Art as Politics: Re-Crafting Identities, Tourism, and Power in Tana Toraja, Indonesia
Art as Politics explores the intersection of art, identity politics, and tourism in Sulawesi, Indonesia. Based on long-term ethnographic research from the 1980s to the present, the book offers a nuanced portrayal of the Sa’dan Toraja, a predominantly Christian minority group in the world’s most popu...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2006]
|
| Schriftenreihe: | Southeast Asia: Politics, Meaning, and Memory
2 |
| Schlagworte: | |
| Online-Zugang: | DE-859 DE-860 DE-739 DE-473 DE-1046 DE-1043 DE-858 Volltext |
| Zusammenfassung: | Art as Politics explores the intersection of art, identity politics, and tourism in Sulawesi, Indonesia. Based on long-term ethnographic research from the 1980s to the present, the book offers a nuanced portrayal of the Sa’dan Toraja, a predominantly Christian minority group in the world’s most populous Muslim country. Celebrated in anthropological and tourism literatures for their spectacular traditional houses, sculpted effigies of the dead, and pageantry-filled funeral rituals, the Toraja have entered an era of accelerated engagement with the global economy marked by on-going struggles over identity, religion, and social relations.In her engaging account, Kathleen Adams chronicles how various Toraja individuals and groups have drawn upon artistically-embellished "traditional" objects—as well as monumental displays, museums, UNESCO ideas about "word heritage," and the World Wide Web—to shore up or realign aspects of a cultural heritage perceived to be under threat. She also considers how outsiders—be they tourists, art collectors, members of rival ethnic groups, or government officials—have appropriated and reframed Toraja art objects for their own purposes. Her account illustrates how art can serve as a catalyst in identity politics, especially in the context of tourism and social upheaval.Ultimately, this insightful work prompts readers to rethink persistent and pernicious popular assumptions—that tourism invariably brings a loss of agency to local communities or that tourist art is a compromised form of expression. Art as Politics promises to be a favorite with students and scholars of anthropology, sociology, cultural studies, ethnic relations, art, and Asian studies |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 19. Jan 2018) |
| Beschreibung: | 1 online resource 35 illus., 15 in color |
| ISBN: | 9780824861483 |
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| 520 | |a Art as Politics explores the intersection of art, identity politics, and tourism in Sulawesi, Indonesia. Based on long-term ethnographic research from the 1980s to the present, the book offers a nuanced portrayal of the Sa’dan Toraja, a predominantly Christian minority group in the world’s most populous Muslim country. Celebrated in anthropological and tourism literatures for their spectacular traditional houses, sculpted effigies of the dead, and pageantry-filled funeral rituals, the Toraja have entered an era of accelerated engagement with the global economy marked by on-going struggles over identity, religion, and social relations.In her engaging account, Kathleen Adams chronicles how various Toraja individuals and groups have drawn upon artistically-embellished "traditional" objects—as well as monumental displays, museums, UNESCO ideas about "word heritage," and the World Wide Web—to shore up or realign aspects of a cultural heritage perceived to be under threat. She also considers how outsiders—be they tourists, art collectors, members of rival ethnic groups, or government officials—have appropriated and reframed Toraja art objects for their own purposes. Her account illustrates how art can serve as a catalyst in identity politics, especially in the context of tourism and social upheaval.Ultimately, this insightful work prompts readers to rethink persistent and pernicious popular assumptions—that tourism invariably brings a loss of agency to local communities or that tourist art is a compromised form of expression. Art as Politics promises to be a favorite with students and scholars of anthropology, sociology, cultural studies, ethnic relations, art, and Asian studies | ||
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Datensatz im Suchindex
| _version_ | 1824408363984748544 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Adams, Kathleen M. |
| author_facet | Adams, Kathleen M. |
| author_role | aut |
| author_sort | Adams, Kathleen M. |
| author_variant | k m a km kma |
| building | Verbundindex |
| bvnumber | BV044743643 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9780824861483 (OCoLC)1022087194 (DE-599)BVBBV044743643 |
| dewey-full | 305.89/922 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 305 - Groups of people |
| dewey-raw | 305.89/922 |
| dewey-search | 305.89/922 |
