Mondrian's philosophy of visual rhythm: phenomenology, Wittgenstein, and Eastern thought
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Schriftenreihe: | Sophia studies in cross-cultural philosophy of traditions and cultures
volume 23 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xxvii, 260 Seiten Illustrationen |
| ISBN: | 9789402411966 |
Internformat
MARC
| LEADER | 00000nam a22000001cb4500 | ||
|---|---|---|---|
| 001 | BV044718275 | ||
| 003 | DE-604 | ||
| 005 | 20180308 | ||
| 007 | t | ||
| 008 | 180117s2017 a||| m||| 00||| eng d | ||
| 020 | |a 9789402411966 |c (hbk.) |9 978-94-024-1196-6 | ||
| 035 | |a (OCoLC)1026094808 | ||
| 035 | |a (DE-599)BVBBV044718275 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 050 | 0 | |a BH1-301 | |
| 082 | 0 | |a 111.85 | |
| 100 | 1 | |a Tosaki, Eiichi |e Verfasser |0 (DE-588)1150801700 |4 aut | |
| 240 | 1 | 0 | |a Squared grooves |
| 245 | 1 | 0 | |a Mondrian's philosophy of visual rhythm |b phenomenology, Wittgenstein, and Eastern thought |c by Eiichi Tosaki |
| 246 | 1 | 3 | |a Squared grooves: prelude to visualised rhythm in the work of Piet Mondrian |
| 264 | 0 | |a Dordrecht |b Springer |c 2017 | |
| 300 | |a xxvii, 260 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Sophia studies in cross-cultural philosophy of traditions and cultures |v volume 23 | |
| 502 | |b Dissertation |c Melbourne University |d 2002 | ||
| 600 | 1 | 7 | |a Mondrian, Piet |d 1872-1944 |0 (DE-588)118583441 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Visuelle Wahrnehmung |0 (DE-588)4078921-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Rhythmus |0 (DE-588)4132330-0 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Fine arts | |
| 653 | 0 | |a Aesthetics | |
| 653 | 0 | |a Philosophy, Asian | |
| 653 | 0 | |a Philosophy | |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Mondrian, Piet |d 1872-1944 |0 (DE-588)118583441 |D p |
| 689 | 0 | 1 | |a Visuelle Wahrnehmung |0 (DE-588)4078921-4 |D s |
| 689 | 0 | 2 | |a Rhythmus |0 (DE-588)4132330-0 |D s |
| 689 | 0 | 3 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 0 | 4 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | |z 9789402411966 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-94-024-1198-0 |
| 830 | 0 | |a Sophia studies in cross-cultural philosophy of traditions and cultures |v volume 23 |w (DE-604)BV040542830 |9 23 | |
| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030114638&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-030114638 | ||
| 942 | 1 | 1 | |c 001.09 |e 22/bsb |f 09043 |g 492 |
| 942 | 1 | 1 | |c 001.09 |e 22/bsb |f 09042 |g 492 |
| 942 | 1 | 1 | |c 001.09 |e 22/bsb |f 09041 |g 492 |
| 942 | 1 | 1 | |c 001.09 |e 22/bsb |f 09044 |g 492 |
Datensatz im Suchindex
| _version_ | 1804178203919515648 |
|---|---|
| adam_text | Contents
1 Mondrian’s Theoretical Beginnings and Spiritual Background
of Neoplastic Rhythm................................................... 1
1.1 Motivation: Mondrian’s Writings on Rhythm........................ 1
1.2 Characteristics of Mondrian’s Ideas of Rhythm.................... 4
1.3 Direct and Indirect Influences................................... 6
1.4 Neo-plasticism and Nature....................................... 10
1.5 Hegel’s Influence on Mondrian’s Theory of Rhythm............. 11
1.6 Theosophical Influence on Mondrian’s Theory of Rhythm........ 13
1.7 Becoming: Theosophy and Hegel................................... 21
1.8 Departure from Theosophy........................................ 26
1.9 Against the Fourth Dimension: Van Doesburg and His Peers..... 28
1.10 Mondrian and the East: Taoist Thought............................ 34
References............................................................. 38
2 Rhythm in Mondrian’s Early Theory of Painting...................... 41
2.1 Interpretation of Mondrian’s Rhythm.......................... 41
2.2 A Rudimentary Theory of Rhythm: 1917-19 and After............ 43
2.3 The Concept of ‘Rest’ in Neo-plasticism......................... 50
2.4 Rhythm as the ‘Subjective’ Entity............................ 53
2.5 New Understanding of Rhythm 1919: Rhythm
Versus Harmony................................................. 56
2.6 New Harmony?.................................................... 60
2.7 Theory of Rhythm in Later Neo-plasticism After 1927............. 63
2.8 Theory of Rhythm in “The New Art - The New Life:
The Culture of Pure Relationships” (1931)................... 65
2.9 After 1932: The Introduction of Double-Lines.................... 66
2.10 Dynamic Equilibrium: 1934....................................... 69
