The musical language of Rock:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2018]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | Literaturangaben |
| Beschreibung: | xiii, 292 Seiten Illustrationen, Diagramme, Notenbeispiele |
| ISBN: | 9780190870522 9780190653774 |
Internformat
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| 245 | 1 | 0 | |a The musical language of Rock |c David Temperley |
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| 264 | 4 | |c © 2018 | |
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Datensatz im Suchindex
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| adam_text | CONTENTS
Preface xi
About the Companion Website xv
1. Introduction 1
1.1 The music of rock 1
1.2 What is rock? 5
1.3 Controversial issues 8
1.4 The corpus 12
1.5 Questions 15
2. Scales and Key 17
2.1 Scales in rock: Previous views 18
2.2 A corpus approach to scales in rock 23
2.3 Key-finding 34
2.4 Questions 40
3. Harmony 41
3.1 The chordal vocabulary 42
3.2 Harmonic progression 46
3.3 The line-of-fifths axis 49
3.4 Common harmonic schemata 54
3.5 Linear and common-tone logic 57
3.6 Tonicization, cadences, and pedal points
3.7 Questions 64
4. Rhythm and Meter 66
4.1 Meter and “the beat” 66
4.2 Syncopation and cross-rhythm 72
4.3 Harmonic rhythm 80
4.4 Hypermeter 82
4.5 Irregular meter 84
4.6 Questions 86
5. Melody 87
5.1 Melodic grouping 88
5.2 Motive, repetition, and rhyme 93
5.3 Melodic-harmonic divorce” 97
5.4 Mediant mixture and blue notes” 101
5.5 Questions 107
6. Timbre and Instrumentation 109
6.1 Approaches to timbre 111
6.2 Guitar 117
6.3 Drums 123
6.4 Other instruments 129
6.5 The recording process 132
6.6 Questions 134
7. Emotion and Tension 136
7.1 The valence dimension 137
7.2 The energy dimension 141
7.3 Complexity and tension 142
7.4 Groove 145
7.5 Questions 148
8. Form 150
8.1 Basic formal types 151
8.2 The blues progression 156
8.3 Verse and chorus 158
8.4 Other section types 166
8.5 Ambiguous and unusual cases 174
8.6 Questions 181
9. Strategies 183
9.1 The VCU boundary 183
9.2 The cadential IV 189
9.3 Tensional curves 196
9.4 Shaping a song 200
9.5 Scalar and tonal shift 204
9.6 Questions 210
10. Analyses 211
10.1 Marvin Gaye, I Heard It through the Grapevine” (1968) 212
10.2 Elton John, Philadelphia Freedom” (1975) 220
10.3 Fleetwood Mac, Landslide” (1975) 225
10.4 U2, “Sunday Bloody Sunday” (1983) 229
10.5 Alanis Morissette, You Oughta Know” (1995) 233
10.6 Destiny’s Child, Jumpin’ Jumpin’” (1999) 236
10.7 Questions 240
[viii] Contents
248
11. Rock in Broader Context 242
11.1 The roots of rock 243
11.2 Stylistic distinctions and changes within rock
11.3 Interactions and fusions 253
11.4 Rock after 2000 257
11.5 Questions 265
References 267
Index of Artists and Songs 277
Index of Subjects and Authors 287
Contents fix]
CONTENTS
Preface xi
About the Companion Website xv
1. Introduction 1
1.1 The music of rock 1
1.2 What is rock? 5
1.3 Controversial issues 8
1.4 The corpus 12
1.5 Questions 15
2. Scales and Key 17
2.1 Scales in rock: Previous views 18
2.2 A corpus approach to scales in rock 23
2.3 Key-finding 34
2.4 Questions 40
3. Harmony 41
3.1 The chordal vocabulary 42
3.2 Harmonic progression 46
3.3 The line-of-fifths axis 49
3.4 Common harmonic schemata 54
3.5 Linear and common-tone logic 57
3.6 Tonicization, cadences, and pedal points
3.7 Questions 64
4. Rhythm and Meter 66
4.1 Meter and “the beat” 66
4.2 Syncopation and cross-rhythm 72
4.3 Harmonic rhythm 80
4.4 Hypermeter 82
4.5 Irregular meter 84
4.6 Questions 86
5. Melody 87
5.1 Melodic grouping 88
5.2 Motive, repetition, and rhyme 93
5.3 Melodic-harmonic divorce” 97
5.4 Mediant mixture and blue notes” 101
5.5 Questions 107
6. Timbre and Instrumentation 109
6.1 Approaches to timbre 111
6.2 Guitar 117
6.3 Drums 123
6.4 Other instruments 129
6.5 The recording process 132
6.6 Questions 134
7. Emotion and Tension 136
7.1 The valence dimension 137
7.2 The energy dimension 141
7.3 Complexity and tension 142
7.4 Groove 145
7.5 Questions 148
8. Form 150
8.1 Basic formal types 151
8.2 The blues progression 156
8.3 Verse and chorus 158
8.4 Other section types 166
8.5 Ambiguous and unusual cases 174
8.6 Questions 181
9. Strategies 183
9.1 The VCU boundary 183
9.2 The cadential IV 189
9.3 Tensional curves 196
9.4 Shaping a song 200
9.5 Scalar and tonal shift 204
9.6 Questions 210
10. Analyses 211
10.1 Marvin Gaye, I Heard It through the Grapevine” (1968) 212
10.2 Elton John, Philadelphia Freedom” (1975) 220
10.3 Fleetwood Mac, Landslide” (1975) 225
10.4 U2, “Sunday Bloody Sunday” (1983) 229
10.5 Alanis Morissette, You Oughta Know” (1995) 233
10.6 Destiny’s Child, Jumpin’ Jumpin’” (1999) 236
10.7 Questions 240
[viii] Contents
248
11. Rock in Broader Context 242
11.1 The roots of rock 243
11.2 Stylistic distinctions and changes within rock
11.3 Interactions and fusions 253
11.4 Rock after 2000 257
11.5 Questions 265
References 267
Index of Artists and Songs 277
Index of Subjects and Authors 287
Contents fix]
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| spelling | Temperley, David ca. 20./21. Jh. Verfasser (DE-588)133701085 aut The musical language of Rock David Temperley New York, NY Oxford University Press [2018] © 2018 xiii, 292 Seiten Illustrationen, Diagramme, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Literaturangaben Rock music Analysis, appreciation Rockmusik (DE-588)4115774-6 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Rockmusik (DE-588)4115774-6 s Musikalische Analyse (DE-588)4040814-0 s DE-604 Erscheint auch als Online-Ausgabe, (oxford scholarly online) 978-0-19-065380-4 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030103172&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030103172&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Temperley, David ca. 20./21. Jh The musical language of Rock Rock music Analysis, appreciation Rockmusik (DE-588)4115774-6 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
| subject_GND | (DE-588)4115774-6 (DE-588)4040814-0 (DE-588)4151278-9 |
| title | The musical language of Rock |
| title_auth | The musical language of Rock |
| title_exact_search | The musical language of Rock |
| title_full | The musical language of Rock David Temperley |
| title_fullStr | The musical language of Rock David Temperley |
| title_full_unstemmed | The musical language of Rock David Temperley |
| title_short | The musical language of Rock |
| title_sort | the musical language of rock |
| topic | Rock music Analysis, appreciation Rockmusik (DE-588)4115774-6 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
| topic_facet | Rock music Analysis, appreciation Rockmusik Musikalische Analyse Einführung |
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