The Oxford handbook of music censorship:
Throughout history and across the globe, governments have taken a strong hand in censoring music. Whether in the interests of "safeguarding" the moral and religious values of their citizens or of promoting their own political goals, the character and severity of actions taken to suppress a...
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2018]
|
| Schriftenreihe: | Oxford handbooks
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Throughout history and across the globe, governments have taken a strong hand in censoring music. Whether in the interests of "safeguarding" the moral and religious values of their citizens or of promoting their own political goals, the character and severity of actions taken to suppress and control music that has been categorized as unacceptable, immoral, or as the Nazi's termed the music of Jewish and modernist composers, "degenerate," ranges from economic sanctions to forced immigration, imprisonment, and death. Yet in almost all cases composers found methods to counter this suppression and to let their voices be heard, even through the very music they were often forced to compose for the oppressing parties. In this first major collection of its kind, thirty contributors tackle centuries of music censorship across the globe from the medieval era to the modern day. Case studies address a number of instances both well- and lesser-known, including the tumultuous history of Wagner and Israel, rap music in the United States, silencing of women composers, and music in post-revolutionary Iran. Sections are organized by nature of censorship - religious, racial, and sexual - and type of government enforcement - democratic, totalitarian, and transitional. Focusing on individual composers and artists as well as eras within single countries, this Handbook champions the efficacy of music as an agent of collective power and resilience. - Patricia Hall is Professor of Music Theory at the University of Michigan. Her publications include A View of Berg's Lulu Through the Autograph Sources (University of California Press, 1997) and Berg's Wozzeck (OUP, 2011). |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XII, 709 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780199733163 |
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| 520 | |a Throughout history and across the globe, governments have taken a strong hand in censoring music. Whether in the interests of "safeguarding" the moral and religious values of their citizens or of promoting their own political goals, the character and severity of actions taken to suppress and control music that has been categorized as unacceptable, immoral, or as the Nazi's termed the music of Jewish and modernist composers, "degenerate," ranges from economic sanctions to forced immigration, imprisonment, and death. Yet in almost all cases composers found methods to counter this suppression and to let their voices be heard, even through the very music they were often forced to compose for the oppressing parties. In this first major collection of its kind, thirty contributors tackle centuries of music censorship across the globe from the medieval era to the modern day. Case studies address a number of instances both well- and lesser-known, including the tumultuous history of Wagner and Israel, rap music in the United States, silencing of women composers, and music in post-revolutionary Iran. Sections are organized by nature of censorship - religious, racial, and sexual - and type of government enforcement - democratic, totalitarian, and transitional. Focusing on individual composers and artists as well as eras within single countries, this Handbook champions the efficacy of music as an agent of collective power and resilience. - Patricia Hall is Professor of Music Theory at the University of Michigan. Her publications include A View of Berg's Lulu Through the Autograph Sources (University of California Press, 1997) and Berg's Wozzeck (OUP, 2011). | ||
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Datensatz im Suchindex
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| adam_text | THE OXFORD HANDBOOK OF MUSIC CENSORSHIP
/ / / / / /
: : : : : : 2018
TABLE OF CONTENTS / INHALTSVERZEICHNIS
PART VI. CENSORING RACE, GENDER AND SEXUAL ORIENTATION. COMPOSING IN
BLACK AND WHITE: CODE-SWITCHING IN THE SONGS OF SAM LUCAS / SANDRA JEAN
GRAHAM
EXPLORING TRANSITIONS IN POPULAR MUSIC: CENSORSHIP FROM APARTHEID TO
POST-APARTHEID SOUTH AFRICA / MICHAEL DREWETT
RAP MUSIC AND RAP ARTISTS REVISITED: HOW RACE MATTERS IN THE PERCEPTION
OF RAP MUSIC / TRAVIS L. DIXON
DEATHS AND SILENCES: CODING AND DEFIANCE IN MUSIC ABOUT AIDS / PAUL
ATTINELLO
TEACHING SILENCE IN THE TWENTY-FIRST CENTURY: WHERE ARE THE MISSING
WOMEN COMPOSERS? / ROXANNE PREVOST AND KIMBERLY FRANCIS
VEILED VOICES: MUSIC AND CENSORSHIP IN POST-REVOLUTIONARY IRAN / AMENEH
YOUSSEFZADEH
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
| any_adam_object | 1 |
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| callnumber-first | M - Music |
| callnumber-label | ML3916 |
| callnumber-raw | ML3916 |
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| callnumber-sort | ML 43916 |
| callnumber-subject | ML - Literature on Music |
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| dewey-ones | 363 - Other social problems and services |
| dewey-raw | 363.31 |
| dewey-search | 363.31 |
| dewey-sort | 3363.31 |
| dewey-tens | 360 - Social problems and services; associations |
| discipline | Soziologie Musikwissenschaft |
| format | Book |
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| spelling | The Oxford handbook of music censorship edited by Patricia Hall Thehandbook of music censorship New York, NY Oxford University Press [2018] © 2018 XII, 709 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Oxford handbooks Includes bibliographical references and index Throughout history and across the globe, governments have taken a strong hand in censoring music. Whether in the interests of "safeguarding" the moral and religious values of their citizens or of promoting their own political goals, the character and severity of actions taken to suppress and control music that has been categorized as unacceptable, immoral, or as the Nazi's termed the music of Jewish and modernist composers, "degenerate," ranges from economic sanctions to forced immigration, imprisonment, and death. Yet in almost all cases composers found methods to counter this suppression and to let their voices be heard, even through the very music they were often forced to compose for the oppressing parties. In this first major collection of its kind, thirty contributors tackle centuries of music censorship across the globe from the medieval era to the modern day. Case studies address a number of instances both well- and lesser-known, including the tumultuous history of Wagner and Israel, rap music in the United States, silencing of women composers, and music in post-revolutionary Iran. Sections are organized by nature of censorship - religious, racial, and sexual - and type of government enforcement - democratic, totalitarian, and transitional. Focusing on individual composers and artists as well as eras within single countries, this Handbook champions the efficacy of music as an agent of collective power and resilience. - Patricia Hall is Professor of Music Theory at the University of Michigan. Her publications include A View of Berg's Lulu Through the Autograph Sources (University of California Press, 1997) and Berg's Wozzeck (OUP, 2011). Music Censorship Music Political aspects Zensur (DE-588)4067601-8 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Musik (DE-588)4040802-4 s Zensur (DE-588)4067601-8 s DE-604 Hall, Patricia (DE-588)173043704 edt Erscheint auch als Online-Ausgabe 978-0-19-998418-3 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030104883&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | The Oxford handbook of music censorship |
| title_alt | Thehandbook of music censorship |
| title_auth | The Oxford handbook of music censorship |
| title_exact_search | The Oxford handbook of music censorship |
| title_full | The Oxford handbook of music censorship edited by Patricia Hall |
| title_fullStr | The Oxford handbook of music censorship edited by Patricia Hall |
| title_full_unstemmed | The Oxford handbook of music censorship edited by Patricia Hall |
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| topic_facet | Music Censorship Music Political aspects Zensur Musik Aufsatzsammlung |
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