Continuous performance: II: musica accompaniment (Vol. I, no. 2, august 1927), III: captions (Vol. I., no. 3, september 1927), IV: a thousand pities (Vol. I, no. 4, october 1927), V: There's no place like home (Vol. I, no. 5, november 1927), VI: the increasing congregation (Vol. I, no. 6, december 1927), VII: the front rows (Vol. II, no. 1, january 1928), VIII (Vol. II, no. 3, march 1928), IX: the thoroughly popular film (Vol. II, no. 4, april 1928), X: the cinema in the slums (Vol. II, no. 5, may 1928), XI: Slow motion (Vol. II, no. 6, june 1928), XII: the cinema in arcady (Vol. III, no. 1, july 1928), Pictures and films (Vol. IV, no. 1, january 1929), almost persuaded (Vol. IV, no. 6, june 1929), Dialogue in Dixie (Vol. V, no. 3, september 1929), A tear for Lycidas (Vol. VII, no. 3, september 1930), Narcissus (Vol. VIII, no. 3, september 1931), This spoon-fed generation ? (Vol. VIII, no. 4, december 1931), The film gone male (Vol. IX, no. 1, march 1932),
Gespeichert in:
1. Verfasser: | |
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Format: | Artikel |
Sprache: | English |
Veröffentlicht: |
1998
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Beschreibung: | Part 4: Continuous performance: Dorothy Richardson |
ISBN: | 0-691-00462-5 |
Internformat
MARC
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040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-M472 | ||
100 | 1 | |a Marcus, Laura |d 1956-2021 |0 (DE-588)14295697X |4 aut | |
245 | 1 | 0 | |a Continuous performance |b II: musica accompaniment (Vol. I, no. 2, august 1927), III: captions (Vol. I., no. 3, september 1927), IV: a thousand pities (Vol. I, no. 4, october 1927), V: There's no place like home (Vol. I, no. 5, november 1927), VI: the increasing congregation (Vol. I, no. 6, december 1927), VII: the front rows (Vol. II, no. 1, january 1928), VIII (Vol. II, no. 3, march 1928), IX: the thoroughly popular film (Vol. II, no. 4, april 1928), X: the cinema in the slums (Vol. II, no. 5, may 1928), XI: Slow motion (Vol. II, no. 6, june 1928), XII: the cinema in arcady (Vol. III, no. 1, july 1928), Pictures and films (Vol. IV, no. 1, january 1929), almost persuaded (Vol. IV, no. 6, june 1929), Dialogue in Dixie (Vol. V, no. 3, september 1929), A tear for Lycidas (Vol. VII, no. 3, september 1930), Narcissus (Vol. VIII, no. 3, september 1931), This spoon-fed generation ? (Vol. VIII, no. 4, december 1931), The film gone male (Vol. IX, no. 1, march 1932), |c Laura Marcus |
264 | 1 | |c 1998 | |
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Part 4: Continuous performance: Dorothy Richardson | ||
773 | 1 | 8 | |g pages:150-209 |
773 | 0 | 8 | |t Close Up / ed. by James Donald... |d Princeton, NJ, 1998 |g Seiten 150-209 |w (DE-604)BV013167537 |z 0-691-00462-5 |
999 | |a oai:aleph.bib-bvb.de:BVB01-030106075 | ||
941 | |s 150-209 |
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spelling | Marcus, Laura 1956-2021 (DE-588)14295697X aut Continuous performance II: musica accompaniment (Vol. I, no. 2, august 1927), III: captions (Vol. I., no. 3, september 1927), IV: a thousand pities (Vol. I, no. 4, october 1927), V: There's no place like home (Vol. I, no. 5, november 1927), VI: the increasing congregation (Vol. I, no. 6, december 1927), VII: the front rows (Vol. II, no. 1, january 1928), VIII (Vol. II, no. 3, march 1928), IX: the thoroughly popular film (Vol. II, no. 4, april 1928), X: the cinema in the slums (Vol. II, no. 5, may 1928), XI: Slow motion (Vol. II, no. 6, june 1928), XII: the cinema in arcady (Vol. III, no. 1, july 1928), Pictures and films (Vol. IV, no. 1, january 1929), almost persuaded (Vol. IV, no. 6, june 1929), Dialogue in Dixie (Vol. V, no. 3, september 1929), A tear for Lycidas (Vol. VII, no. 3, september 1930), Narcissus (Vol. VIII, no. 3, september 1931), This spoon-fed generation ? (Vol. VIII, no. 4, december 1931), The film gone male (Vol. IX, no. 1, march 1932), Laura Marcus 1998 txt rdacontent n rdamedia nc rdacarrier Part 4: Continuous performance: Dorothy Richardson pages:150-209 Close Up / ed. by James Donald... Princeton, NJ, 1998 Seiten 150-209 (DE-604)BV013167537 0-691-00462-5 |
