Music and Ritual in Medieval Slavia Orthodoxa: the exaltation of the Holy Cross
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bern
Peter Lang
[2018]
|
| Schriftenreihe: | Varia Musicologica
23 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 231 Seiten |
| ISBN: | 9783034328197 3034328192 |
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Datensatz im Suchindex
| _version_ | 1804178253249773568 |
|---|---|
| adam_text | Contents
Sigla and Abbreviations........................................13
List of Tables.................................................15
Prefatory Remarks and Acknowledgements.........................17
Part I
Chapter 1: Introduction........................................21
Chapter II: Slavia Orthodoxa in the 13th Century -
at a Liturgical Crossroads: Cathedral vs. Monastery -
Jerusalem or Constantinople................................25
The Typikon: Identifying the Liturgical Authority
Determining the Musical Praxis..........................26
A. The Copies of the Typikon of the Great Church:......29
(a) Holy Cross No. 40 and Patmos No. 266.......... 29
(b) Dresden Ms A104.................................30
B. The Studite Fusion..................................31
(a) TAS-OCS — The Typikon of Alexius Studite,
Church Slavonic.................................32
(b) The Typikon of the Monastery of the
Theotokos Evergetis.............................34
(c) The Athonite-Studite Redaction..................35
(d) The Typikon of San Salvatore of Messina.........36
(e) The Neo-Sabbaitic or Jerusalem Typikon..........37
7
Menaia and Triodia.................................................38
1. Definition and Development.............................38
2. Triodion and Pentecostarion............................42
Reconciling Non-Constantinopolitan Elements
in Medieval Slavic Service Books...........................43
Chapter III: Manuscript Profiles...................................47
(a) The EninaApostol,NBKM No. 1144.....................47
(b) The Bitola or Kicevo Triodion, Sofia BAN No. 38...48
(c) The Orbelski Triodion ( ) - South Slavic
Archetype of the Studite Synthesis.................49
(d) Apostol No. NBKM 882..............................51
(e) The Zografski Trifologion or Draganov Menaion.....51
(f) Other Slavonic Liturgical Sources:
15th and 16th Centuries............................53
East Slavic Witnesses......................................54
RGADA Nos. 131 and 137 - The Il’ina Kniga and the
Triodion of Moisei Kianin..................................54
The Corollary Musical Sources..............................55
First Generation Musical Sources...........................57
Tipografsky Ustav (TU) and
Blagoveshchensky Kondakar (BK).............................57
Second Generation Musical Sources..........................59
The Lavrsky (LK), Uspensky (UK) and Sinodalny (SK)
Kondakaria.................................................59
Psaltikon and Asmatikon....................................60
Kastoria 8.................................................62
The Sticheraric Repertory..................................64
Chapter IV: The Chant Types: Troparion, Katavasie, and Hypakoe.....67
Working Definitions........................................67
Stational or Sessional.....................................68
The Sessional Hymn: Poetic Kathisma, Hypakoe, or 68
8
Processional Genres: Music for the Litiya...............71
(a) The Katavasie or Hymn of Descent................72
(b) The Kontakion as Processional Hymn Type.........73
(c) The Exapostilarion and Photagogikon,
as Processional Chants...........................74
(d) The Trisagion as a Processional Chant...........75
On the Multi-Functionality of Hymn-Types:
Relabeling, Recasting and Redefining Function............76
Chapter V: Performance Style and Practice.......................81
(1) Antiphonal vs. Responsorial......................81
(2) Perisse and Akroteleuteon........................84
(3) Who was Singing? - Congregational
participation....................................88
Part II
Chapter VI: The Feast of the Exaltation of the
Honorable Cross - September 14..................................93
Liturgical Context: A. The Order of Service..............93
B. The Place of the Hymnody in the Liturgical Sources..94
C. The Oldest South Slavic Witness:.....................99
a. The Enina Apostol.................................99
