Recorded places, experienced places: the holocene rock art of the Iberian Atlantic north-west
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Karte |
| Sprache: | English |
| Veröffentlicht: |
Oxford
BAR Publishing
2017
|
| Schriftenreihe: | BAR international series
2878 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | "This book springs from the compilation of papers and posters presented in 2013 and 2014 at the 2nd and 3rd Enardas Colloquia, entitled 'Living Places, Experienced Places.'"--Back cover |
| Beschreibung: | xiii, 207 Seiten Illustrationen, Diagramme. Karten |
| ISBN: | 9781407314846 |
Internformat
MARC
| LEADER | 00000nem a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV044720086 | ||
| 003 | DE-604 | ||
| 005 | 20220221 | ||
| 006 | a |||| 10||| | ||
| 007 | au||uuun | ||
| 008 | 180118s2017 |||||| u | eng d | ||
| 020 | |a 9781407314846 |c paperback |9 978-1-4073-1484-6 | ||
| 035 | |a (OCoLC)1021086197 | ||
| 035 | |a (DE-599)BVBBV044720086 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-20 |a DE-M157 | ||
| 084 | |a ALT |q DE-12 |2 fid | ||
| 245 | 1 | 0 | |a Recorded places, experienced places |b the holocene rock art of the Iberian Atlantic north-west |c edited by Ana M.S. Bettencourt [und 3 weitere] |
| 264 | 1 | |a Oxford |b BAR Publishing |c 2017 | |
| 300 | |a xiii, 207 Seiten |b Illustrationen, Diagramme. Karten | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 336 | |b cri |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a BAR international series |v 2878 | |
| 500 | |a "This book springs from the compilation of papers and posters presented in 2013 and 2014 at the 2nd and 3rd Enardas Colloquia, entitled 'Living Places, Experienced Places.'"--Back cover | ||
| 650 | 0 | 7 | |a Holozän |0 (DE-588)4160492-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Felsbild |0 (DE-588)4016718-5 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Iberische Halbinsel |z Nordwest |0 (DE-588)4456690-6 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Petroglyphs / Portugal / Congresses | |
| 655 | 7 | |0 (DE-588)1071861417 |a Konferenzschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Iberische Halbinsel |z Nordwest |0 (DE-588)4456690-6 |D g |
| 689 | 0 | 1 | |a Felsbild |0 (DE-588)4016718-5 |D s |
| 689 | 0 | 2 | |a Holozän |0 (DE-588)4160492-1 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Bettencourt, Ana M. S. |0 (DE-588)140705570 |4 edt | |
| 700 | 1 | |a Santos Estévez, Manuel |d 1968- |0 (DE-588)1160529116 |4 edt | |
| 830 | 0 | |a BAR international series |v 2878 |w (DE-604)BV023549802 |9 2878 | |
| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030116393&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-030116393 | ||
Datensatz im Suchindex
| _version_ | 1804178207121866752 |
|---|---|
| adam_text | Contents
List of figures and tables-----...............................-...................................................ix
Recorded places, experienced places. Some remarks.................................................................1
1. Introduction................................................................................................1
2. The book structure..........................................................................................1
Part 1: Concepts and tools to study rock art
Chapter 1. Contribution of the magical and religious geography to an anthropology of space. A case study in
the north-west of Portugal (Alvaro Campelo)........................................................................7
1. Introduction................................................................................................7
2. An anthropology of space....................................................................................8
3. The magical and symbolic geography.........................................................................10
4. The symbolic space of the Portuguese north-west............................................................12
4.1 Mountains and boulders.................................................................................13
4.2 Springs and water sources..............................................................................14
4.3 Forests and places of passage..........................................................................14
5. Conclusion.................................................................................................15
Chapter 2. CVARN - Rock Art Virtual Corpus of North-Western Portugal. A multimedia tool to investigate
and describe Post-Palaeolithic rock art (Ana M.S. Bettencourt, Emilio Abad-Vidal and Alda Rodrigues)..............19
1. Introduction...............................................................................................19
2. The database...............................................................................................20
3. CVARN as a social tool.....................................................................................21
4. CVARN as a scientific tool.................................................................................22
5. Final considerations.......................................................................................25
Part 2: From sub-naturalistic to Schematic rock art tradition
Chapter 3. Abstract and sub-naturalistic prehistoric rock art in the Tras-os-Montes and Alto Douro region of
Portugal: the case study of the Passadeiro rock shelter - Pala^oulo (Miranda do Douro)
(Maria de Jesus Sanches and Joana Castro Teixeira)................................................................29
1. Introduction and objectives................................................................................29
1.1 Brief recap of ‘devil claw’ historiography.............................................................29
1.2 The Passadeiro rock shelter............................................................................31
1.3 Objectives.............................................................................................31
2. Decoding gestures in Passadeiro’s panel 1..................................................................31
2.1 Motifs and techniques..................................................................................31
2.2 Figurative stratigraphy................................................................................32
2.3 Temporal gesture hypothesis............................................................................32