spellingShingle | Marcus, Laura 1956-2021 Continuous performance II: musica accompaniment (Vol. I, no. 2, august 1927), III: captions (Vol. I., no. 3, september 1927), IV: a thousand pities (Vol. I, no. 4, october 1927), V: There's no place like home (Vol. I, no. 5, november 1927), VI: the increasing congregation (Vol. I, no. 6, december 1927), VII: the front rows (Vol. II, no. 1, january 1928), VIII (Vol. II, no. 3, march 1928), IX: the thoroughly popular film (Vol. II, no. 4, april 1928), X: the cinema in the slums (Vol. II, no. 5, may 1928), XI: Slow motion (Vol. II, no. 6, june 1928), XII: the cinema in arcady (Vol. III, no. 1, july 1928), Pictures and films (Vol. IV, no. 1, january 1929), almost persuaded (Vol. IV, no. 6, june 1929), Dialogue in Dixie (Vol. V, no. 3, september 1929), A tear for Lycidas (Vol. VII, no. 3, september 1930), Narcissus (Vol. VIII, no. 3, september 1931), This spoon-fed generation ? (Vol. VIII, no. 4, december 1931), The film gone male (Vol. IX, no. 1, march 1932), |
title | Continuous performance II: musica accompaniment (Vol. I, no. 2, august 1927), III: captions (Vol. I., no. 3, september 1927), IV: a thousand pities (Vol. I, no. 4, october 1927), V: There's no place like home (Vol. I, no. 5, november 1927), VI: the increasing congregation (Vol. I, no. 6, december 1927), VII: the front rows (Vol. II, no. 1, january 1928), VIII (Vol. II, no. 3, march 1928), IX: the thoroughly popular film (Vol. II, no. 4, april 1928), X: the cinema in the slums (Vol. II, no. 5, may 1928), XI: Slow motion (Vol. II, no. 6, june 1928), XII: the cinema in arcady (Vol. III, no. 1, july 1928), Pictures and films (Vol. IV, no. 1, january 1929), almost persuaded (Vol. IV, no. 6, june 1929), Dialogue in Dixie (Vol. V, no. 3, september 1929), A tear for Lycidas (Vol. VII, no. 3, september 1930), Narcissus (Vol. VIII, no. 3, september 1931), This spoon-fed generation ? (Vol. VIII, no. 4, december 1931), The film gone male (Vol. IX, no. 1, march 1932), |
title_auth | Continuous performance II: musica accompaniment (Vol. I, no. 2, august 1927), III: captions (Vol. I., no. 3, september 1927), IV: a thousand pities (Vol. I, no. 4, october 1927), V: There's no place like home (Vol. I, no. 5, november 1927), VI: the increasing congregation (Vol. I, no. 6, december 1927), VII: the front rows (Vol. II, no. 1, january 1928), VIII (Vol. II, no. 3, march 1928), IX: the thoroughly popular film (Vol. II, no. 4, april 1928), X: the cinema in the slums (Vol. II, no. 5, may 1928), XI: Slow motion (Vol. II, no. 6, june 1928), XII: the cinema in arcady (Vol. III, no. 1, july 1928), Pictures and films (Vol. IV, no. 1, january 1929), almost persuaded (Vol. IV, no. 6, june 1929), Dialogue in Dixie (Vol. V, no. 3, september 1929), A tear for Lycidas (Vol. VII, no. 3, september 1930), Narcissus (Vol. VIII, no. 3, september 1931), This spoon-fed generation ? (Vol. VIII, no. 4, december 1931), The film gone male (Vol. IX, no. 1, march 1932), |
title_exact_search | Continuous performance II: musica accompaniment (Vol. I, no. 2, august 1927), III: captions (Vol. I., no. 3, september 1927), IV: a thousand pities (Vol. I, no. 4, october 1927), V: There's no place like home (Vol. I, no. 5, november 1927), VI: the increasing congregation (Vol. I, no. 6, december 1927), VII: the front rows (Vol. II, no. 1, january 1928), VIII (Vol. II, no. 3, march 1928), IX: the thoroughly popular film (Vol. II, no. 4, april 1928), X: the cinema in the slums (Vol. II, no. 5, may 1928), XI: Slow motion (Vol. II, no. 6, june 1928), XII: the cinema in arcady (Vol. III, no. 1, july 1928), Pictures and films (Vol. IV, no. 1, january 1929), almost persuaded (Vol. IV, no. 6, june 1929), Dialogue in Dixie (Vol. V, no. 3, september 1929), A tear for Lycidas (Vol. VII, no. 3, september 1930), Narcissus (Vol. VIII, no. 3, september 1931), This spoon-fed generation ? (Vol. VIII, no. 4, december 1931), The film gone male (Vol. IX, no. 1, march 1932), |
title_full | Continuous performance II: musica accompaniment (Vol. I, no. 2, august 1927), III: captions (Vol. I., no. 3, september 1927), IV: a thousand pities (Vol. I, no. 4, october 1927), V: There's no place like home (Vol. I, no. 5, november 1927), VI: the increasing congregation (Vol. I, no. 6, december 1927), VII: the front rows (Vol. II, no. 1, january 1928), VIII (Vol. II, no. 3, march 1928), IX: the thoroughly popular film (Vol. II, no. 4, april 1928), X: the cinema in the slums (Vol. II, no. 5, may 1928), XI: Slow motion (Vol. II, no. 6, june 1928), XII: the cinema in arcady (Vol. III, no. 1, july 1928), Pictures and films (Vol. IV, no. 1, january 1929), almost persuaded (Vol. IV, no. 6, june 1929), Dialogue in Dixie (Vol. V, no. 3, september 1929), A tear for Lycidas (Vol. VII, no. 3, september 1930), Narcissus (Vol. VIII, no. 3, september 1931), This spoon-fed generation ? (Vol. VIII, no. 4, december 1931), The film gone male (Vol. IX, no. 1, march 1932), Laura Marcus |
