Chinese Aesthetics: The Ordering of Literature, the Arts, and the Universe in the Six Dynasties
This singular work presents the most comprehensive and nuanced studies available in any Western language of Chinese aesthetic thought and practice during the Six Dynasties (A.D. 220–589). Despite a succession of dynastic and social upheavals, the literati preoccupied themselves with both the sensuou...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2004]
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| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Zusammenfassung: | This singular work presents the most comprehensive and nuanced studies available in any Western language of Chinese aesthetic thought and practice during the Six Dynasties (A.D. 220–589). Despite a succession of dynastic and social upheavals, the literati preoccupied themselves with both the sensuous and the transcendent and strove for cultural dominance. By the end of the sixth century, their reflections would evolve into a sophisticated system of aesthetic discourse characterized by its own rhetoric and concepts. A prologue details the historical context in which Six Dynasties aesthetics arose and sketches out its major stages of development. The ten essays that follow bring fresh perspectives to bear on important writings on literature, music, painting, calligraphy, and gardening. Grounded in close readings of primary texts, they reveal the complex, dynamic interplay between life and art, the sensuous and the metaphysical, and the artistic and the philosophicaleligious that lies at the heart of the aesthetic thought and practice of the time. As a whole, the collection demonstrates that Six Dynasties achieved a sophistication in aesthetic thought comparable in many ways to that of the West: The discussion of disinterestedness in art, aesthetic judgment, and how mental images mediate between the supersensible and the sensible are reminiscent of Kant. The findings of various Chinese critics provide much food for thought in the broad fields of comparative literature and aesthetics. Chinese Aesthetics will fill a gap in Western sinological studies of the period. It will appeal to scholars and students in premodern Chinese literary studies, comparative aesthetics, and cultural studies and be a welcome reference to anyone interested in ancient Chinese culture.Contributors: Susan Bush; Zong-qi Cai; Kang-i Sun Chang; Ronald Egan; Robert E. Harrist, Jr.; Rania Huntington; Wai-yee Li; Shuen-fu Lin; Victor Mair; François Martin |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 19. Jan 2018) |
| Beschreibung: | 1 online resource |
| ISBN: | 9780824861841 |
| DOI: | 10.1515/9780824861841 |
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| 520 | |a This singular work presents the most comprehensive and nuanced studies available in any Western language of Chinese aesthetic thought and practice during the Six Dynasties (A.D. 220–589). Despite a succession of dynastic and social upheavals, the literati preoccupied themselves with both the sensuous and the transcendent and strove for cultural dominance. By the end of the sixth century, their reflections would evolve into a sophisticated system of aesthetic discourse characterized by its own rhetoric and concepts. A prologue details the historical context in which Six Dynasties aesthetics arose and sketches out its major stages of development. The ten essays that follow bring fresh perspectives to bear on important writings on literature, music, painting, calligraphy, and gardening. Grounded in close readings of primary texts, they reveal the complex, dynamic interplay between life and art, the sensuous and the metaphysical, and the artistic and the philosophicaleligious that lies at the heart of the aesthetic thought and practice of the time. As a whole, the collection demonstrates that Six Dynasties achieved a sophistication in aesthetic thought comparable in many ways to that of the West: The discussion of disinterestedness in art, aesthetic judgment, and how mental images mediate between the supersensible and the sensible are reminiscent of Kant. The findings of various Chinese critics provide much food for thought in the broad fields of comparative literature and aesthetics. Chinese Aesthetics will fill a gap in Western sinological studies of the period. It will appeal to scholars and students in premodern Chinese literary studies, comparative aesthetics, and cultural studies and be a welcome reference to anyone interested in ancient Chinese culture.Contributors: Susan Bush; Zong-qi Cai; Kang-i Sun Chang; Ronald Egan; Robert E. Harrist, Jr.; Rania Huntington; Wai-yee Li; Shuen-fu Lin; Victor Mair; François Martin | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Cai, Zong-qi |
| author_facet | Cai, Zong-qi |
