The modern law of copyright: 1 Chapters 1-26
Gespeichert in:
| Hauptverfasser: | , , |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
LexisNexis
2018
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| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | CXLVIII, 2000 Seiten |
| ISBN: | 9781474306904 |
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| 100 | 1 | |a Laddie, Hugh |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The modern law of copyright |n 1 |p Chapters 1-26 |c Laddie, Prescott and Vitoria |
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| 700 | 1 | |a Prescott, Peter |e Verfasser |0 (DE-588)1171760477 |4 aut | |
| 700 | 1 | |a Vitoria, Mary |e Verfasser |0 (DE-588)1171760493 |4 aut | |
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Datensatz im Suchindex
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| adam_text | CONTENTS
VOLUME 1
PREFACE V
AUTHORS VII
TABLE OF STATUTES XIX
TABLE OF STATUTORY INSTRUMENTS XLIX
TABLE OF EUROPEAN LEGISLATION LXI
TABLE OF INTERNATIONAL AGREEMENTS, CONVENTIONS AND TREATIES LXXI
TABLE OF CASES LXXIII
1 OVERVIEW AND BACKGROUND TO COPYRIGHT 1
1- INTRODUCTION TO COPYRIGHT 1
2. THE EXCLUSIVE RIGHT TO PREVENT COPYING 2
3. HISTORICAL DEVELOPMENT OF COPYRIGHT 4
4- THE MODERN LAW OF COPYRIGHT 15
5- RELATED RIGHTS 22
2 THE EU AND INTERNATIONAL CONTEXT 27
1- SCOPE OF THIS CHAPTER ON THE EU AND INTERNATIONAL CONTEXT 27
2- THE IMPACT OF EU LAW AND PUBLIC INTERNATIONAL LAW 28
3- EU LAW AS A DIRECT SOURCE OF LAW 28
4. EU DIRECTIVES 29
5. INTERPRETATION OF UK LAW IN THE LIGHT OF EU LAW 30
6. LATE OR DEFECTIVE IMPLEMENTATION OF EU DIRECTIVES 37
7. UK LEGISLATION WHICH GOES BEYOND THE REQUIREMENTS OF EU
DIRECTIVES 43
8. THE IMPACT OF INTERNATIONAL LAW 48
9. THE IMPACT OF THE UK S DEPARTURE FROM THE EU 51
CONTENTS
LITERARY, DRAMATIC AND MUSICAL WORKS; FILMS REGARDED AS ORIGINAL
WORKS 57
1- ORIGINAL LITERARY, DRAMATIC AND MUSICAL WORKS 57
2. ORIGINALITY 84
3- IDEA AND EXPRESSION 106
4. WHO IS THE AUTHOR OF AN ORIGINAL LITERARY, DRAMATIC OR
MUSICAL WORK? 126
5- FILMS REGARDED AS ORIGINAL WORKS 137
6. INFRINGEMENT OF COPYRIGHT 150
7. RESTRICTED ACTS 184
8. EXCEPTIONS TO PROTECTION 193
ARTISTIC WORKS 197
1. INTRODUCTION TO COPYRIGHT IN ARTISTIC WORKS 197
2. HISTORICAL REVIEW OF COPYRIGHT IN ARTISTIC WORKS 197
3. WHAT ARE ARTISTIC WORKS? 202
4. ORIGINALITY, IDEAS AND TAKING A SUBSTANTIAL PART 233
5. WHO IS THE AUTHOR OF AN ARTISTIC WORK? 277
6. WHAT ACTS CONSTITUTE INFRINGEMENT? 280
7. EXCEPTIONS TO PROTECTION 283
SUBSISTENCE OF COPYRIGHT IN ORIGINAL LITERARY, DRAMATIC, MUSICAL
AND ARTISTIC WORKS 285
1. INTRODUCTION TO SUBSISTENCE OF COPYRIGHT IN ORIGINAL LITER-
ARY, DRAMATIC, MUSICAL AND ARTISTIC WORKS 285
