Armenian monodic music: the history and theory:
Gespeichert in:
1. Verfasser: | |
---|---|
Weitere Verfasser: | |
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Yerevan
Ankyunacar Publishing
2016
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | "This book has been the main textbook of monody in Soviet musical educational institutions for a long period and still has not lost its value. Kushnaryan analyses the musical features of over 300 folk and religious songs" - title page verso. |
Beschreibung: | 599 Seiten Notenbeispiele 21 cm |
ISBN: | 9789939850214 |
Internformat
MARC
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Datensatz im Suchindex
_version_ | 1804178207957581824 |
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adam_text | CONTENTS
Preface to the English edition...................................... vii — ix
Preface of the Russian edition .................................... 3 — 7
PART I
Theoretical historical sketch of the development of Armenian monody ( facts,
conclusions, problems ).
Introduction.......................................................9—12
Chapter One-The Feudal period
1. General details of the culture of ancient Armenia.......... 13 — 18
2. Survival forms in the even7 day life, culture and
art of the Armenian nation............................... 18 — 22
3. Methods and sources for investigating the musical art of ancient
Armenia..................................................22 — 28
4. The musical art of the most ancient period.................28 — 45
5. Problems of the development of Armenian musical art in the
slave holding period.....................................45 — 47
6. Monody during the slave holding period.....................47 — 73
Chapter Two-The Early Feudal period
1. General details of the period .............................75 75
2. Scientific thought and art (literature and architecture) ..76 - 80
3. Monody...................................................80-105
Chapter Three-The Early Feudal period (The period of the Arab invasions)
1. General facts about the period ..........................107 — HI
2. Monody...................................................111-114
Chapter Pour-The High Feudal period
1. General facts about the period. Basic currents
of social thought......................................115 ~ ] 18
2. Art (literature and architecture in the
10th to 11th centuries) ...............................] 13 _ 124
in
124 - 133
3. The “ tagh” and church monody during the
10th and 11th centuries.....................
Chapter Five-The High Feudal period (continued)
1. Genera] facts about the 12th and 13th centuries...............135 — 138
2. Art (literature, architecture and plastic arts)
in the 12th and 13th centuries..............................138 — 142
3. National (peasant) monody during the
High Feudal period..........................................143 — 191
4. Gusan monody and tagh during the
12th and 13th centuries.....................................191 - 210
5. Mutual influences in the musical cultures of the Caucasus and Western
Asia during the 12th and 13th centuries ......................211 — 215
Chapter Six-The Late Feudal period
1. General facts about the period ...............................217 — 210
2. Scientific thought, and art
(literature, architecture, plastic arts)....................219 — 225
3. The national professional monody
(tagh) up to the 18th century...............................225 — 230
4. The ashugks of the turn of the 18th century, their idealistic and aesthetic
principles and poetic creation................................231 — 237
5. Ashugh monody in the 18th century.............................238 — 253
Chapter Seven-Recent history
1. General facts about the age...............................
2. Basic tendencies of social thought and art (literature, theatre,
representational art and polyphonic music)
during the capitalist period ...........................
