Empty space: the architecture of Dogon cloth
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Format: | Artikel |
Sprache: | English |
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Beschreibung: | The esoteric Dogon graphic sign systems are well documented in the literature as preserves of adult men. But what of women's signs? Brett-Smith analyzes "the symbolism and aesthetics of the white, linear designs dyed into indigo cloths by Dogon women, and interpret(s)--these patterns as the product of an organized method of using signs" (page 164). One of the traditional Dogon cloths is the embroidered indigo shawl (souna), which (unlike plainer indigo cloths) emphasizes the design elements with its bright cotton thread embroidery. Its symbolism is overt, as for example in the amulet pattern (sewe in). However, it is the empty space of the blue-black indigo cloth, symbolizing fertility, the "feminine" earth, that significantly is more important than the white (dead, lifeless) designs placed on it. Brett-Smith argues (and gives specific examples) that "the background of a design or its placement can determine meaning as much as or even more than the shape of the design itself ... The meaning seems to rise up out of an 'empty' field rather than being inscribed upon it" (page 164) |
Beschreibung: | Illustrationen |
ISSN: | 0277-1322 |
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500 | |a The esoteric Dogon graphic sign systems are well documented in the literature as preserves of adult men. But what of women's signs? Brett-Smith analyzes "the symbolism and aesthetics of the white, linear designs dyed into indigo cloths by Dogon women, and interpret(s)--these patterns as the product of an organized method of using signs" (page 164). One of the traditional Dogon cloths is the embroidered indigo shawl (souna), which (unlike plainer indigo cloths) emphasizes the design elements with its bright cotton thread embroidery. Its symbolism is overt, as for example in the amulet pattern (sewe in). However, it is the empty space of the blue-black indigo cloth, symbolizing fertility, the "feminine" earth, that significantly is more important than the white (dead, lifeless) designs placed on it. Brett-Smith argues (and gives specific examples) that "the background of a design or its placement can determine meaning as much as or even more than the shape of the design itself ... The meaning seems to rise up out of an 'empty' field rather than being inscribed upon it" (page 164) | ||
653 | 0 | |a Textile fabrics, Dogon | |
653 | 0 | |a Decoration and ornament, Dogon | |
653 | 0 | |a Women, Dogon | |
653 | 0 | |a Dogon symbolism | |
653 | 0 | |a Dogon resist-dyed cloth | |
653 | 0 | |a Dogon design | |
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spelling | Brett-Smith, Sarah Verfasser aut Empty space the architecture of Dogon cloth Sarah Brett-Smith Architecture of Dogon cloth Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier The esoteric Dogon graphic sign systems are well documented in the literature as preserves of adult men. But what of women's signs? Brett-Smith analyzes "the symbolism and aesthetics of the white, linear designs dyed into indigo cloths by Dogon women, and interpret(s)--these patterns as the product of an organized method of using signs" (page 164). One of the traditional Dogon cloths is the embroidered indigo shawl (souna), which (unlike plainer indigo cloths) emphasizes the design elements with its bright cotton thread embroidery. Its symbolism is overt, as for example in the amulet pattern (sewe in). However, it is the empty space of the blue-black indigo cloth, symbolizing fertility, the "feminine" earth, that significantly is more important than the white (dead, lifeless) designs placed on it. Brett-Smith argues (and gives specific examples) that "the background of a design or its placement can determine meaning as much as or even more than the shape of the design itself ... The meaning seems to rise up out of an 'empty' field rather than being inscribed upon it" (page 164) Textile fabrics, Dogon Decoration and ornament, Dogon Women, Dogon Dogon symbolism Dogon resist-dyed cloth Dogon design Res / Peabody Museum of Archaeology and Ethnology and the Harvard University Art Museums Chicago, Ill., 1981- 19/20 (1990/1991), Seite 162-177 (DE-604)BV004692598 0277-1322 (DE-600)805655-9 |
spellingShingle | Brett-Smith, Sarah Empty space the architecture of Dogon cloth |
title | Empty space the architecture of Dogon cloth |
title_alt | Architecture of Dogon cloth |
title_auth | Empty space the architecture of Dogon cloth |
title_exact_search | Empty space the architecture of Dogon cloth |
title_full | Empty space the architecture of Dogon cloth Sarah Brett-Smith |
title_fullStr | Empty space the architecture of Dogon cloth Sarah Brett-Smith |
title_full_unstemmed | Empty space the architecture of Dogon cloth Sarah Brett-Smith |
title_short | Empty space |
title_sort | empty space the architecture of dogon cloth |
title_sub | the architecture of Dogon cloth |
work_keys_str_mv | AT brettsmithsarah emptyspacethearchitectureofdogoncloth AT brettsmithsarah architectureofdogoncloth |