D. Later South Slavic Witnesses of the Exaltation
Rite within the Studite Orbit: Three Sources from
Zografou Monastery..................................102
a. Raikov Ms. No. 54 - the Draganov Menaion.........102
c. Raikov Ms. No. 53 - A Service Menaion
for September, October and November,
Serbian Redaction...............................104
d. Raikov 63: Resurrection Oktoechos,
15th-century, Serbian Redaction.................104
e. NBKM Ms. No. 522, The Skopski Menaion...........105
f. Apostol Ms. No. NBKM 882........................105
9
g. Apostol Ms. No. NBKM 880.........................105
h. From the Lenten Triodion: The Bitolski Triodion 106
i. OrhTr............................................106
E. East Slavic Transmissions and Other Sources..........107
The Prefatory Rituals: The Bringing Out of the Holy Cross
from the Skeuophylakion, the Washing, and the Veneration.109
The Identification of an Unidentified Antiphon...........117
The Singing of the Troparia for the Exaltation of the
Holy Cross on Other Occasions...........................117
A. The Third Sunday of Great Lent and the
Week of the Holy: The Lesser Elevation
of the Holy Cross...................................118
The Prescription for the Singing of the Antiphons for the
Royal Hours on Tuesday in Holy Week
According to the Tipografsky Ustav......................125
B. Good Friday: The Chanted Royal Hours.................128
Music for the Antiphons and their Performance............131
The Chanting of the Good Friday Royal Hours
According to OrbTr......................................135
Part III
Chapter VII: The Music - Introduction.........................141
The Oral-Written Binary and the Template for Performance
Manuscript — Repertory - Notation......................141
The Musical Settings: The Reconstruction of the
Antiphons and Stichoi for Performance..................143
The Music, Division of Labor and the Elements of Style.144
The Troparia of the Holy Cross.........................146
Techniques and Devices for Musical Cohesion in
Performance; Formulaic Correspondence and
Melodic Construction...................................148
10
I. Antiphon 1 (Hypakoe): Eppspov tö TtpocppTiKÖv
7t£7tXppWTCCl ~A«iHh.CI npOpOYbCKOf..............149
II. Antiphon 2 (Hypakoe): Movov ¿Trayri
to (i:Aov XpiCTTC too CTTixupoi; ctou
TliKiHO Blv^pySH CA Ap kBO...................... 152
III. Antiphon 3 (Hypakoe): H ’EKKXr| Tta ßoöc croi
~IlpKKBH BTillHETTi TH fie.......................153
IV The Kontakion of the Feast: O üxj/ojöeiq ev to
XTCXTpCO ¿kouctLox; ~ IFkhuecct^h CA lia
Kp KpcTTs. EoaiA, Mode IV.........................154
V The Troparion of the Veneration/Festal Trisagion:
Tov öTccupov cron itpoaKovonpev ÖraTcoxa ~
Kpecroy TBotnoy, Mode II PlagaFMode VI...........155
The Musical Settings of the Stichera The Stichera for the
Exaltation of the Holy Cross, September 14 and Select
Stichera-Idiomela for the Good Friday Royal Hours.......158
The Accompanying Sticheron-Idiomelon in OrbTr...........161
Chapter VIII: Summation and Concluding Remarks..................163
Texts and Translations...........................................165
Unpublished Sources..............................................171
Secondary Literature.............................................179
Musical Examples.................................................205
First Troparion for the Exaltation of the Holy Cross....205
Second Troparion for the Exaltation of the Holy Cross...211
Third Troparion for the Exaltation of the Holy Cross....214
Kontakion for the Exaltation of the Holy Cross,
from the Tipografsky Ustav...............................210
Festal Trisagion for the Exaltation of the Holy Cross....218
11
Transcription of the Kontakion for the Exaltation of the
Holy Cross, from Codex Ashburnhamensis 64.219
Stichera-Idiomela for the Good Friday Royal Hours.......220
Name Index.....................................................223
Subject Index..................................................227
12
|
| any_adam_object | 1 |
| author | Myers, Gregory |
| author_facet | Myers, Gregory |
| author_role | aut |
| author_sort | Myers, Gregory |
| author_variant | g m gm |
| building | Verbundindex |
| bvnumber | BV044745195 |
| classification_rvk | BS 5510 LR 47500 |
| ctrlnum | (OCoLC)1022106933 (DE-599)DNB113697184X |
| discipline | Theologie / Religionswissenschaften Musikwissenschaft |
