Graphic design discourse: evolving theories, ideologies, and processes of visual communication
"Since its inception, the field of graphic design...whose primary aim is visual communication...has struggled between two contradictory poles: design resulting from a rigorous, fixed set of rules, and design that expresses the hand of the artist. But what if designers focused on process and cri...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Princeton Architectural Press
[2018]
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Since its inception, the field of graphic design...whose primary aim is visual communication...has struggled between two contradictory poles: design resulting from a rigorous, fixed set of rules, and design that expresses the hand of the artist. But what if designers focused on process and critical analysis over visual outcome? Through a carefully selected collection of more than seventy-five seminal texts spanning centuries and bridging the disciplines of art, architecture, design history, philosophy, and cultural theory, this illuminating anthology establishes a new paradigm for graphic design methodologies for the twenty-first century"... |
| Beschreibung: | Includes bibliographical references |
| Beschreibung: | 455 Seiten Illustrationen |
| ISBN: | 9781616895587 9781616896393 |
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| 245 | 1 | 0 | |a Graphic design discourse |b evolving theories, ideologies, and processes of visual communication |c edited by Henry Hongmin Kim ; foreword by Steff Geissbühler |
| 250 | |a First edition | ||
| 264 | 1 | |a New York |b Princeton Architectural Press |c [2018] | |
| 264 | 4 | |c © 2018 | |
| 300 | |a 455 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
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| 500 | |a Includes bibliographical references | ||
| 520 | |a "Since its inception, the field of graphic design...whose primary aim is visual communication...has struggled between two contradictory poles: design resulting from a rigorous, fixed set of rules, and design that expresses the hand of the artist. But what if designers focused on process and critical analysis over visual outcome? Through a carefully selected collection of more than seventy-five seminal texts spanning centuries and bridging the disciplines of art, architecture, design history, philosophy, and cultural theory, this illuminating anthology establishes a new paradigm for graphic design methodologies for the twenty-first century"... | ||
| 650 | 4 | |a DESIGN / General / bisacsh | |
| 650 | 4 | |a DESIGN / Graphic Arts / General / bisacsh | |
| 650 | 4 | |a DESIGN / Essays / bisacsh | |
| 650 | 4 | |a Visual communication |x Methodology | |
| 650 | 4 | |a Graphic arts |x Methodology | |
| 650 | 4 | |a DESIGN / General | |
| 650 | 4 | |a DESIGN / Graphic Arts / General | |
| 650 | 4 | |a DESIGN / Essays | |
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Datensatz im Suchindex
| _version_ | 1805075354571767808 |
|---|---|
| adam_text |
PROCESS 1 DISRUPTION OF CONVENTION
| AGAINST HUMANISM
I-I F. T. MARINETTI
THE FOUNDING AND MANIFESTO OF FUTURISM IPOP
1-2 UMBERTO BOCDONI
FUTURIST PAINTING: TECHNICAL MANIFESTO IPIO
1-3 ANTONIO SANT'ELIA
MANIFESTO OF FUTURIST ARCHITECTURE JPI4
1-4 TRISTAN TZARA
DADA MANIFESTO IPI8
20
22
34
PROCESS 2A MODERNISM, THE BEGINNING
