How to write for percussion: a comprehensive guide to percussion composition
Introduction. How this book is organized ; Instruments covered ; Working with percussionists ; Location specifics ; The value of not reading this book
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
2016
|
| Ausgabe: | Second edition |
| Schlagworte: | |
| Zusammenfassung: | Introduction. How this book is organized ; Instruments covered ; Working with percussionists ; Location specifics ; The value of not reading this book General framework. A dysfunctional family. Comparison of family relationships -- The problem of pitch. The pitches of percussion ; The validations and limitations of novelty ; Three methods for indeterminately pitch instruments -- The written/improv divide. Expanding the color palette (to shrink the setup) ; The value of improvised and non-notated music -- Social composition. Write for people, not sounds ; Write what is wanted, not what to do ; Working with percussionists General logistics. Instrument choice and management. Six stories, three sad and three happy ; Why use fewer instruments? ; How to consolidate ; Inexpensive instruments ; Exotic instruments ; Electronic percussion ; Multiple options for a specified instrument ; Instruments percussionists may not play ; Multiple percussionists ; Section setup ; Orchestra ; Wind ensemble ; Broadway pit ; Drum corps and marching bands ; Specialists ; Non-percussionists playing percussion ; Chairs and stands -- Issues of playability. Excessive polyphony ; How fast percussionists can play ; Unidiomatic writing : music that often requires memorization ; Dynamics ; Reaching the instruments ; Instruments with pedals ; Physical exertion and shaking ; Working with headphones or headset microphones |
| Beschreibung: | xviii, 288 Seiten Illustrationen, Diagrammme, Notenbeispiele 26 cm |
| ISBN: | 9780199920341 |
Internformat
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| 520 | 3 | |a Introduction. How this book is organized ; Instruments covered ; Working with percussionists ; Location specifics ; The value of not reading this book | |
| 520 | 3 | |a General framework. A dysfunctional family. Comparison of family relationships -- The problem of pitch. The pitches of percussion ; The validations and limitations of novelty ; Three methods for indeterminately pitch instruments -- The written/improv divide. Expanding the color palette (to shrink the setup) ; The value of improvised and non-notated music -- Social composition. Write for people, not sounds ; Write what is wanted, not what to do ; Working with percussionists | |
| 520 | 3 | |a General logistics. Instrument choice and management. Six stories, three sad and three happy ; Why use fewer instruments? ; How to consolidate ; Inexpensive instruments ; Exotic instruments ; Electronic percussion ; Multiple options for a specified instrument ; Instruments percussionists may not play ; Multiple percussionists ; Section setup ; Orchestra ; Wind ensemble ; Broadway pit ; Drum corps and marching bands ; Specialists ; Non-percussionists playing percussion ; Chairs and stands -- Issues of playability. Excessive polyphony ; How fast percussionists can play ; Unidiomatic writing : music that often requires memorization ; Dynamics ; Reaching the instruments ; Instruments with pedals ; Physical exertion and shaking ; Working with headphones or headset microphones | |
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Datensatz im Suchindex
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| id | DE-604.BV044737896 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:00:48Z |
| institution | BVB |
| isbn | 9780199920341 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030133809 |
| oclc_num | 1015855163 |
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| owner | DE-B170 |
| owner_facet | DE-B170 |
| physical | xviii, 288 Seiten Illustrationen, Diagrammme, Notenbeispiele 26 cm |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | Solomon, Samuel Z. Verfasser (DE-588)1078331626 aut How to write for percussion a comprehensive guide to percussion composition Samuel Z. Solomon Second edition New York Oxford University Press 2016 xviii, 288 Seiten Illustrationen, Diagrammme, Notenbeispiele 26 cm txt rdacontent n rdamedia nc rdacarrier Introduction. How this book is organized ; Instruments covered ; Working with percussionists ; Location specifics ; The value of not reading this book General framework. A dysfunctional family. Comparison of family relationships -- The problem of pitch. The pitches of percussion ; The validations and limitations of novelty ; Three methods for indeterminately pitch instruments -- The written/improv divide. Expanding the color palette (to shrink the setup) ; The value of improvised and non-notated music -- Social composition. Write for people, not sounds ; Write what is wanted, not what to do ; Working with percussionists General logistics. Instrument choice and management. Six stories, three sad and three happy ; Why use fewer instruments? ; How to consolidate ; Inexpensive instruments ; Exotic instruments ; Electronic percussion ; Multiple options for a specified instrument ; Instruments percussionists may not play ; Multiple percussionists ; Section setup ; Orchestra ; Wind ensemble ; Broadway pit ; Drum corps and marching bands ; Specialists ; Non-percussionists playing percussion ; Chairs and stands -- Issues of playability. Excessive polyphony ; How fast percussionists can play ; Unidiomatic writing : music that often requires memorization ; Dynamics ; Reaching the instruments ; Instruments with pedals ; Physical exertion and shaking ; Working with headphones or headset microphones Musikerziehung (DE-588)4040843-7 gnd rswk-swf Schlaginstrumentenmusik (DE-588)4374709-7 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Schlaginstrumentenmusik (DE-588)4374709-7 s Komposition Musik (DE-588)4133320-2 s Musikerziehung (DE-588)4040843-7 s DE-604 Erscheint auch als Druck-Ausgabe, Paperback 978-0-19-992036-5 paperback |
| spellingShingle | Solomon, Samuel Z. How to write for percussion a comprehensive guide to percussion composition Musikerziehung (DE-588)4040843-7 gnd Schlaginstrumentenmusik (DE-588)4374709-7 gnd Komposition Musik (DE-588)4133320-2 gnd |
| subject_GND | (DE-588)4040843-7 (DE-588)4374709-7 (DE-588)4133320-2 |
| title | How to write for percussion a comprehensive guide to percussion composition |
| title_auth | How to write for percussion a comprehensive guide to percussion composition |
| title_exact_search | How to write for percussion a comprehensive guide to percussion composition |
| title_full | How to write for percussion a comprehensive guide to percussion composition Samuel Z. Solomon |
| title_fullStr | How to write for percussion a comprehensive guide to percussion composition Samuel Z. Solomon |
| title_full_unstemmed | How to write for percussion a comprehensive guide to percussion composition Samuel Z. Solomon |
| title_short | How to write for percussion |
| title_sort | how to write for percussion a comprehensive guide to percussion composition |
| title_sub | a comprehensive guide to percussion composition |
| topic | Musikerziehung (DE-588)4040843-7 gnd Schlaginstrumentenmusik (DE-588)4374709-7 gnd Komposition Musik (DE-588)4133320-2 gnd |
| topic_facet | Musikerziehung Schlaginstrumentenmusik Komposition Musik |
| work_keys_str_mv | AT solomonsamuelz howtowriteforpercussionacomprehensiveguidetopercussioncomposition |