Secular magic and the moving image: mediated forms and modes of reception
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Bloomsbury
2018
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Literaturverzeichnis Seite 163-169 |
| Beschreibung: | 178 Seiten |
| ISBN: | 9781501320934 1501320939 |
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Datensatz im Suchindex
| _version_ | 1811034944193953792 |
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| adam_text |
SECULAR MAGIC AND THE MOVING IMAGE
/ SEXTON, MAXYYD1966-YYEAUTHOR
: 2017
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION
MAGIC, MEDIATION, AND TELEVISION FORM
MAGIC AND ENTERTAINMENT
MAGIC AND PERFORMANCE
MAGIC AS A GAME
THE MAGIC FILM
FILMOGRAPHY
BIBLIOGRAPHY
CONCLUSION
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
Rather than a history of special effects or of magic, this book investigates the influence and
status of secular magic on television as well its interconnections with film. Historically, the
overriding concern on television has been for secular magic that informs and empowers
rather than a fairytale effect that deceives and mystifies. Yet, shifting notions of the real and
the uncertainty associated with the contemporary world has led to television developing many
different modes that have become capable of constant hybridization. The dynamic interplay
between certainty and indeterminacy is the key to understanding secular magic on television
and film and exploring the interstices between them. Sexton ranges from the real-time magic
of performers such as David Blaine, Penn and Teller and Derren Brown to films such as The
Illusionist and The Prestige. Each example charts how the lack of clear distinctions between
reality and illusion in modes of representation and presentation disrupt older theoretical
oppositions. Secular Magic and the Moving Image not only re-evaluates questions about modes
and styles but raises further questions about entertainment and how the relations between
the programme maker and the audience resemble those between the conjuror and spectator.
Max Sexton is an associate lecturer at the University of Surrey, UK, where he teaches film
and television theory. He worked for ten years in British television prior to this academic career.
He is the co-author, with Malcolm Cook, of Adapting Science Fiction to Television: Small Screen,
Expanded Universe (2015). |
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| id | DE-604.BV044710623 |
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| language | English |
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| spellingShingle | Sexton, Max 1966- Secular magic and the moving image mediated forms and modes of reception Motion pictures and television Magic in motion pictures Television Fernsehen (DE-588)4016825-6 gnd Film (DE-588)4017102-4 gnd Magie (DE-588)4036966-3 gnd |
| subject_GND | (DE-588)4016825-6 (DE-588)4017102-4 (DE-588)4036966-3 |
| title | Secular magic and the moving image mediated forms and modes of reception |
| title_auth | Secular magic and the moving image mediated forms and modes of reception |
| title_exact_search | Secular magic and the moving image mediated forms and modes of reception |
| title_full | Secular magic and the moving image mediated forms and modes of reception Max Sexton |
| title_fullStr | Secular magic and the moving image mediated forms and modes of reception Max Sexton |
| title_full_unstemmed | Secular magic and the moving image mediated forms and modes of reception Max Sexton |
| title_short | Secular magic and the moving image |
| title_sort | secular magic and the moving image mediated forms and modes of reception |
| title_sub | mediated forms and modes of reception |
| topic | Motion pictures and television Magic in motion pictures Television Fernsehen (DE-588)4016825-6 gnd Film (DE-588)4017102-4 gnd Magie (DE-588)4036966-3 gnd |
| topic_facet | Motion pictures and television Magic in motion pictures Television Fernsehen Film Magie |
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