I RATIONAL AND CRITICAL THINKING
2A-1 RENE DESCARTES
DISCOURSE ON METHOD 165$
2A-2 IMMANUEL KANT
CRITIQUE OF PURE REASON 1781
42
44
PROCESS 2B ARTIST, DESIGNER, AND ENGINEER 62
I AN AGE OF NEW AESTHETICS
2B-1 LOUIS H. SULLIVAN
THE TALL OFFICE BUILDING ARTISTICALLY CONSIDERED 1896 63
2B-2 HERMANN MUTHESIUS AND HENRY VAN DE VELDE
WERKBUND THESES AND ANTITHESES IGOJ 70
2B-3 ADOLF LOOS
ORNAMENT AND CRIME IPO8 74
2B-4 THEO VAN DOESBURG
CONCRETE ART MANIFESTO IPI8 80
2B-5 WALTER GROPIUS
PROGRAMME OF THE STAATLICHES BAUHAUS IN WEIMAR 1919 82
2B-6 NAUM GABO AND NORTON PEVSNER
THE REALISTIC MANIFESTO (CONSTRUCTIVIST MANIFESTO) 1920 84
2B-7 ALEXANDER RODCHENKO AND VARVARA STEPANOVA
PROGRAMME OF THE FIRST WORKING GROUP OF CONSTRUCTIVISTS IP22 89
2B-8 LASZLO MOHOLY-NAGY
CONSTRUCTIVISM AND THE PROLETARIAT 1922 91
2B-9 LE CORBUSIER
AESTHETIC OF THE ENGINEER, ARCHITECTURE 1923 93
ARGUMENT 1923 98
2B-10 LUDWIG MIES VAN DER ROHE
ARCHITECTURE AND THE TIMES 1924 103
APHORISMS ON ARCHITECTURE AND FORM 1923 105
ON FORM IN ARCHITECTURE 192/ 106
2B-11 HANNES MEYER
BUILDING 1928 107
2B-12 THEO VAN DOESBURG
MANIFESTO OF CONCRETE ART 1930 NO
2B-13 ALEXEY BRODOVITCH
WHAT PLEASES THE MODERN MAN 1930 IN
2B-14 PAUL RAND
THE BEAUTIFUL AND THE USEFUL 1947 115
PROCESS3
LANGUAGE, TYPE, AND TYPOGRAPHY 118
| DISSEMINATION OF INFORMATION
3-1 EL LISSITZKY
TOPOGRAPHY OFTYPOGRAPHY 1923 120
3-2 LASZLO MOHOLY-NAGY
THE NEW TYPOGRAPHY 1923 121
CONTEMPORARY TYPOGRAPHY 1926 123
3-3 JAN TSCHICHOLD
THE NEW TYPOGRAPHY 1928 126
NEW LIFE IN PRINT 1930 129
3-4 BEATRICE WARDE
THE CRYSTAL GOBLET 1932 134
3-5 HERBERT BAYER
ON TYPOGRAPHY 1959 138
3-6 EMIL RUDER
TYPOGRAPHY 1967 144
3-7 JOSEF MIILLER-BROCKMANN
GRID SYSTEMS IN GRAPHIC DESIGN 1981 150
PROCESS 4 POSTMODERNISM AND DE(CON)STRUCTIONISM 154
| EXPRESSING SUBJECTIVITY
4-1 ROBERT VENTURI
COMPLEXITY AND CONTRADICTION IN ARCHITECTURE 1966 156
4-2 WIM CROUWEL AND JAN VAN TOORN
THE DEBATE 1972 160
4-3 KATHERINE MCCOY
TYPOGRAPHY AS DISCOURSE 1988 165
RETHINKING MODERNISM, REVISING FUNCTIONALISM 1994 168
4-4 MILTON GLASER
SOME THOUGHTS ON MODERNISM: PAST, PRESENT, AND FUTURE 1994 170
4-5 RICK POYNOR
DID WE EVER STOP BEING POSTMODERN? 2011 178
PROCESS 5A AUTEURISM
I AUTHORITY AND AUTHENTICITY
5A-1 ANDRE BAZIN
ON THEAUTEUR THEORY 1957
5A-2 ANDREW SARRIS
NOTES ON THEAUTEUR THEORY 1962
5A-3 ROLAND BARDIES
THE DEATH OF THE AUTHOR 1968
5A-4 MICHEL FOUCAULT
WHAT IS AN AUTHOR? 1969
5A-5 MICHAEL ROCK
THE DESIGNER AS AUTHOR 1996
178
180
190
194
198
211
PROCESS 5B DESIGN ETHICS
I IDEOLOGY AND FAITH
5B-1 SITUATIONIST INTERNATIONAL
SITUATIONIST MANIFESTO I960
5B-2 KEN GARLAND
FIRST THINGS FIRST: A MANIFESTO
5B-3 VICTOR PAPANEK
WHAT IS DESIGN? 1972
1964
220
221
224
226
5B-4 REGIS DEBRAY
SOCIALISM AND PRINT
2007
5B-5 EXPERIMENTAL JETSET
DESIGN AND IDEOLOGY 2008
238
PROCESS 6 ESSENTIAL DESIGN
I TOWARD TIMELESSNESS
6-1 DIETER RAMS
TEN PRINCIPLES FOR GOOD DESIGN 1970
OMIT THE UNIMPORTANT 1989
6-2 JIIRGEN HABERMAS
MODERNITY VERSUS POSTMODERNITY 1981
6-3 MASSIMO VIGNELLI
LONG LIVE MODERNISM! 1991
SCHEMATIC CHART OF IDEOLOGICAL AND DESIGN CHANGES
FROM THE 60S TO THE PRESENT 2012
6-4 PAUL RAND
CONFUSION AND CHAOS
1992
6-5 BILLY CHILDISH AND CHARLES THOMSON
REMODERNISM 1999
THE STUCKIST MANIFESTO 1999
6-6 EXPERIMENTAL JETSET
DESIGN &ART READER 2006
6-7 NAOTO FUKASAWA AND JASPER MORRISON
SUPER NORMAL 2007
6-8 KENYA HARA
WHAT IS DESIGN?
