Refracted Modernity: Visual Culture and Identity in Colonial Taiwan
Since the mid-1990s Taiwanese artists have been responsible for shaping much of the international contemporary art scene, yet studies on modern Taiwanese art published outside of Taiwan are scarce. The nine essays collected here present different perspectives on Taiwanese visual culture and landscap...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2007]
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| Schlagworte: | |
| Online-Zugang: | DE-859 DE-860 DE-739 DE-473 DE-1046 DE-1043 DE-858 URL des Erstveröffentlichers |
| Zusammenfassung: | Since the mid-1990s Taiwanese artists have been responsible for shaping much of the international contemporary art scene, yet studies on modern Taiwanese art published outside of Taiwan are scarce. The nine essays collected here present different perspectives on Taiwanese visual culture and landscape during the Japanese colonial period (1895–1945), focusing variously on travel writings, Western and Japanese/Oriental-style paintings, architecture, aboriginal material culture, and crafts. Issues addressed include the imagined Taiwan and the "discovery" of the Taiwanese landscape, which developed into the imperial ideology of nangoku (southern country); the problematic idea of "local color," which was imposed by Japanese, and its relation to the "nativism" that was embraced by Taiwanese; the gendered modernity exemplified in the representation of Chinese/Taiwanese women; and the development of Taiwanese artifacts and crafts from colonial to postcolonial times, from their discovery, estheticization, and industrialization to their commodification by both the colonizers and the colonized.Contributors: Chao-Ching Fu, Chia-yu Hu, Yuko Kikuchi, Kaoru Kojima, Ming-chu Lai, Hsin-tien Liao, Naoko Shimazu, Toshio Watanabe, Chuan-ying Yen |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 19. Jan 2018) |
| Beschreibung: | 1 online resource 106 illus |
| ISBN: | 9780824864101 |
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| 520 | |a Since the mid-1990s Taiwanese artists have been responsible for shaping much of the international contemporary art scene, yet studies on modern Taiwanese art published outside of Taiwan are scarce. The nine essays collected here present different perspectives on Taiwanese visual culture and landscape during the Japanese colonial period (1895–1945), focusing variously on travel writings, Western and Japanese/Oriental-style paintings, architecture, aboriginal material culture, and crafts. Issues addressed include the imagined Taiwan and the "discovery" of the Taiwanese landscape, which developed into the imperial ideology of nangoku (southern country); the problematic idea of "local color," which was imposed by Japanese, and its relation to the "nativism" that was embraced by Taiwanese; the gendered modernity exemplified in the representation of Chinese/Taiwanese women; and the development of Taiwanese artifacts and crafts from colonial to postcolonial times, from their discovery, estheticization, and industrialization to their commodification by both the colonizers and the colonized.Contributors: Chao-Ching Fu, Chia-yu Hu, Yuko Kikuchi, Kaoru Kojima, Ming-chu Lai, Hsin-tien Liao, Naoko Shimazu, Toshio Watanabe, Chuan-ying Yen | ||
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Datensatz im Suchindex
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| format | Electronic eBook |
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| geographic | Japan (DE-588)4028495-5 gnd Taiwan (DE-588)4017875-4 gnd |
| geographic_facet | Japan Taiwan |
| id | DE-604.BV044743866 |
| illustrated | Illustrated |
| indexdate | 2025-02-18T15:10:08Z |
| institution | BVB |
| isbn | 9780824864101 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030139653 |
| oclc_num | 1022108520 |
| open_access_boolean | |
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| owner_facet | DE-859 DE-860 DE-739 DE-473 DE-BY-UBG DE-739 DE-1046 DE-1043 DE-858 |
| physical | 1 online resource 106 illus |
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| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | University of Hawaii Press |
| record_format | marc |
| spelling | Refracted Modernity Visual Culture and Identity in Colonial Taiwan Yuko Kikuchi Honolulu University of Hawaii Press [2007] © 2007 1 online resource 106 illus txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 19. Jan 2018) Since the mid-1990s Taiwanese artists have been responsible for shaping much of the international contemporary art scene, yet studies on modern Taiwanese art published outside of Taiwan are scarce. The nine essays collected here present different perspectives on Taiwanese visual culture and landscape during the Japanese colonial period (1895–1945), focusing variously on travel writings, Western and Japanese/Oriental-style paintings, architecture, aboriginal material culture, and crafts. Issues addressed include the imagined Taiwan and the "discovery" of the Taiwanese landscape, which developed into the imperial ideology of nangoku (southern country); the problematic idea of "local color," which was imposed by Japanese, and its relation to the "nativism" that was embraced by Taiwanese; the gendered modernity exemplified in the representation of Chinese/Taiwanese women; and the development of Taiwanese artifacts and crafts from colonial to postcolonial times, from their discovery, estheticization, and industrialization to their commodification by both the colonizers and the colonized.Contributors: Chao-Ching Fu, Chia-yu Hu, Yuko Kikuchi, Kaoru Kojima, Ming-chu Lai, Hsin-tien Liao, Naoko Shimazu, Toshio Watanabe, Chuan-ying Yen In English Geschichte 1895-1945 gnd rswk-swf Art, Chinese Japanese influences Art, Chinese 20th century Imperialism in art Kolonialismus (DE-588)4073624-6 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Japan (DE-588)4028495-5 gnd rswk-swf Taiwan (DE-588)4017875-4 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Japan (DE-588)4028495-5 g Kolonialismus (DE-588)4073624-6 s Kunst (DE-588)4114333-4 s Taiwan (DE-588)4017875-4 g Geschichte 1895-1945 z 2\p DE-604 Moderne (DE-588)4039827-4 s 3\p DE-604 Kikuchi, Yuko edt https://www.degruyter.com/doi/book/10.21313/9780824864101 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Refracted Modernity Visual Culture and Identity in Colonial Taiwan Art, Chinese Japanese influences Art, Chinese 20th century Imperialism in art Kolonialismus (DE-588)4073624-6 gnd Moderne (DE-588)4039827-4 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4073624-6 (DE-588)4039827-4 (DE-588)4114333-4 (DE-588)4028495-5 (DE-588)4017875-4 (DE-588)4143413-4 |
| title | Refracted Modernity Visual Culture and Identity in Colonial Taiwan |
| title_auth | Refracted Modernity Visual Culture and Identity in Colonial Taiwan |
| title_exact_search | Refracted Modernity Visual Culture and Identity in Colonial Taiwan |
| title_full | Refracted Modernity Visual Culture and Identity in Colonial Taiwan Yuko Kikuchi |
| title_fullStr | Refracted Modernity Visual Culture and Identity in Colonial Taiwan Yuko Kikuchi |
| title_full_unstemmed | Refracted Modernity Visual Culture and Identity in Colonial Taiwan Yuko Kikuchi |
| title_short | Refracted Modernity |
| title_sort | refracted modernity visual culture and identity in colonial taiwan |
| title_sub | Visual Culture and Identity in Colonial Taiwan |
| topic | Art, Chinese Japanese influences Art, Chinese 20th century Imperialism in art Kolonialismus (DE-588)4073624-6 gnd Moderne (DE-588)4039827-4 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Art, Chinese Japanese influences Art, Chinese 20th century Imperialism in art Kolonialismus Moderne Kunst Japan Taiwan Aufsatzsammlung |
| url | https://www.degruyter.com/doi/book/10.21313/9780824864101 |
| work_keys_str_mv | AT kikuchiyuko refractedmodernityvisualcultureandidentityincolonialtaiwan |