3. Abstract and sub-naturalistic motifs in Passadeiro: approaching the chronological question.................34
4. Discussion and final remarks...............................................................................35
Chapter 4. The Lamelas rock art site as a fundamental contributor to the knowledge of post-glacier art in
north-western Iberia (Maria de Jesus Sanches and Nuno Coelho Comes)...............................................39
1. The rock art site of Lamelas: history of its research and objectives.......................................39
2. Geographic location and synthetic description of Lamelas rock art site.....................................40
3. Recording of the site......................................................................................41
4. Formal and stratigraphic analysis of Rock A................................................................42
4.1 The panels.............................................................................................42
4.2 Recording techniques and figurative stratigraphy.......................................................44
4.3 Motifs and compositions................................................................................44
5. Closing remarks............................................................................................46
v
Recorded Places, Experienced Places
Chapter 5. Rock art of the upper Tâmega Valley (Galicia, Spain)
(Beatriz Comendador Rey and Félix González Insua)............................................................49
1. Presentation of the study area.........................................................................49
1.1 Physical description of the region.................................................................49
1.2 Background.........................................................................................49
1.3 Description of the archaeological actions and methodologies applied...............................51
2. Contextualisation of prehistoric rock art.............................................................51
3. Main rock art sites...................................................................................52
3.1 Group of As Cuncas/As Ferradas (Covas Rubias, Santa Baia parish, Vences, Monterrei)...............52
3.2 Group of Penedo das Pisadiñas and Monte Lastredo (Laza) GA32039001.................................54
3.3 Group of Penedo do Muro (Sandin, Monterrei, Ourense) GA32050002....................................56
4. Comparative analysis...................................................................................56
5. Schematic art or Schematic arts?.......................................................................60
Chapter 6. Rock art places and contexts at Gralheira Massif (central north-west Portugal): a general overview
(Antonio Manuel S.P. Silva, Joana N. Leite, Paulo A.P. Lemos and Manuel Valerio Figueiredo)...................63
1. Presentation...........................................................................................63
2. The nucleus of Escariz.................................................................................64
2.1 The tombs of Aliviada and Alagoas.................................................................65
2.1.1 Dolmen of Aliviada 1...........................................................................65
2.1.2 Alagoas 1 and Alagoas 4.......................................................................66
2.2 Selada’s rock carvings.............................................................................67
3. The nucleus of the lower Paiva River basin.............................................................68
3.1 Fraga Marcada......................................................................................69
3.2 Fraga dos Sete Riscos..............................................................................70
3.3 Cando’s carved stone...............................................................................70
3.4 Fraga da Ferradura.................................................................................71
3.5 Marca dos Mouros...................................................................................72
4. Final remarks..........................................................................................73
Part 3: Atlantic tradition rock art
Chapter 7. Galician petroglyphs: distribution patterns in the province of A Coruña (north-west Spain)
(Alia Vázquez Martínez, Carlos Rodríguez-Relian and Ramón Fábregas Valcarce)..................................79
1. Introduction...........................................................................................79
2. Methodology and materials..............................................................................80
3. Results................................................................................................80
4. Conclusions............................................................................................84
Chapter 8. The rock engravings of Cova da Bruxa (Galicia, north-west Iberia). A place of reiterated hunting
scenes (Josefa Rey Castiñeira, Manuel Antonio Franco Fernández and Jorge Juan Eiroa)..........................87
1. Archaeological intervention............................................................................87
2. Repeated representation of hunting.....................................................................89
3. Are these really depictions of hunting?................................................................89
3.1 Scene 1: stalking scene?...........................................................................91
3.2 Scene 2: capture of a 10-point stag with net, during the rutting season, in a clearing?............92
3.3 Scene 3: a stalking scene in the woods or by the water?............................................93
3.4 Scene 4: a huntsman and his hound behind the chosen prey?..........................................93
3.5 Scene 5: a herd of deer; and the ruse of an old deer?..............................................94
4. Why the hunting theme and not other types of scenes?..................................................95
5. Final conclusions.....................................................................................96
Chapter 9. The Atlantic rock art of Monte Eiró (Penhalonga, Marco de Canaveses, north-west Portugal).