2. WORKS OF OVERSEAS ORIGIN: GENERAL EXPLANATION AND HISTORI-
CAL BACKGROUND 291
3. WORKS OF FOREIGN ORIGIN: WHETHER COPYRIGHT 299
4. WORKS CONNECTED WITH FORMER OR ACTUAL BRITISH
DEPENDENCIES: WHETHER COPYRIGHT 347
5. WORKS MADE BEFORE 1 JULY 1912 358
6. SPRINGING COPYRIGHTS: VESTED INTERESTS 386
7. PRESUMPTIONS UNDER THE CDPA 1988 399
8. LAW REFORM IS NEEDED 401
SOUND RECORDINGS 405
1. HISTORICAL REVIEW OF SOUND RECORDINGS 405
2. WHAT RECORDINGS ARE PROTECTED? 411
CONTENTS
3. WHO IS THE AUTHOR? 413
4. SUBSISTENCE 414
5. INFRINGING ACTS 420
6- EXCEPTIONS TO INFRINGEMENT: A LIST 424
7 FILMS (REGARDED AS FIRST FIXATIONS) 427
1. INTRODUCTION TO FILMS 427
2. HISTORICAL REVIEW OF FILMS 428
3. THE CORRECT CLASSIFICATION OF FILM-RELATED COPYRIGHT SUBJECT
MATTER 432
4. WHO IS THE AUTHOR? 451
5. SUBSISTENCE OF COPYRIGHT IN FILMS 457
6. INFRINGEMENT OF FILM COPYRIGHT 461
7. EXCEPTIONS TO INFRINGEMENT: A LIST 467
8 BROADCASTS 469
1. BROADCASTS IN GENERAL 469
2. WHAT ARE BROADCASTS ? 472
3. THE OLD LAW - WHAT WERE PROTECTED AS BROADCASTS AND
CABLE PROGRAMMES ? 483
4. WHO IS THE AUTHOR ? 494
5. WHETHER COPYRIGHT SUBSISTS 495
6. INFRINGEMENT OF COPYRIGHT 497
7. EXCEPTIONS TO PROTECTION: A LIST 502
9 TYPOGRAPHICAL ARRANGEMENTS 505
1. INTRODUCTION TO TYPOGRAPHICAL ARRANGEMENTS 505
2. WHAT ARE TYPOGRAPHICAL ARRANGEMENTS? 508
3. WHO IS THE AUTHOR? 512
4. SUBSISTENCE OF COPYRIGHT 512
5. INFRINGEMENT OF COPYRIGHT IN TYPOGRAPHICAL ARRANGEMENTS 514
6. EXCEPTIONS TO PROTECTION 516
10 THE TERM OF COPYRIGHT PROTECTION 519
1. INTRODUCTION TO THE TERM OF COPYRIGHT PROTECTION 519
2. THE LEGISLATION 526
3. LITERARY, DRAMATIC, MUSICAL AND ARTISTIC WORKS 530
4. MOTION PICTURES 541
CONTENTS
5. SOUND RECORDINGS AND BROADCASTS 547
6. TYPOGRAPHICAL ARRANGEMENTS 552
7. THE TREATMENT OF CROWN, PARLIAMENTARY AND INTERNATIONAL
ORGANISATIONS COPYRIGHT TERMS UNDER THE 1995 REGIME 552
8. TRANSITIONAL PROVISIONS 554
9. TERM OF COPYRIGHT - DISCUSSION OF THE LAW PRIOR TO THE
TERM DIRECTIVE - OVERVIEW 570
9A. WORKS MADE ON OR AFTER 1 AUGUST 1989 AND BEFORE
1 JAN 1996 571
9B. WORKS MADE BEFORE 1 AUGUST 1989 575
9C. WORKS MADE BEFORE 1 JULY 1912 584
10. CROWN COPYRIGHT 588
11. PARLIAMENTARY COPYRIGHT 592
12. COPYRIGHT VESTED IN INTERNATIONAL ORGANISATIONS 594
13. UNIVERSITIES COPYRIGHT 595
14. PETER PAN 595
11 FIRST OWNERSHIP 597
1. INTRODUCTION TO FIRST OWNERSHIP 597
2. COPYRIGHT - THE STATUTORY FRAMEWORK 598
3. THE AUTHOR AS FIRST OWNER 608
4. WHERE THE AUTHOR IS NOT THE FIRST OWNER 609
5. PRE-1912 WORKS 626
6. JOINT OWNERSHIP 626
7. OWNERSHIP BY PARTNERSHIPS AND UNINCORPORATED
ASSOCIATIONS 629
8. CROWN AND PARLIAMENTARY COPYRIGHT 630
9. UNIVERSITIES COPYRIGHT 630
10. AUTHORISED VERSION OF THE BIBLE 631