2007
266
268
270
274
285
287
290
296
298
300
305
316
PROCESS 7 STRUCTURAL PROCESS OF DESIGN
I CONSILIENCE AND CONCRESCENCE
7-1 ARISTOTLE
RHETORIC 4TH CENTURY BCE
7-2 GEORG WILHELM FRIEDRICH HEGEL
THE DOCTRINE OF ESSENCE: APPEARANCE 1812
7-3 ALFRED NORTH WHITEHEAD
PROCESS AND REALITY 1929
322
325
333
342
7-4 KARL R. POPPER
THE LOGIC OF SCIENTIFIC DISCOVERY: FABIFIABILITY 193$ 350
WHAT IS DIALECTIC? 1963 359
7-5 WALTER BENJAMIN
THEWORKOFART IN THE AGE OF MECHANICAL REPRODUCTION 1936 371
7-6 MARSHALL MCLUHAN
THE MEDIUM IS THE MESSAGE 1964 386
7-7 ROLAND BARDIES
MYTH TODAY 1956 396
ELEMENTS OFSEMIOLOGY 1964 402
CAMERA LUCIDA: REFLECTIONS ON PHOTOGRAPHY 1980 412
7-8 PIERRE BOURDIEU
THE FORMS OF CAPITAL 1986 416
7-9 DIETER RAMS
DESIGN FIR A MORE HUMAN ENVIRONMENT 2013 431
7-10 HENRY HONGMIN KIM
CONCRESCENCE OF ONTOLOGICAL DESIGN PRINCIPLES 2017 437
7-11 MASSIMO VIGNELLI
THE VIGNELLI CANON: CONCLUSION 2010 444
PROCESS 0 GRAPHIC DESIGN DISCOURSE 446
0-4 EPILOGUE 446
0-5 DESIGNERS AND MEMBERS 448
0-6 CROWD CONTRIBUTORS 449
0-7 BIBLIOGRAPHY AND ACKNOWLEDGMENTS 450 |
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| dewey-ones | 302 - Social interaction |
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| dewey-search | 302.2/22 |
| dewey-sort | 3302.2 222 |
| dewey-tens | 300 - Social sciences |
| discipline | Allgemeines Soziologie |
| edition | First edition |
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| spelling | Graphic design discourse evolving theories, ideologies, and processes of visual communication edited by Henry Hongmin Kim ; foreword by Steff Geissbühler First edition New York Princeton Architectural Press [2018] © 2018 455 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references "Since its inception, the field of graphic design...whose primary aim is visual communication...has struggled between two contradictory poles: design resulting from a rigorous, fixed set of rules, and design that expresses the hand of the artist. But what if designers focused on process and critical analysis over visual outcome? Through a carefully selected collection of more than seventy-five seminal texts spanning centuries and bridging the disciplines of art, architecture, design history, philosophy, and cultural theory, this illuminating anthology establishes a new paradigm for graphic design methodologies for the twenty-first century"... DESIGN / General / bisacsh DESIGN / Graphic Arts / General / bisacsh DESIGN / Essays / bisacsh Visual communication Methodology Graphic arts Methodology DESIGN / General DESIGN / Graphic Arts / General DESIGN / Essays Grafikdesign (DE-588)4019558-2 gnd rswk-swf Visuelle Kommunikation (DE-588)4131112-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Visuelle Kommunikation (DE-588)4131112-7 s Grafikdesign (DE-588)4019558-2 s DE-604 Kim, Henry Hongmin ca. 20. Jh. (DE-588)1281788481 edt Geissbühler, Steff ca. 20. Jh. (DE-588)1281787604 aui SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030110819&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Graphic design discourse evolving theories, ideologies, and processes of visual communication DESIGN / General / bisacsh DESIGN / Graphic Arts / General / bisacsh DESIGN / Essays / bisacsh Visual communication Methodology Graphic arts Methodology DESIGN / General DESIGN / Graphic Arts / General DESIGN / Essays Grafikdesign (DE-588)4019558-2 gnd Visuelle Kommunikation (DE-588)4131112-7 gnd |
| subject_GND | (DE-588)4019558-2 (DE-588)4131112-7 (DE-588)4143413-4 |
| title | Graphic design discourse evolving theories, ideologies, and processes of visual communication |
| title_auth | Graphic design discourse evolving theories, ideologies, and processes of visual communication |
| title_exact_search | Graphic design discourse evolving theories, ideologies, and processes of visual communication |
| title_full | Graphic design discourse evolving theories, ideologies, and processes of visual communication edited by Henry Hongmin Kim ; foreword by Steff Geissbühler |
| title_fullStr | Graphic design discourse evolving theories, ideologies, and processes of visual communication edited by Henry Hongmin Kim ; foreword by Steff Geissbühler |
| title_full_unstemmed | Graphic design discourse evolving theories, ideologies, and processes of visual communication edited by Henry Hongmin Kim ; foreword by Steff Geissbühler |
| title_short | Graphic design discourse |
| title_sort | graphic design discourse evolving theories ideologies and processes of visual communication |
| title_sub | evolving theories, ideologies, and processes of visual communication |
| topic | DESIGN / General / bisacsh DESIGN / Graphic Arts / General / bisacsh DESIGN / Essays / bisacsh Visual communication Methodology Graphic arts Methodology DESIGN / General DESIGN / Graphic Arts / General DESIGN / Essays Grafikdesign (DE-588)4019558-2 gnd Visuelle Kommunikation (DE-588)4131112-7 gnd |
| topic_facet | DESIGN / General / bisacsh DESIGN / Graphic Arts / General / bisacsh DESIGN / Essays / bisacsh Visual communication Methodology Graphic arts Methodology DESIGN / General DESIGN / Graphic Arts / General DESIGN / Essays Grafikdesign Visuelle Kommunikation Aufsatzsammlung |
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