New background to its contextualisation (Luis Sousa)..........................................................99
1. Introduction...........................................................................................99
2. Physical, environmental and archaeological context.....................................................99
3. Rock art nucleuses....................................................................................101
3.1 Monte Eiró 1......................................................................................101
3.2 Monte Eiró II.....................................................................................102
3.3 Monte Eiró III....................................................................................102
vi
Contents
3.4 Monte Eiró IV.......................................................................................102
3.5 Monte Eiró V........................................................................................105
4. Final considerations....................................................................................106
Chapter 10. Respecting the ancestors? Iron Age life and 4th/3rd millennia BCE rock art within the hillfort of
Briteiros (north-west Portugal) (Daniela Cardoso, Ana M.S. Bettencourt and George H. Nash)......................109
1. Introduction.............................................................................................109
2. The data.................................................................................................110
3. The Atlantic rock art of Mount São Romáo’s...............................................................Ill
4. The Atlantic rock art of Mount São Romãoandthe Iron Age/Roman period inhabitants of the Briteiros hillfort... 112
5. Towards an interpretative outcome........................................................................116
Part 4: Other styles
Chapter 11. Post-Palaeolithic rock art of north-western Portugal: an approach (Ana M.S. Bettencourt)............123
1. Introduction.............................................................................................123
2. Atlantic rock art........................................................................................124
3. Open-air Schematic rock art and its heterogeneity........................................................128
4. Other styles?...........................................................................................132
4.1 Weapons.............................................................................................132
4.2 ‘Tools’.............................................................................................135
4.3 Internally segmented circles........................................................................135
4.4 Boat like-motifs....................................................................................136
4.5 Subnaturalist and Schematic quadrupeds..............................................................137
4.6 Palettes and similar objects........................................................................140
4.7 Podomorphs..........................................................................................140
5. Final considerations....................................................................................141
Chapter 12. Shape and meaning: engraved weapons as materialisations of the Calcolithic/Early Bronze Age
cosmogony in north-west Iberia (Manuel Santos-Estévez, Ana M.S. Bettencourt, Hugo A. Sampaio,
Cláudio Brochado and Gonçalo Ferreira).....................................................................151
1. Introduction.............................................................................................151
2. Methodology..............................................................................................152
3. Engraved weapons in the south-west of Galicia and north-west of Portugal.................................153
3.1 Auga da Laxe and Pedra das Procesións (Gondomar).....................................................153
3.2 As Chanciñas (A Cañiza).............................................................................154
3.3 Costa da Areira 1 and 2 (Valença)...................................................................156
3.4 Monte da Laje (Valença).............................................................................158
3.5 Santo Adrião 1 (Caminha)............................................................................159
3.6 Galga (Ponte de Lima)...............................................................................160
3.7 Chã da Laje das Cruzes 1 (Barcelos).................................................................161
4. Places with engraved weapons: discussion of the results...................................................162
4.1 Places with weapons in active positions...............................................................162
4.2 Places with weapons in passive positions............................................................163
4.3 Places engraved with weapons: spaces, shapes and meanings...........................................163
Chapter 13. Where do the horses run? A dialogue between signs and matter in the rock carvings of Fornelos
(Viana do Castelo, north-west Portugal) (Ana M.S. Bettencourt, Isabel S. Silva, M. Isabel C. Alves,
Pedro P. Simões and Manuel Santos-Estevéz)......................................................................167