| era | Geschichte 1200-1600 gnd |
| era_facet | Geschichte 1200-1600 |
| format | Book |
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| geographic | Südosteuropa (DE-588)4058449-5 gnd |
| geographic_facet | Südosteuropa |
| id | DE-604.BV044745195 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:01:02Z |
| institution | BVB |
| institution_GND | (DE-588)1065221940 |
| isbn | 9783034328197 3034328192 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030140978 |
| oclc_num | 1022106933 |
| open_access_boolean | |
| owner | DE-12 DE-20 DE-11 DE-355 DE-BY-UBR DE-22 DE-BY-UBG |
| owner_facet | DE-12 DE-20 DE-11 DE-355 DE-BY-UBR DE-22 DE-BY-UBG |
| physical | 231 Seiten |
| psigel | BSB_NED_20190725 |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Peter Lang |
| record_format | marc |
| series | Varia Musicologica |
| series2 | Varia Musicologica |
| spelling | Myers, Gregory Verfasser aut Music and Ritual in Medieval Slavia Orthodoxa the exaltation of the Holy Cross Gregory Myers Bern Peter Lang [2018] 231 Seiten txt rdacontent n rdamedia nc rdacarrier Varia Musicologica 23 Geschichte 1200-1600 gnd rswk-swf Hymnologie (DE-588)4140859-7 gnd rswk-swf Orthodoxe Kirche (DE-588)4043912-4 gnd rswk-swf Musikhandschrift (DE-588)4040847-4 gnd rswk-swf Slawen (DE-588)4077491-0 gnd rswk-swf Slawische Liturgie (DE-588)4339898-4 gnd rswk-swf Kreuzauffindung (DE-588)4275655-8 gnd rswk-swf Liturgie (DE-588)4036050-7 gnd rswk-swf Kreuzerhöhung (DE-588)4406471-8 gnd rswk-swf Südosteuropa (DE-588)4058449-5 gnd rswk-swf Südosteuropa (DE-588)4058449-5 g Slawen (DE-588)4077491-0 s Orthodoxe Kirche (DE-588)4043912-4 s Hymnologie (DE-588)4140859-7 s Liturgie (DE-588)4036050-7 s Kreuzauffindung (DE-588)4275655-8 s Kreuzerhöhung (DE-588)4406471-8 s Musikhandschrift (DE-588)4040847-4 s Geschichte 1200-1600 z DE-604 Slawische Liturgie (DE-588)4339898-4 s Peter Lang AG (DE-588)1065221940 pbl Erscheint auch als Online-Ausgabe, EPUB 978-3-0343-2846-3 Erscheint auch als Online-Ausgabe 978-3-0343-2845-6 Erscheint auch als Online-Ausgabe, MOBI 978-3-0343-2847-0 Varia Musicologica 23 (DE-604)BV017077975 23 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030140978&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Myers, Gregory Music and Ritual in Medieval Slavia Orthodoxa the exaltation of the Holy Cross Varia Musicologica Hymnologie (DE-588)4140859-7 gnd Orthodoxe Kirche (DE-588)4043912-4 gnd Musikhandschrift (DE-588)4040847-4 gnd Slawen (DE-588)4077491-0 gnd Slawische Liturgie (DE-588)4339898-4 gnd Kreuzauffindung (DE-588)4275655-8 gnd Liturgie (DE-588)4036050-7 gnd Kreuzerhöhung (DE-588)4406471-8 gnd |
| subject_GND | (DE-588)4140859-7 (DE-588)4043912-4 (DE-588)4040847-4 (DE-588)4077491-0 (DE-588)4339898-4 (DE-588)4275655-8 (DE-588)4036050-7 (DE-588)4406471-8 (DE-588)4058449-5 |
| title | Music and Ritual in Medieval Slavia Orthodoxa the exaltation of the Holy Cross |
| title_auth | Music and Ritual in Medieval Slavia Orthodoxa the exaltation of the Holy Cross |
| title_exact_search | Music and Ritual in Medieval Slavia Orthodoxa the exaltation of the Holy Cross |
| title_full | Music and Ritual in Medieval Slavia Orthodoxa the exaltation of the Holy Cross Gregory Myers |
| title_fullStr | Music and Ritual in Medieval Slavia Orthodoxa the exaltation of the Holy Cross Gregory Myers |
| title_full_unstemmed | Music and Ritual in Medieval Slavia Orthodoxa the exaltation of the Holy Cross Gregory Myers |
| title_short | Music and Ritual in Medieval Slavia Orthodoxa |
| title_sort | music and ritual in medieval slavia orthodoxa the exaltation of the holy cross |
| title_sub | the exaltation of the Holy Cross |
| topic | Hymnologie (DE-588)4140859-7 gnd Orthodoxe Kirche (DE-588)4043912-4 gnd Musikhandschrift (DE-588)4040847-4 gnd Slawen (DE-588)4077491-0 gnd Slawische Liturgie (DE-588)4339898-4 gnd Kreuzauffindung (DE-588)4275655-8 gnd Liturgie (DE-588)4036050-7 gnd Kreuzerhöhung (DE-588)4406471-8 gnd |
| topic_facet | Hymnologie Orthodoxe Kirche Musikhandschrift Slawen Slawische Liturgie Kreuzauffindung Liturgie Kreuzerhöhung Südosteuropa |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030140978&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV017077975 |
| work_keys_str_mv | AT myersgregory musicandritualinmedievalslaviaorthodoxatheexaltationoftheholycross AT peterlangag musicandritualinmedievalslaviaorthodoxatheexaltationoftheholycross |