DE-588)4021799-1 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Bosch, Hieronymus 1450-1516 Garten der Lüste Jenseitsglaube Utopie Gral Kunst |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030149992&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV041404156 |
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