1. Introduction.............................................................................................167
2. Administrative location, physical and archaeological context.............................................169
3. The engraved locus.......................................................................................170
4. The carvings.............................................................................................171
5. Interpretations..........................................................................................172
Chapter 14. Pena Furada sanctuary: astronomical and ritual archaeological aspects (Coiros, A Corunha, Galiza)
(Antón Fernández Malde).........................................................................................179
1. Introduction.............................................................................................179
2. Method...................................................................................................180
2.1 Criteria of the programme of observations............................................................181
vii
Recorded Places, Experienced Places
2.1.1 General criteria..................................................................................181
2.1.2 Remains in the traditional calendar..............................................................181
3. Field observations at Pena Furada..........................................................................181
3.1 Previous considerations................................................................................181
3.2 Archaeological and astronomical observations..........................................................181
3.3 Synthesis of the observations.........................................................................183
4. Conclusions................................................................................................185
4.1 Architectural structures and criteria for their disposition............................................185
4.2 Days..................................................................................................185
4.2.1 First moment......................................................................................186
4.2.2 Second moment.....................................................................................188
4.3 Technical qualification...............................................................................188
4.4 Sacred territories....................................................................................190
Chapter 15. Boats carved on the Atlantic coast of the Iberian peninsula. Landscape, symbols and people
(Gabriel R. Pereira and Ana M. Arruda)............................................................................193
1. The Atlantic coast of the Iberian peninsula................................................................193
2. Coastal geomorphology......................................................................................193
3. Paleoclimate data..........................................................................................195
4. Boats depicted at the Atlantic coastline of the Iberian peninsula..........................................196
5. Sailing boats: portable rock art at the city of Porto (Portugal)...........................................199
6. Interpretations and possible meanings......................................................................202
viii
|
| any_adam_object | 1 |
| author2 | Bettencourt, Ana M. S. Santos Estévez, Manuel 1968- |
| author2_role | edt edt |
| author2_variant | a m s b ams amsb e m s em ems |
| author_GND | (DE-588)140705570 (DE-588)1160529116 |
| author_facet | Bettencourt, Ana M. S. Santos Estévez, Manuel 1968- |
| building | Verbundindex |
| bvnumber | BV044720086 |
| ctrlnum | (OCoLC)1021086197 (DE-599)BVBBV044720086 |
| format | Map |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02180nem a2200469 cb4500</leader><controlfield tag="001">BV044720086</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220221 </controlfield><controlfield tag="006">a |||| 10||| </controlfield><controlfield tag="007">au||uuun</controlfield><controlfield tag="008">180118s2017 |||||| u | eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781407314846</subfield><subfield code="c">paperback</subfield><subfield code="9">978-1-4073-1484-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1021086197</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044720086</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-20</subfield><subfield code="a">DE-M157</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">ALT</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Recorded places, experienced places</subfield><subfield code="b">the holocene rock art of the Iberian Atlantic north-west</subfield><subfield code="c">edited by Ana M.S. Bettencourt [und 3 weitere]</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oxford</subfield><subfield code="b">BAR Publishing</subfield><subfield code="c">2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xiii, 207 Seiten</subfield><subfield code="b">Illustrationen, Diagramme. Karten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">cri</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">BAR international series</subfield><subfield code="v">2878</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">"This book springs from the compilation of papers and posters presented in 2013 and 2014 at the 2nd and 3rd Enardas Colloquia, entitled 'Living Places, Experienced Places.'"