11. BRITISH PHARMACOPEIA 631
12. THE HOSPITAL FOR SICK CHILDREN 632
13. INTERNATIONAL ORGANISATIONS 632
14. PRESUMPTIONS RELATING TO OWNERSHIP OF COPYRIGHT 632
15. OWNERSHIP IN EQUITY 636
16. PUBLICATION RIGHT 643
17. MORAL RIGHTS 644
CONTENTS
18. RIGHTS IN PERFORMANCES 646
19. DATABASE RIGHT 647
20. COPY-PROTECTION CIRCUMVENTION DEVICES 648
21. UNAUTHORISED DECODERS 648
22. ELECTRONIC RIGHTS MANAGEMENT INFORMATION 649
12 TRANSMISSION OF TITLE 651
1- INTRODUCTION TO TRANSMISSION OF TITLE 651
2. FORMALITIES FOR ASSIGNMENTS 652
3. SCOPE OF ASSIGNMENTS 654
4. CONSTRUCTION OF ASSIGNMENTS 659
5- ASSIGNMENTS OF PRE-1 AUGUST 1989 COPYRIGHT WORKS 668
6. RIGHTS OF THE ASSIGNEE 684
7. RIGHTS OF THE ASSIGNOR 686
8. INVALIDITY 686
9. MORTGAGES 692
10. DEALINGS BY JOINT OWNERS 694
11. DEVOLUTION ON DEATH 694
12. TRANSMISSION BY OPERATION OF LAW 703
13 VOLUNTARY LICENCES - ARCHITECTS AGREEMENTS - PUBLISHING AGREE-
MENTS - RECORDING CONTRACTS - COMPULSORY LICENCES 707
1. VOLUNTARY LICENCES 707
2. ARCHITECTS AGREEMENTS 725
3. PUBLISHING AGREEMENTS 731
4. MUSIC PUBLISHING AGREEMENTS 738
5. RECORDING AGREEMENTS 742
6. COMPULSORY LICENCES 744
14 THE REPRODUCTION RIGHT 763
1. INTRODUCTION TO THE REPRODUCTION RIGHT 763
2. WHAT IS THE SUBJECT MATTER OF REPRODUCTION RIGHT? 764
3. NATURE OF THE EXCLUSIVE RIGHT 765
15 THE DISTRIBUTION RIGHT 781
1. INTRODUCTION TO THE DISTRIBUTION RIGHT 781
2. SOURCES OF THE DISTRIBUTION RIGHT 786
CONTENTS
3. WHAT IS THE SUBJECT MATTER OF THE DISTRIBUTION RIGHT? 787
4. NATURE OF THE DISTRIBUTION RIGHT 788
5. PERFORMER S PROPERTY RIGHT - THE DISTRIBUTION RIGHT 795
6. THE PERMITTED ACTS 796
16 THE PUBLIC PERFORMANCE RIGHT 797
1- INTRODUCTION TO THE PUBLIC PERFORMANCE RIGHT 797
2. WHAT IS THE SUBJECT MATTER OF PUBLIC PERFORMANCE RIGHT? 799
3. NATURE OF THE EXCLUSIVE RIGHT 800
17 THE COMMUNICATION RIGHT 807
1. INTRODUCTION TO THE COMMUNICATION RIGHT 807
2. SOURCES OF THE COMMUNICATION RIGHT 808
3. SUBJECT MATTER OF THE RIGHT 808
4. NATURE OF THE RIGHT 809
5. INFRINGEMENT OF THE RIGHTS 821
6. PERFORMERS PROPERTY RIGHT - THE MAKING AVAILABLE RIGHT 822
7. TRANSITIONAL PROVISIONS 822
18 THE RENTAL AND LENDING RIGHTS 825
1. INTRODUCTION TO RENTAL AND LENDING RIGHTS 825
2. LEGISLATIVE SOURCES OF RENTAL AND LENDING RIGHTS 828
3. THE RENTAL AND LENDING RIGHTS ARE NOT EXHAUSTED 832
4. WHAT ARE THE SUBJECTS OF RENTAL AND LENDING RIGHTS? 832
5. WHAT ACTS INFRINGE THE RENTAL RIGHT? 837
6. WHAT ACTS INFRINGE THE LENDING RIGHT? 849
7. LENDING RIGHT: THE PERMITTED ACTS 851
8. TRANSITIONAL PROVISIONS 860
19 AUTHORISATION 867
1. INTRODUCTION 867
2. MEANING OF AUTHORISATION 868
3. WHAT MAKES THE TORT COMPLETE? 876
20 SECONDARY INFRINGEMENTS 879