2.11 New York Paintings: Boogie Woogie
and the Expression of ‘Form’................................... 70
2.12 The Problem of the New York Paintings........................... 72
References......................................................... 75
xiii
XIV
Contents
3 Dynamic Rhythm and Static Rhythm: Polemics
of Mondrian’s Theory of Rhythm...................................... 77
3.1 Neoplastic and Constructivist Static Rhythm................... 77
3.2 Two Types of Visual Rhythm: Stroboscopic and Static........... 79
3.3 Futurist and Constructivist Rhythm............................ 81
3.4 Mondrian Is a Painter of Thickness?........................... 89
3.5 Appreciation of Rhythm in Neoplastic Canvas................... 92
3.6 Transcendental Black Lines: ‘Speed’........................... 97
References......................................................... 102
4 Mondrian’s Rhythm and Contemporary Music
(His Music Peers).................................................. 105
4.1 Is Mondrian’s Visual Rhythm a Different Rhythm?.............. 105
4.2 Rhythm Without Metre?........................................ 107
4.3 Mondrian and Contemporary Music Theory....................... 110
4.4 Mondrian’s Music Peer: van Domselaer......................... 112
4.5 Proeven van Stijlkunst: Experiments in Style, 1916........... 115
4.6 Musicological Understanding of van Domselaer’s
‘Proeven van Stijlkunst’..................................... 118
4.7 Russolo and Bruiteurs Futuristes Italiens.................... 125
4.8 Neoplastic Theory of Music: Silence, Rest, Break............. 128
4.9 Composition: Noise and Silence Versus Brushwork
and Flatness................................................. 131
4.10 Mondrian and Dance........................................... 135
4.11 Melody Versus Rhythm: Kandinsky and Mondrian 1............... 137
References......................................................... 140
5 Concepts of Rhythm in Music, Philosophy and Painting............... 143
5.1 Rhythm as Structure.......................................... 143
5.2 Philological Understanding of Rhythm and Schema.............. 144
5.3 What Is Rhythm in Aristoxenus’ Theory of Poetry?............. 147
5.4 The Birth of Metre: The Development of the Aristoxenusian
Theory of Rhythm and Metre................................... 150
5.5 Application of the Theory of Rhythm to the Visual Field:
Rhythm (po0po ;) and Schema (a^ripa)......................... 153
5.6 General Understandings of Musical Rhythm in Modern Times.... 156
5.7 The Sense of Rhythm Sensed................................... 158
5.8 S. K. Langer’s Theory of Rhythm.............................. 160
5.9 Rhythm and Composition....................................... 163
5.10 Visual Rhythm as A Function of Grouping...................... 167
5.11 Visual Rhythm and Time....................................... 169
5.12 Metre and Rhythm............................................. 171
5.13 Repetition and Metre, or Matrix and Metre.................... 173
References......................................................... 176
Contents
XV
6 Appreciation of Visual Rhythm: Husserl’s 6Image-Object’
and Wittgenstein’s ‘Seeing-as’....................................... 179
6.1 Visual Rhythm: Composition and Schema......................... 179
6.2 Image: Painting-Game.......................................... 180
6.3 Husserl’s Image-Object........................................ 183
6.4 Mirror of Reality: Image-Object and Non-referential Painting.. 188
6.5 Hapticity and Reproduction.................................... 195
6.6 Against Iconic Reading: Mondrian and Kandinsky2............... 197
6.7 Phenomenology of Visual Rhythm in the Neoplastic Canvas....... 200
6.8 Wittgenstein’s ‘Seeing-as’.................................... 202
6.9 Wollheim’s ‘Seeing-in’ and Wittgenstein’s ‘Seeing-as’. 204
6.10 Between Things in Presence (Surface) and Pictorial Space...... 206
References................................................... ...... 209
7 Cognitive Approach to Reading Visual Rhythm: Wittgenstein’s
cAspect-Dawning’: Painting Surface and Rhythm..................... 211
7.1 ‘Rough Ground’ and Surface: From Wittgenstein’s
Point of View................................................ 212
7.2 A Small Class of Cases........................................ 219
7.3 Surface and “Seeing-as”....................................... 222
7.4 Searching for the New Aspect................................ 231
7.5 Beyond “Aspect-Blindness”................................... 232
7.6 Static-Dynamic Movement: Aspect and Dimension................. 235