--Back cover</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Holozän</subfield><subfield code="0">(DE-588)4160492-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Felsbild</subfield><subfield code="0">(DE-588)4016718-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Iberische Halbinsel</subfield><subfield code="z">Nordwest</subfield><subfield code="0">(DE-588)4456690-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Petroglyphs / Portugal / Congresses</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)1071861417</subfield><subfield code="a">Konferenzschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Iberische Halbinsel</subfield><subfield code="z">Nordwest</subfield><subfield code="0">(DE-588)4456690-6</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Felsbild</subfield><subfield code="0">(DE-588)4016718-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Holozän</subfield><subfield code="0">(DE-588)4160492-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bettencourt, Ana M. S.</subfield><subfield code="0">(DE-588)140705570</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Santos Estévez, Manuel</subfield><subfield code="d">1968-</subfield><subfield code="0">(DE-588)1160529116</subfield><subfield code="4">edt</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">BAR international series</subfield><subfield code="v">2878</subfield><subfield code="w">(DE-604)BV023549802</subfield><subfield code="9">2878</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030116393&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030116393</subfield></datafield></record></collection> |
| genre | (DE-588)1071861417 Konferenzschrift gnd-content |
| genre_facet | Konferenzschrift |
| geographic | Iberische Halbinsel Nordwest (DE-588)4456690-6 gnd |
| geographic_facet | Iberische Halbinsel Nordwest |
| id | DE-604.BV044720086 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:00:18Z |
| institution | BVB |
| isbn | 9781407314846 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030116393 |
| oclc_num | 1021086197 |
| open_access_boolean | |
| owner | DE-12 DE-20 DE-M157 |
| owner_facet | DE-12 DE-20 DE-M157 |
| physical | xiii, 207 Seiten Illustrationen, Diagramme. Karten |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | BAR Publishing |
| record_format | marc |
| series | BAR international series |
| series2 | BAR international series |
| spelling | Recorded places, experienced places the holocene rock art of the Iberian Atlantic north-west edited by Ana M.S. Bettencourt [und 3 weitere] Oxford BAR Publishing 2017 xiii, 207 Seiten Illustrationen, Diagramme. Karten txt rdacontent sti rdacontent cri rdacontent n rdamedia nc rdacarrier BAR international series 2878 "This book springs from the compilation of papers and posters presented in 2013 and 2014 at the 2nd and 3rd Enardas Colloquia, entitled 'Living Places, Experienced Places.'"--Back cover Holozän (DE-588)4160492-1 gnd rswk-swf Felsbild (DE-588)4016718-5 gnd rswk-swf Iberische Halbinsel Nordwest (DE-588)4456690-6 gnd rswk-swf Petroglyphs / Portugal / Congresses (DE-588)1071861417 Konferenzschrift gnd-content Iberische Halbinsel Nordwest (DE-588)4456690-6 g Felsbild (DE-588)4016718-5 s Holozän (DE-588)4160492-1 s DE-604 Bettencourt, Ana M. S. (DE-588)140705570 edt Santos Estévez, Manuel 1968- (DE-588)1160529116 edt BAR international series 2878 (DE-604)BV023549802 2878 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030116393&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Recorded places, experienced places the holocene rock art of the Iberian Atlantic north-west BAR international series Holozän (DE-588)4160492-1 gnd Felsbild (DE-588)4016718-5 gnd |
| subject_GND | (DE-588)4160492-1 (DE-588)4016718-5 (DE-588)4456690-6 (DE-588)1071861417 |
| title | Recorded places, experienced places the holocene rock art of the Iberian Atlantic north-west |
| title_auth | Recorded places, experienced places the holocene rock art of the Iberian Atlantic north-west |
| title_exact_search | Recorded places, experienced places the holocene rock art of the Iberian Atlantic north-west |
| title_full | Recorded places, experienced places the holocene rock art of the Iberian Atlantic north-west edited by Ana M.S. Bettencourt [und 3 weitere] |
| title_fullStr | Recorded places, experienced places the holocene rock art of the Iberian Atlantic north-west edited by Ana M.S. Bettencourt [und 3 weitere] |
| title_full_unstemmed | Recorded places, experienced places the holocene rock art of the Iberian Atlantic north-west edited by Ana M.S. Bettencourt [und 3 weitere] |
| title_short | Recorded places, experienced places |
| title_sort | recorded places experienced places the holocene rock art of the iberian atlantic north west |
| title_sub | the holocene rock art of the Iberian Atlantic north-west |
| topic | Holozän (DE-588)4160492-1 gnd Felsbild (DE-588)4016718-5 gnd |
| topic_facet | Holozän Felsbild Iberische Halbinsel Nordwest Konferenzschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030116393&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV023549802 |
| work_keys_str_mv | AT bettencourtanams recordedplacesexperiencedplacestheholocenerockartoftheiberianatlanticnorthwest AT santosestevezmanuel recordedplacesexperiencedplacestheholocenerockartoftheiberianatlanticnorthwest |