1. INTRODUCTION TO SECONDARY INFRINGEMENTS 879
2. MENS REA 881
3. INFRINGING COPIES 888
CONTENTS
4. INFRINGING ACTS 892
5- RIGHTS IN PERFORMANCES 902
21 EXCEPTIONS TO PROTECTION: PERMITTED ACTS 905
1- INTRODUCTION TO EXCEPTIONS 905
2. THE PUBLIC INTEREST DEFENCE 921
3- FAIR DEALING 930
4. TEMPORARY COPIES 952
5- BROADCASTS 957
6. USE OF DIRECT RECORDS OF SPEECHES ETC 965
7. INCIDENTAL INCLUSION 970
8- EDUCATION 975
9. PUBLIC ADMINISTRATION 984
10. ARTISTIC WORKS 990
11. DISABILITY 996
12. OLD AND ORPHAN WORKS 1002
13. PRIVATE COPYING 1008
14. MISCELLANEOUS PERMITTED ACTS 1011
22 COMPUTERS AND COPYRIGHT 1017
1. INTRODUCTION TO COMPUTERS AND COPYRIGHT 1017
2. COPYRIGHT AND COMPUTER PROGRAMS 1026
3. WHAT KINDS OF ACTS MAY INFRINGE COPYRIGHT IN COMPUTER
PROGRAMS? 1030
4. DEROGATIONS FROM COMPUTER PROGRAM COPYRIGHT 1034
5. HOW CLOSELY MUST A DERIVATIVE PROGRAM RESEMBLE THE
ORIGINAL TO INFRINGE COPYRIGHT? 1044
6. COMPUTER-GENERATED WORKS 1046
7. EVIDENTIAL AND PROCEDURAL ISSUES 1050
23 RIGHTS IN DATABASES 1053
1. INTRODUCTION TO RIGHTS IN DATABASES 1053
2. OUTLINE OF THE CURRENT SYSTEM 1055
3. COPYRIGHT PROTECTION PRIOR TO THE COPYRIGHT AND RIGHTS IN
DATABASES REGULATIONS 1997 1056
4. DATABASES WITHIN THE COPYRIGHT AND RIGHTS IN DATABASES
REGULATIONS 1997 1062
CONTENTS
5. COPYRIGHT PROTECTION UNDER THE COPYRIGHT AND RIGHTS IN
DATABASES REGULATIONS 1997 1067
6. DATABASE RIGHT 1079
7. DATABASES ORIGINATING BEFORE 1 JANUARY 1998 1118
24 THE INTERNET 1121
1- INTRODUCTION TO THE INTERNET AND COPYRIGHT 1121
2. TERRITORIALITY AND THE INTERNET 1127
3- COPYRIGHT LEGISLATION AFFECTING INTERNET USERS AND ISPS 1130
4. PARTICULAR ACTS RELEVANT TO THE INTERNET 1140
5. REMEDIES SPECIFIC TO INTERNET INFRINGEMENT 1159
6. FUTURE DEVELOPMENTS 1165
25 CIVIL PROCEEDINGS 1169
1. INTRODUCTION TO CIVIL PROCEEDINGS 1169
2. WHO MAY SUE? 1169
3. WHO MAY BE SUED? 1179
4. WHERE MAY ONE SUE? 1184
5. PRACTICE AND PROCEDURE 1194
6. STATUTORY PRESUMPTIONS 1196
7. ALTERNATIVE CAUSES OF ACTION? 1203
26 CIVIL REMEDIES 1205
1. INTRODUCTION TO CIVIL REMEDIES 1205
2. REMEDIES FOR INFRINGEMENT OF THE PROPERTY RIGHTS 1206
3. STATUTORY DELIVERY UP AND SEIZURE 1236
4. INFRINGEMENTS OF THE NON-PROPERTY RIGHTS 1244
5. DECLARATORY RELIEF 1247
6. INTERIM REMEDIES 1248
INDEX
12
65
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| title_full | The modern law of copyright 1 Chapters 1-26 Laddie, Prescott and Vitoria |
| title_fullStr | The modern law of copyright 1 Chapters 1-26 Laddie, Prescott and Vitoria |
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| title_short | The modern law of copyright |
| title_sort | the modern law of copyright chapters 1 26 |
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