7.7 To Become “Aspect-Sighted”.................................... 240
7.8 ‘Stasis’ Becomes ‘Fast’....................................... 241
7.9 Against Symmetry: Against Memory.............................. 244
7.10 Reading ‘Rhythm’ on Mondrian’s Early Mature
Neoplastic Canvases.......................................... 247
7.11 Conclusion.................................................... 249
References.......................................................... 252
Index
255
|
| any_adam_object | 1 |
| author | Tosaki, Eiichi |
| author_GND | (DE-588)1150801700 |
| author_facet | Tosaki, Eiichi |
| author_role | aut |
| author_sort | Tosaki, Eiichi |
| author_variant | e t et |
| building | Verbundindex |
| bvnumber | BV044718275 |
| callnumber-first | B - Philosophy, Psychology, Religion |
| callnumber-label | BH1-301 |
| callnumber-raw | BH1-301 |
| callnumber-search | BH1-301 |
| callnumber-sort | BH 11 3301 |
| callnumber-subject | BH - Aesthetics |
| ctrlnum | (OCoLC)1026094808 (DE-599)BVBBV044718275 |
| dewey-full | 111.85 |
| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 111 - Ontology |
| dewey-raw | 111.85 |
| dewey-search | 111.85 |
| dewey-sort | 3111.85 |
| dewey-tens | 110 - Metaphysics |
| discipline | Philosophie |
| format | Thesis Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02585nam a22006131cb4500</leader><controlfield tag="001">BV044718275</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20180308 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">180117s2017 a||| m||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789402411966</subfield><subfield code="c">(hbk.)</subfield><subfield code="9">978-94-024-1196-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1026094808</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044718275</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">BH1-301</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">111.85</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Tosaki, Eiichi</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1150801700</subfield><subfield code="4">aut</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">Squared grooves</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Mondrian's philosophy of visual rhythm</subfield><subfield code="b">phenomenology, Wittgenstein, and Eastern thought</subfield><subfield code="c">by Eiichi Tosaki</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Squared grooves: prelude to visualised rhythm in the work of Piet Mondrian</subfield></datafield><datafield tag="264" ind1=" " ind2="0"><subfield code="a">Dordrecht</subfield><subfield code="b">Springer</subfield><subfield code="c">2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxvii, 260 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Sophia studies in cross-cultural philosophy of traditions and cultures</subfield><subfield code="v">volume 23</subfield></datafield><datafield tag="502" ind1=" " ind2=" "><subfield code="b">Dissertation</subfield><subfield code="c">Melbourne University</subfield><subfield code="d">2002</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Mondrian, Piet</subfield><subfield code="d">1872-1944</subfield><subfield code="0">(DE-588)118583441</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Visuelle Wahrnehmung</subfield><subfield code="0">(DE-588)4078921-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rhythmus</subfield><subfield code="0">(DE-588)4132330-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Fine arts</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Aesthetics</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Philosophy, Asian</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Philosophy</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Mondrian, Piet</subfield><subfield code="d">1872-1944</subfield><subfield code="0">(DE-588)118583441</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Visuelle Wahrnehmung</subfield><subfield code="0">(DE-588)4078921-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Rhythmus</subfield><subfield code="0">(DE-588)4132330-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="z">9789402411966</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-94-024-1198-0</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Sophia studies in cross-cultural philosophy of traditions and cultures</subfield><subfield code="v">volume 23</subfield><subfield code="w">(DE-604)BV040542830</subfield><subfield code="9">23</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030114638&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030114638</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">001.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09043</subfield><subfield code="g">492</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">001.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09042</subfield><subfield code="g">492</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">001.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09041</subfield><subfield code="g">492</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">001.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09044</subfield><subfield code="g">492</subfield></datafield></record></collection> |
| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV044718275 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:00:15Z |
| institution | BVB |
| isbn | 9789402411966 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030114638 |
| oclc_num | 1026094808 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xxvii, 260 Seiten Illustrationen |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| record_format | marc |
| series | Sophia studies in cross-cultural philosophy of traditions and cultures |
| series2 | Sophia studies in cross-cultural philosophy of traditions and cultures |
| spelling | Tosaki, Eiichi Verfasser (DE-588)1150801700 aut Squared grooves Mondrian's philosophy of visual rhythm phenomenology, Wittgenstein, and Eastern thought by Eiichi Tosaki Squared grooves: prelude to visualised rhythm in the work of Piet Mondrian Dordrecht Springer 2017 xxvii, 260 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Sophia studies in cross-cultural philosophy of traditions and cultures volume 23 Dissertation Melbourne University 2002 Mondrian, Piet 1872-1944 (DE-588)118583441 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Visuelle Wahrnehmung (DE-588)4078921-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Rhythmus (DE-588)4132330-0 gnd rswk-swf Fine arts Aesthetics Philosophy, Asian Philosophy (DE-588)4113937-9 Hochschulschrift gnd-content Mondrian, Piet 1872-1944 (DE-588)118583441 p Visuelle Wahrnehmung (DE-588)4078921-4 s Rhythmus (DE-588)4132330-0 s Musik (DE-588)4040802-4 s Ästhetik (DE-588)4000626-8 s DE-604 9789402411966 Erscheint auch als Online-Ausgabe 978-94-024-1198-0 Sophia studies in cross-cultural philosophy of traditions and cultures volume 23 (DE-604)BV040542830 23 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030114638&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Tosaki, Eiichi Mondrian's philosophy of visual rhythm phenomenology, Wittgenstein, and Eastern thought Sophia studies in cross-cultural philosophy of traditions and cultures Mondrian, Piet 1872-1944 (DE-588)118583441 gnd Musik (DE-588)4040802-4 gnd Visuelle Wahrnehmung (DE-588)4078921-4 gnd Ästhetik (DE-588)4000626-8 gnd Rhythmus (DE-588)4132330-0 gnd |
| subject_GND | (DE-588)118583441 (DE-588)4040802-4 (DE-588)4078921-4 (DE-588)4000626-8 (DE-588)4132330-0 (DE-588)4113937-9 |
| title | Mondrian's philosophy of visual rhythm phenomenology, Wittgenstein, and Eastern thought |
| title_alt | Squared grooves Squared grooves: prelude to visualised rhythm in the work of Piet Mondrian |
| title_auth | Mondrian's philosophy of visual rhythm phenomenology, Wittgenstein, and Eastern thought |
| title_exact_search | Mondrian's philosophy of visual rhythm phenomenology, Wittgenstein, and Eastern thought |
| title_full | Mondrian's philosophy of visual rhythm phenomenology, Wittgenstein, and Eastern thought by Eiichi Tosaki |
| title_fullStr | Mondrian's philosophy of visual rhythm phenomenology, Wittgenstein, and Eastern thought by Eiichi Tosaki |
| title_full_unstemmed | Mondrian's philosophy of visual rhythm phenomenology, Wittgenstein, and Eastern thought by Eiichi Tosaki |
| title_short | Mondrian's philosophy of visual rhythm |
| title_sort | mondrian s philosophy of visual rhythm phenomenology wittgenstein and eastern thought |
| title_sub | phenomenology, Wittgenstein, and Eastern thought |
| topic | Mondrian, Piet 1872-1944 (DE-588)118583441 gnd Musik (DE-588)4040802-4 gnd Visuelle Wahrnehmung (DE-588)4078921-4 gnd Ästhetik (DE-588)4000626-8 gnd Rhythmus (DE-588)4132330-0 gnd |
| topic_facet | Mondrian, Piet 1872-1944 Musik Visuelle Wahrnehmung Ästhetik Rhythmus Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030114638&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV040542830 |
| work_keys_str_mv | AT tosakieiichi squaredgrooves AT tosakieiichi mondriansphilosophyofvisualrhythmphenomenologywittgensteinandeasternthought AT tosakieiichi squaredgroovespreludetovisualisedrhythmintheworkofpietmondrian |