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| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 111 - Ontology |
| dewey-raw | 111/.85/0931 |
| dewey-search | 111/.85/0931 |
| dewey-sort | 3111 285 3931 |
| dewey-tens | 110 - Metaphysics |
| discipline | Philosophie |
| doi_str_mv | 10.1515/9780824861841 |
| era | Geschichte 220-589 gnd |
| era_facet | Geschichte 220-589 |
| format | Electronic eBook |
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| spelling | Cai, Zong-qi aut Chinese Aesthetics The Ordering of Literature, the Arts, and the Universe in the Six Dynasties Zong-qi Cai Honolulu University of Hawaii Press [2004] © 2004 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 19. Jan 2018) This singular work presents the most comprehensive and nuanced studies available in any Western language of Chinese aesthetic thought and practice during the Six Dynasties (A.D. 220–589). Despite a succession of dynastic and social upheavals, the literati preoccupied themselves with both the sensuous and the transcendent and strove for cultural dominance. By the end of the sixth century, their reflections would evolve into a sophisticated system of aesthetic discourse characterized by its own rhetoric and concepts. A prologue details the historical context in which Six Dynasties aesthetics arose and sketches out its major stages of development. The ten essays that follow bring fresh perspectives to bear on important writings on literature, music, painting, calligraphy, and gardening. Grounded in close readings of primary texts, they reveal the complex, dynamic interplay between life and art, the sensuous and the metaphysical, and the artistic and the philosophicaleligious that lies at the heart of the aesthetic thought and practice of the time. As a whole, the collection demonstrates that Six Dynasties achieved a sophistication in aesthetic thought comparable in many ways to that of the West: The discussion of disinterestedness in art, aesthetic judgment, and how mental images mediate between the supersensible and the sensible are reminiscent of Kant. The findings of various Chinese critics provide much food for thought in the broad fields of comparative literature and aesthetics. Chinese Aesthetics will fill a gap in Western sinological studies of the period. It will appeal to scholars and students in premodern Chinese literary studies, comparative aesthetics, and cultural studies and be a welcome reference to anyone interested in ancient Chinese culture.Contributors: Susan Bush; Zong-qi Cai; Kang-i Sun Chang; Ronald Egan; Robert E. Harrist, Jr.; Rania Huntington; Wai-yee Li; Shuen-fu Lin; Victor Mair; François Martin In English Geschichte 220-589 gnd rswk-swf Aesthetics Chinese literature 220-589 History and criticism Chinesisch (DE-588)4113214-2 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Chinesisch (DE-588)4113214-2 s Literatur (DE-588)4035964-5 s Ästhetik (DE-588)4000626-8 s Geschichte 220-589 z 1\p DE-604 https://doi.org/10.1515/9780824861841 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Cai, Zong-qi Chinese Aesthetics The Ordering of Literature, the Arts, and the Universe in the Six Dynasties Aesthetics Chinese literature 220-589 History and criticism Chinesisch (DE-588)4113214-2 gnd Ästhetik (DE-588)4000626-8 gnd Literatur (DE-588)4035964-5 gnd |
| subject_GND | (DE-588)4113214-2 (DE-588)4000626-8 (DE-588)4035964-5 |
| title | Chinese Aesthetics The Ordering of Literature, the Arts, and the Universe in the Six Dynasties |
| title_auth | Chinese Aesthetics The Ordering of Literature, the Arts, and the Universe in the Six Dynasties |
| title_exact_search | Chinese Aesthetics The Ordering of Literature, the Arts, and the Universe in the Six Dynasties |
| title_full | Chinese Aesthetics The Ordering of Literature, the Arts, and the Universe in the Six Dynasties Zong-qi Cai |
| title_fullStr | Chinese Aesthetics The Ordering of Literature, the Arts, and the Universe in the Six Dynasties Zong-qi Cai |
| title_full_unstemmed | Chinese Aesthetics The Ordering of Literature, the Arts, and the Universe in the Six Dynasties Zong-qi Cai |
| title_short | Chinese Aesthetics |
| title_sort | chinese aesthetics the ordering of literature the arts and the universe in the six dynasties |
| title_sub | The Ordering of Literature, the Arts, and the Universe in the Six Dynasties |
| topic | Aesthetics Chinese literature 220-589 History and criticism Chinesisch (DE-588)4113214-2 gnd Ästhetik (DE-588)4000626-8 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Aesthetics Chinese literature 220-589 History and criticism Chinesisch Ästhetik Literatur |
| url | https://doi.org/10.1515/9780824861841 |
| work_keys_str_mv | AT caizongqi chineseaestheticstheorderingofliteraturetheartsandtheuniverseinthesixdynasties |