| dewey-sort | 3305.89 3922 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie |
| format | Electronic eBook |
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| id | DE-604.BV044743643 |
| illustrated | Illustrated |
| indexdate | 2025-02-18T15:09:59Z |
| institution | BVB |
| isbn | 9780824861483 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030139430 |
| oclc_num | 1022087194 |
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| physical | 1 online resource 35 illus., 15 in color |
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| publishDate | 2006 |
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| publisher | University of Hawaii Press |
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| series2 | Southeast Asia: Politics, Meaning, and Memory |
| spelling | Adams, Kathleen M. aut Art as Politics Re-Crafting Identities, Tourism, and Power in Tana Toraja, Indonesia Kathleen M. Adams Honolulu University of Hawaii Press [2006] © 2006 1 online resource 35 illus., 15 in color txt rdacontent c rdamedia cr rdacarrier Southeast Asia: Politics, Meaning, and Memory 2 Description based on online resource; title from PDF title page (publisher's Web site, viewed 19. Jan 2018) Art as Politics explores the intersection of art, identity politics, and tourism in Sulawesi, Indonesia. Based on long-term ethnographic research from the 1980s to the present, the book offers a nuanced portrayal of the Sa’dan Toraja, a predominantly Christian minority group in the world’s most populous Muslim country. Celebrated in anthropological and tourism literatures for their spectacular traditional houses, sculpted effigies of the dead, and pageantry-filled funeral rituals, the Toraja have entered an era of accelerated engagement with the global economy marked by on-going struggles over identity, religion, and social relations.In her engaging account, Kathleen Adams chronicles how various Toraja individuals and groups have drawn upon artistically-embellished "traditional" objects—as well as monumental displays, museums, UNESCO ideas about "word heritage," and the World Wide Web—to shore up or realign aspects of a cultural heritage perceived to be under threat. She also considers how outsiders—be they tourists, art collectors, members of rival ethnic groups, or government officials—have appropriated and reframed Toraja art objects for their own purposes. Her account illustrates how art can serve as a catalyst in identity politics, especially in the context of tourism and social upheaval.Ultimately, this insightful work prompts readers to rethink persistent and pernicious popular assumptions—that tourism invariably brings a loss of agency to local communities or that tourist art is a compromised form of expression. Art as Politics promises to be a favorite with students and scholars of anthropology, sociology, cultural studies, ethnic relations, art, and Asian studies In English Architecture, Toraja Indonesia Sulawesi Toraja (Indonesian people) Ethnic identity Toraja (Indonesian people) Social life and customs Wood-carving, Toraja Indonesia Sulawesi https://www.degruyter.com/doi/book/10.21313/9780824861483 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Adams, Kathleen M. Art as Politics Re-Crafting Identities, Tourism, and Power in Tana Toraja, Indonesia Architecture, Toraja Indonesia Sulawesi Toraja (Indonesian people) Ethnic identity Toraja (Indonesian people) Social life and customs Wood-carving, Toraja Indonesia Sulawesi |
| title | Art as Politics Re-Crafting Identities, Tourism, and Power in Tana Toraja, Indonesia |
| title_auth | Art as Politics Re-Crafting Identities, Tourism, and Power in Tana Toraja, Indonesia |
| title_exact_search | Art as Politics Re-Crafting Identities, Tourism, and Power in Tana Toraja, Indonesia |
| title_full | Art as Politics Re-Crafting Identities, Tourism, and Power in Tana Toraja, Indonesia Kathleen M. Adams |
| title_fullStr | Art as Politics Re-Crafting Identities, Tourism, and Power in Tana Toraja, Indonesia Kathleen M. Adams |
| title_full_unstemmed | Art as Politics Re-Crafting Identities, Tourism, and Power in Tana Toraja, Indonesia Kathleen M. Adams |
| title_short | Art as Politics |
| title_sort | art as politics re crafting identities tourism and power in tana toraja indonesia |
| title_sub | Re-Crafting Identities, Tourism, and Power in Tana Toraja, Indonesia |
| topic | Architecture, Toraja Indonesia Sulawesi Toraja (Indonesian people) Ethnic identity Toraja (Indonesian people) Social life and customs Wood-carving, Toraja Indonesia Sulawesi |
| topic_facet | Architecture, Toraja Indonesia Sulawesi Toraja (Indonesian people) Ethnic identity Toraja (Indonesian people) Social life and customs Wood-carving, Toraja Indonesia Sulawesi |
| url | https://www.degruyter.com/doi/book/10.21313/9780824861483 |
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