title_fullStr | Continuous performance II: musica accompaniment (Vol. I, no. 2, august 1927), III: captions (Vol. I., no. 3, september 1927), IV: a thousand pities (Vol. I, no. 4, october 1927), V: There's no place like home (Vol. I, no. 5, november 1927), VI: the increasing congregation (Vol. I, no. 6, december 1927), VII: the front rows (Vol. II, no. 1, january 1928), VIII (Vol. II, no. 3, march 1928), IX: the thoroughly popular film (Vol. II, no. 4, april 1928), X: the cinema in the slums (Vol. II, no. 5, may 1928), XI: Slow motion (Vol. II, no. 6, june 1928), XII: the cinema in arcady (Vol. III, no. 1, july 1928), Pictures and films (Vol. IV, no. 1, january 1929), almost persuaded (Vol. IV, no. 6, june 1929), Dialogue in Dixie (Vol. V, no. 3, september 1929), A tear for Lycidas (Vol. VII, no. 3, september 1930), Narcissus (Vol. VIII, no. 3, september 1931), This spoon-fed generation ? (Vol. VIII, no. 4, december 1931), The film gone male (Vol. IX, no. 1, march 1932), Laura Marcus |
title_full_unstemmed | Continuous performance II: musica accompaniment (Vol. I, no. 2, august 1927), III: captions (Vol. I., no. 3, september 1927), IV: a thousand pities (Vol. I, no. 4, october 1927), V: There's no place like home (Vol. I, no. 5, november 1927), VI: the increasing congregation (Vol. I, no. 6, december 1927), VII: the front rows (Vol. II, no. 1, january 1928), VIII (Vol. II, no. 3, march 1928), IX: the thoroughly popular film (Vol. II, no. 4, april 1928), X: the cinema in the slums (Vol. II, no. 5, may 1928), XI: Slow motion (Vol. II, no. 6, june 1928), XII: the cinema in arcady (Vol. III, no. 1, july 1928), Pictures and films (Vol. IV, no. 1, january 1929), almost persuaded (Vol. IV, no. 6, june 1929), Dialogue in Dixie (Vol. V, no. 3, september 1929), A tear for Lycidas (Vol. VII, no. 3, september 1930), Narcissus (Vol. VIII, no. 3, september 1931), This spoon-fed generation ? (Vol. VIII, no. 4, december 1931), The film gone male (Vol. IX, no. 1, march 1932), Laura Marcus |
title_short | Continuous performance |
title_sort | continuous performance ii musica accompaniment vol i no 2 august 1927 iii captions vol i no 3 september 1927 iv a thousand pities vol i no 4 october 1927 v there s no place like home vol i no 5 november 1927 vi the increasing congregation vol i no 6 december 1927 vii the front rows vol ii no 1 january 1928 viii vol ii no 3 march 1928 ix the thoroughly popular film vol ii no 4 april 1928 x the cinema in the slums vol ii no 5 may 1928 xi slow motion vol ii no 6 june 1928 xii the cinema in arcady vol iii no 1 july 1928 pictures and films vol iv no 1 january 1929 almost persuaded vol iv no 6 june 1929 dialogue in dixie vol v no 3 september 1929 a tear for lycidas vol vii no 3 september 1930 narcissus vol viii no 3 september 1931 this spoon fed generation vol viii no 4 december 1931 the film gone male vol ix no 1 march 1932 |
title_sub | II: musica accompaniment (Vol. I, no. 2, august 1927), III: captions (Vol. I., no. 3, september 1927), IV: a thousand pities (Vol. I, no. 4, october 1927), V: There's no place like home (Vol. I, no. 5, november 1927), VI: the increasing congregation (Vol. I, no. 6, december 1927), VII: the front rows (Vol. II, no. 1, january 1928), VIII (Vol. II, no. 3, march 1928), IX: the thoroughly popular film (Vol. II, no. 4, april 1928), X: the cinema in the slums (Vol. II, no. 5, may 1928), XI: Slow motion (Vol. II, no. 6, june 1928), XII: the cinema in arcady (Vol. III, no. 1, july 1928), Pictures and films (Vol. IV, no. 1, january 1929), almost persuaded (Vol. IV, no. 6, june 1929), Dialogue in Dixie (Vol. V, no. 3, september 1929), A tear for Lycidas (Vol. VII, no. 3, september 1930), Narcissus (Vol. VIII, no. 3, september 1931), This spoon-fed generation ? (Vol. VIII, no. 4, december 1931), The film gone male (Vol. IX, no. 1, march 1932), |
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