3. Monody....................................................
4. Monody and polyphony......................................
Chapter Eight-The Soviet period
1. General facts about the period .................................279 — 280
2. Art (architecture, literature, the theatre and
compositional music)..........................................280 — 283
3. National creativity. The national and
professional national monody..................................284 — 302
255 - 256
256 - 259
259 - 276
276 - 277
PART-11 The Modes
Introduction....................................................303 — 311
Chapter One
1. Scales: Preliminary comments................................313 — 314
Diatonic scale.............................................314 — 321
2. Simple and compound intervals...............................321 — 325
3. Inversion of intervals......................................325 — 326
4. The High Loerian notes and their place
in the Diatonic scale......................................326 — 339
5. The new Armenian system of notation .......................... 339 - 344
Chapter Two-The structure of the modes
1. Preliminary comments..............................................345
2. Single - link systems.............................................347
3. The accessory supports in single - link Tonic system..............35.1
4. Accessor)7 links of the Modal system..............................352
5. Two link system...................................................355
6. Monotonía two - link systems......................................355
7. The systems of basic type.........................................356
8. Hyposystems type..................................................359
9. Systems containing a dual tetrachrd ................................ 365
10. The Hyposystems...................................................370
11. The Monotonic Hyposystems.........................................370
12. Hyposystems containing a dual Tetrachord..........................376
13. Systems of basic type (Monotonic) ................................381
14. Multi - link systems..............................................384
15. Special systems.............................................386 - 395
Chapter Three-The Modes and International Practice
1. Preliminary comments..............................................395
2. The basic group of modes..........................................401
I. Modes with Loerian Tonic......................................402
1. The mode containing no accessory supports................402
2. Mode on a third basis ...................................406
3. Mode with a fourth base..................................413
4. Mode on Third - Seventh basis............................413
II. Modes with Aeolian tonic.....................................415
1. Mode with a Third basis...................................416
2. The Mode on a Fourth basis................................426
3. Mode with a Fifth basis..................................441
4. Variable modes...........................................470
v
472
HI. Major Modes
1. Natural mode within the compass of a Third..........
2. Mode in the compass of a Third with
two variants of II degree........................
3. The natural mode in the compass of a Fifth..........
IV. Dual Modes ...........................................
The Second cycle of modes...............................
1. Phrygian Mode with lowered IV degree..............
2. Dorian Mode with Lowered V degree.................
3. Ionian Mode with Lowered VI degree................
The Third cycle of modes................................
I , The “ doubly dual “ mode............................
2. Dorian mode with raised IV degree.................
3. The Major Form of the Dual Mode with
raised Lower Leading note.......................
Chapter Four-In 1er!inks of the modes (Modulations)
I. General ideas...........................................
Combination of modes of the basic cycle...............
1. Combinations of Identical Modes...................
II. Combinations of Nonidentical Modes....................
1. Modes of Second relationship......................
2. Modes of Third relationship.......................
3. Modes of Fourth relationship......................
4. Modes of Fifth relationship.......................
III. Systems of Higher order of Modes of the basic cycle...
.1. Distantly - related modes.........................
2. Combinations of inodes of the Second Cycle........
3. System of Higher order of
the modes of the Second Cycle.....................
4. Modes of Octave relationship .....................
5. Combinations of modes of the Third Cycle..........
6. Combinations of modes in tagh.....................
7. Modes of Octave structure.........................
Conclusion.........................................................
Brief glossary of special term used in the book....................
APPENDICES
a. The texts of the music examples in transliterated form.
b. The titles of the songs analysed in the study
