Music and belonging between revolution and restoration:
In what ways is music implicated in the politics of belonging? How is the proper at stake in listening? What role does the ear play in forming a sense of community? Music and Belonging argues that music, at the level of style and form, produces certain modes of listening that in turn reveal the cond...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2017]
|
| Schriftenreihe: | Critical conjunctures in music & sound
|
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | In what ways is music implicated in the politics of belonging? How is the proper at stake in listening? What role does the ear play in forming a sense of community? Music and Belonging argues that music, at the level of style and form, produces certain modes of listening that in turn reveal the conditions of belonging. Specifically, listening shows the intimacy between two senses of belonging: belonging to a community is predicated on the possession of a particular property or capacity. Somewhat counter-intuitively, Waltham-Smith suggests that this relation between belonging-as-membership and belonging-as-ownership manifests itself with particular clarity and rigor at the very heart of the Austro-German canon, in the instrumental music of Haydn, Mozart, and Beethoven. Music and Belonging provocatively brings recent European philosophy into contact with the renewed music-theoretical interest in Formenlehre, presenting close analyses to show how we might return to this much-discussed repertoire to mine it for fresh insights. The book's theoretical landscape offers a radical update to Adornian-inspired scholarship, working through debates over relationality, community, and friendship between Derrida, Nancy, Agamben, Badiou, and Malabou. Borrowing the deconstructive strategies of closely reading canonical texts to the point of their unraveling, the book teases out a new politics of listening from processes of repetition and liquidation, from harmonic suppressions and even from trills. What emerges is the enduring political significance of listening to this music in an era of heightened social exclusion under neoliberalism |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 1 Online-Ressource Notenbeispiele |
| ISBN: | 9780190662035 |
| DOI: | 10.1093/oso/9780190662004.001.0001 |
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Datensatz im Suchindex
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| author | Waltham-Smith, Naomi 1983- |
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| callnumber-first | M - Music |
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| dewey-ones | 780 - Music |
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| dewey-search | 780.9 |
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| discipline | Musikwissenschaft |
| doi_str_mv | 10.1093/oso/9780190662004.001.0001 |
| era | Geschichte 1700-1800 Geschichte 1800-1900 |
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| spelling | Waltham-Smith, Naomi 1983- Verfasser (DE-588)1138852635 aut Music and belonging between revolution and restoration Naomi Waltham-Smith New York, NY Oxford University Press [2017] © 2017 1 Online-Ressource Notenbeispiele txt rdacontent c rdamedia cr rdacarrier Critical conjunctures in music & sound Includes bibliographical references and index In what ways is music implicated in the politics of belonging? How is the proper at stake in listening? What role does the ear play in forming a sense of community? Music and Belonging argues that music, at the level of style and form, produces certain modes of listening that in turn reveal the conditions of belonging. Specifically, listening shows the intimacy between two senses of belonging: belonging to a community is predicated on the possession of a particular property or capacity. Somewhat counter-intuitively, Waltham-Smith suggests that this relation between belonging-as-membership and belonging-as-ownership manifests itself with particular clarity and rigor at the very heart of the Austro-German canon, in the instrumental music of Haydn, Mozart, and Beethoven. Music and Belonging provocatively brings recent European philosophy into contact with the renewed music-theoretical interest in Formenlehre, presenting close analyses to show how we might return to this much-discussed repertoire to mine it for fresh insights. The book's theoretical landscape offers a radical update to Adornian-inspired scholarship, working through debates over relationality, community, and friendship between Derrida, Nancy, Agamben, Badiou, and Malabou. Borrowing the deconstructive strategies of closely reading canonical texts to the point of their unraveling, the book teases out a new politics of listening from processes of repetition and liquidation, from harmonic suppressions and even from trills. What emerges is the enduring political significance of listening to this music in an era of heightened social exclusion under neoliberalism Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd rswk-swf Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd rswk-swf Haydn, Joseph 1732-1809 (DE-588)118547356 gnd rswk-swf Geschichte 1700-1800 Geschichte 1800-1900 Geschichte Musik Gemeinschaft (DE-588)4020015-2 gnd rswk-swf Klassik (DE-588)4030960-5 gnd rswk-swf Europa Haydn, Joseph 1732-1809 / Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 / Criticism and interpretation Beethoven, Ludwig van 1770-1827 / Criticism and interpretation Music / History and criticism / 18th century Music / Analysis, appreciation / 18th century Music / History and criticism / 19th century Music / Analysis, appreciation / 19th century Belonging (Social psychology) / History / Europe Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 p Haydn, Joseph 1732-1809 (DE-588)118547356 p Beethoven, Ludwig van 1770-1827 (DE-588)118508288 p Klassik (DE-588)4030960-5 s Gemeinschaft (DE-588)4020015-2 s DE-604 Erscheint auch als Druck-Ausgabe 978-0-19-066200-4 https://doi.org/10.1093/oso/9780190662004.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Waltham-Smith, Naomi 1983- Music and belonging between revolution and restoration Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Haydn, Joseph 1732-1809 (DE-588)118547356 gnd Geschichte Musik Gemeinschaft (DE-588)4020015-2 gnd Klassik (DE-588)4030960-5 gnd |
| subject_GND | (DE-588)118584596 (DE-588)118508288 (DE-588)118547356 (DE-588)4020015-2 (DE-588)4030960-5 |
| title | Music and belonging between revolution and restoration |
| title_auth | Music and belonging between revolution and restoration |
| title_exact_search | Music and belonging between revolution and restoration |
| title_full | Music and belonging between revolution and restoration Naomi Waltham-Smith |
| title_fullStr | Music and belonging between revolution and restoration Naomi Waltham-Smith |
| title_full_unstemmed | Music and belonging between revolution and restoration Naomi Waltham-Smith |
| title_short | Music and belonging between revolution and restoration |
| title_sort | music and belonging between revolution and restoration |
| topic | Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Haydn, Joseph 1732-1809 (DE-588)118547356 gnd Geschichte Musik Gemeinschaft (DE-588)4020015-2 gnd Klassik (DE-588)4030960-5 gnd |
| topic_facet | Mozart, Wolfgang Amadeus 1756-1791 Beethoven, Ludwig van 1770-1827 Haydn, Joseph 1732-1809 Geschichte Musik Gemeinschaft Klassik Europa |
| url | https://doi.org/10.1093/oso/9780190662004.001.0001 |
| work_keys_str_mv | AT walthamsmithnaomi musicandbelongingbetweenrevolutionandrestoration |