Artistic Detachment in Japan and the West: Psychic Distance in Comparative Aesthetics
Artistic Detachment in Japan and the West takes up the notion of artistic detachment, or psychic distance, as an intercultural motif for East-West comparative aesthetics. The work begins with an overview of aesthetic theory in the West from the eighteenth-century empiricists to contemporary aestheti...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2001]
|
| Schlagworte: | |
| Online-Zugang: | FHA01 FKE01 FLA01 UPA01 UBG01 FAW01 FAB01 FCO01 Volltext |
| Zusammenfassung: | Artistic Detachment in Japan and the West takes up the notion of artistic detachment, or psychic distance, as an intercultural motif for East-West comparative aesthetics. The work begins with an overview of aesthetic theory in the West from the eighteenth-century empiricists to contemporary aesthetics and concludes with a survey of various critiques of psychic distance. Throughout, the author takes a highly innovative approach by juxtaposing Western aesthetic theory against Eastern (primarily Japanese) aesthetic theory. Weaving between cultures and time periods, the author focuses on a remarkably wide range of theories: in the West, the Kantian notion of disinterested contemplation, Heidegger's Gelassenheit, semiotics, and pragmatism; in Japan, Zeami's notion of riken no ken, the Kyoto School's intepretation of nothingness, D. T. Suzuki's analysis of the function of no-mind, and the writings of Kuki Shuzo on Buddhist detachment. "Portrait of the artist" fiction by such writers as Henry James, James Joyce, Mori Ogai, and Natsume Soseki demonstrates how the main theme of detachment is expressed in literary traditions. The role of sympathy or pragmatism in relation to disinterest is examined, suggesting conflicts within or challenges to the notion of detachment. Researchers and students in Eastern and Western areas of study, including philosophers and religionists, as well as literary and cultural critics, will deem this work an invaluable contribution to cross-cultural philosophy and literary studies |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 19. Jan 2018) |
| Beschreibung: | 1 online resource |
| ISBN: | 9780824861506 |
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| 520 | |a Artistic Detachment in Japan and the West takes up the notion of artistic detachment, or psychic distance, as an intercultural motif for East-West comparative aesthetics. The work begins with an overview of aesthetic theory in the West from the eighteenth-century empiricists to contemporary aesthetics and concludes with a survey of various critiques of psychic distance. Throughout, the author takes a highly innovative approach by juxtaposing Western aesthetic theory against Eastern (primarily Japanese) aesthetic theory. Weaving between cultures and time periods, the author focuses on a remarkably wide range of theories: in the West, the Kantian notion of disinterested contemplation, Heidegger's Gelassenheit, semiotics, and pragmatism; in Japan, Zeami's notion of riken no ken, the Kyoto School's intepretation of nothingness, D. T. Suzuki's analysis of the function of no-mind, and the writings of Kuki Shuzo on Buddhist detachment. "Portrait of the artist" fiction by such writers as Henry James, James Joyce, Mori Ogai, and Natsume Soseki demonstrates how the main theme of detachment is expressed in literary traditions. The role of sympathy or pragmatism in relation to disinterest is examined, suggesting conflicts within or challenges to the notion of detachment. Researchers and students in Eastern and Western areas of study, including philosophers and religionists, as well as literary and cultural critics, will deem this work an invaluable contribution to cross-cultural philosophy and literary studies | ||
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| discipline | Philosophie |
| format | Electronic eBook |
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| spelling | Odin, Steve aut Artistic Detachment in Japan and the West Psychic Distance in Comparative Aesthetics Steve Odin Honolulu University of Hawaii Press [2001] © 2001 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 19. Jan 2018) Artistic Detachment in Japan and the West takes up the notion of artistic detachment, or psychic distance, as an intercultural motif for East-West comparative aesthetics. The work begins with an overview of aesthetic theory in the West from the eighteenth-century empiricists to contemporary aesthetics and concludes with a survey of various critiques of psychic distance. Throughout, the author takes a highly innovative approach by juxtaposing Western aesthetic theory against Eastern (primarily Japanese) aesthetic theory. Weaving between cultures and time periods, the author focuses on a remarkably wide range of theories: in the West, the Kantian notion of disinterested contemplation, Heidegger's Gelassenheit, semiotics, and pragmatism; in Japan, Zeami's notion of riken no ken, the Kyoto School's intepretation of nothingness, D. T. Suzuki's analysis of the function of no-mind, and the writings of Kuki Shuzo on Buddhist detachment. "Portrait of the artist" fiction by such writers as Henry James, James Joyce, Mori Ogai, and Natsume Soseki demonstrates how the main theme of detachment is expressed in literary traditions. The role of sympathy or pragmatism in relation to disinterest is examined, suggesting conflicts within or challenges to the notion of detachment. Researchers and students in Eastern and Western areas of study, including philosophers and religionists, as well as literary and cultural critics, will deem this work an invaluable contribution to cross-cultural philosophy and literary studies In English Aesthetics, Comparative Aesthetics, European Aesthetics, Japanese Ästhetik (DE-588)4000626-8 gnd rswk-swf Westliche Welt (DE-588)4079237-7 gnd rswk-swf Japan (DE-588)4028495-5 gnd rswk-swf Japan (DE-588)4028495-5 g Ästhetik (DE-588)4000626-8 s Westliche Welt (DE-588)4079237-7 g 1\p DE-604 https://www.degruyter.com/doi/book/10.21313/9780824861506 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Odin, Steve Artistic Detachment in Japan and the West Psychic Distance in Comparative Aesthetics Aesthetics, Comparative Aesthetics, European Aesthetics, Japanese Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4000626-8 (DE-588)4079237-7 (DE-588)4028495-5 |
| title | Artistic Detachment in Japan and the West Psychic Distance in Comparative Aesthetics |
| title_auth | Artistic Detachment in Japan and the West Psychic Distance in Comparative Aesthetics |
| title_exact_search | Artistic Detachment in Japan and the West Psychic Distance in Comparative Aesthetics |
| title_full | Artistic Detachment in Japan and the West Psychic Distance in Comparative Aesthetics Steve Odin |
| title_fullStr | Artistic Detachment in Japan and the West Psychic Distance in Comparative Aesthetics Steve Odin |
| title_full_unstemmed | Artistic Detachment in Japan and the West Psychic Distance in Comparative Aesthetics Steve Odin |
| title_short | Artistic Detachment in Japan and the West |
| title_sort | artistic detachment in japan and the west psychic distance in comparative aesthetics |
| title_sub | Psychic Distance in Comparative Aesthetics |
| topic | Aesthetics, Comparative Aesthetics, European Aesthetics, Japanese Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Aesthetics, Comparative Aesthetics, European Aesthetics, Japanese Ästhetik Westliche Welt Japan |
| url | https://www.degruyter.com/doi/book/10.21313/9780824861506 |
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