c. Index of Names
481
483
493
508
508
512
514
516
516
518
518
521
526
526
530
530
532
533
534
538
540
541
548
548
554
556
565
569 - 576
577 - 581
vi
|
any_adam_object | 1 |
author | Kušnarëv, Christofor Stepanovič 1890-1960 |
author2 | At̕ayan, Ṙobert Aršaki 1915-1994 |
author2_role | edt |
author2_variant | ṙ a a ṙa ṙaa |
author_GND | (DE-588)119172364 (DE-588)123022118 |
author_facet | Kušnarëv, Christofor Stepanovič 1890-1960 At̕ayan, Ṙobert Aršaki 1915-1994 |
author_role | aut |
author_sort | Kušnarëv, Christofor Stepanovič 1890-1960 |
author_variant | c s k cs csk |
building | Verbundindex |
bvnumber | BV044720549 |
ctrlnum | (OCoLC)1026384576 (DE-599)BVBBV044720549 |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
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indexdate | 2024-07-10T08:00:19Z |
institution | BVB |
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language | English |
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publisher | Ankyunacar Publishing |
record_format | marc |
spelling | Kušnarëv, Christofor Stepanovič 1890-1960 Verfasser (DE-588)119172364 aut Voprosy istorii i teorii armjanskoj monodičeskoj muzyki Armenian monodic music: the history and theory Kristapor Kushnaryan ; edited by Robert Atayan Yerevan Ankyunacar Publishing 2016 599 Seiten Notenbeispiele 21 cm txt rdacontent n rdamedia nc rdacarrier "This book has been the main textbook of monody in Soviet musical educational institutions for a long period and still has not lost its value. Kushnaryan analyses the musical features of over 300 folk and religious songs" - title page verso. Aus dem Russischen übersetzt Geschichte gnd rswk-swf Vocal music / Armenia / History and criticism Folk music / Armenia / History and criticism Sacred music / Armenia / History and criticism Music / Armenia / History and criticism Musical intervals and scales / Armenia Folk music fast Music fast Musical intervals and scales fast Sacred music fast Vocal music fast Monodie (DE-588)4170461-7 gnd rswk-swf Gesang (DE-588)4020470-4 gnd rswk-swf Armenier (DE-588)4085933-2 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Tonalität (DE-588)4185654-5 gnd rswk-swf Asia / Armenia fast Armenien (DE-588)4085931-9 gnd rswk-swf Armenien (DE-588)4085931-9 g Monodie (DE-588)4170461-7 s Tonalität (DE-588)4185654-5 s Geschichte z DE-604 Musik (DE-588)4040802-4 s Gesang (DE-588)4020470-4 s 1\p DE-604 Armenier (DE-588)4085933-2 s 2\p DE-604 At̕ayan, Ṙobert Aršaki 1915-1994 (DE-588)123022118 edt Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030116843&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Kušnarëv, Christofor Stepanovič 1890-1960 Armenian monodic music: the history and theory Vocal music / Armenia / History and criticism Folk music / Armenia / History and criticism Sacred music / Armenia / History and criticism Music / Armenia / History and criticism Musical intervals and scales / Armenia Folk music fast Music fast Musical intervals and scales fast Sacred music fast Vocal music fast Monodie (DE-588)4170461-7 gnd Gesang (DE-588)4020470-4 gnd Armenier (DE-588)4085933-2 gnd Musik (DE-588)4040802-4 gnd Tonalität (DE-588)4185654-5 gnd |
subject_GND | (DE-588)4170461-7 (DE-588)4020470-4 (DE-588)4085933-2 (DE-588)4040802-4 (DE-588)4185654-5 (DE-588)4085931-9 |
title | Armenian monodic music: the history and theory |
title_alt | Voprosy istorii i teorii armjanskoj monodičeskoj muzyki |
title_auth | Armenian monodic music: the history and theory |
title_exact_search | Armenian monodic music: the history and theory |
title_full | Armenian monodic music: the history and theory Kristapor Kushnaryan ; edited by Robert Atayan |
title_fullStr | Armenian monodic music: the history and theory Kristapor Kushnaryan ; edited by Robert Atayan |
title_full_unstemmed | Armenian monodic music: the history and theory Kristapor Kushnaryan ; edited by Robert Atayan |
title_short | Armenian monodic music: the history and theory |
title_sort | armenian monodic music the history and theory |
topic | Vocal music / Armenia / History and criticism Folk music / Armenia / History and criticism Sacred music / Armenia / History and criticism Music / Armenia / History and criticism Musical intervals and scales / Armenia Folk music fast Music fast Musical intervals and scales fast Sacred music fast Vocal music fast Monodie (DE-588)4170461-7 gnd Gesang (DE-588)4020470-4 gnd Armenier (DE-588)4085933-2 gnd Musik (DE-588)4040802-4 gnd Tonalität (DE-588)4185654-5 gnd |
topic_facet | Vocal music / Armenia / History and criticism Folk music / Armenia / History and criticism Sacred music / Armenia / History and criticism Music / Armenia / History and criticism Musical intervals and scales / Armenia Folk music Music Musical intervals and scales Sacred music Vocal music Monodie Gesang Armenier Musik Tonalität Asia / Armenia Armenien |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030116843&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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