Art, politics, and Rancière: broken perceptions
Even those who take themselves to be breaking from tradition-from the metaphysical tradition of philosophy, from grand narratives, neoliberalism or Eurocentrism-can remain blindly attached to them. Art, Politics and Rancière: Broken Perspectives provides an account of how works of art can, but do no...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Bloomsbury Academic
2018
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| Schlagworte: | |
| Online-Zugang: | DE-255 DE-Y7 Volltext |
| Zusammenfassung: | Even those who take themselves to be breaking from tradition-from the metaphysical tradition of philosophy, from grand narratives, neoliberalism or Eurocentrism-can remain blindly attached to them. Art, Politics and Rancière: Broken Perspectives provides an account of how works of art can, but do not necessarily, interrupt dominant narratives. Inspired by Jacques Rancière, Tina Chanter assumes his work as a starting point. She presents a rigorous and appreciative critique of Rancière's story of aesthetics, paying close attention to gender and race. Along with the relationship between the unconscious and the political, perception is a key theme throughout, used to address questions such as 'How do some things become visible, while other things remain invisible?' 'What does it take for something to be seen, and why do other things elude visibility?' Alongside illuminating discussions of Rancière, Heidegger and Levinas are informed accounts of artists Ingrid Mwangi, Phillip Noyce, Ingrid Pollard, and Gillian Wearing. Outlining the basis of a new political aesthetic, Art, Politics and Rancière develops an original philosophical consideration that is sensitive to race and gender, yet not reducible to these concerns. |
| Beschreibung: | 1 Online-Ressource (XV, 184 Seiten) Illustrationen |
| ISBN: | 9781350044173 9781472511676 9781472510945 |
Internformat
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| 505 | 8 | |a Redistributing the sensible: the art of borders, maps, territories and bodies<br>Politics as the interruption of inequality, and the police as the miscount<br>Art as dissensus: moving beyond the ethical and representative regimes with the help of Kant and Hegel<br>Framing and reframing Rancière's critical intervention: Foucault and Kant<br>Form and matter<br> Feminist art: disrupting and consolidating the police order | |
| 520 | 3 | |a Even those who take themselves to be breaking from tradition-from the metaphysical tradition of philosophy, from grand narratives, neoliberalism or Eurocentrism-can remain blindly attached to them. Art, Politics and Rancière: Broken Perspectives provides an account of how works of art can, but do not necessarily, interrupt dominant narratives. Inspired by Jacques Rancière, Tina Chanter assumes his work as a starting point. She presents a rigorous and appreciative critique of Rancière's story of aesthetics, paying close attention to gender and race. Along with the relationship between the unconscious and the political, perception is a key theme throughout, used to address questions such as 'How do some things become visible, while other things remain invisible?' 'What does it take for something to be seen, and why do other things elude visibility?' Alongside illuminating discussions of Rancière, Heidegger and Levinas are informed accounts of artists Ingrid Mwangi, Phillip Noyce, Ingrid Pollard, and Gillian Wearing. Outlining the basis of a new political aesthetic, Art, Politics and Rancière develops an original philosophical consideration that is sensitive to race and gender, yet not reducible to these concerns. | |
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Datensatz im Suchindex
| _version_ | 1818323368453079040 |
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| adam_text | |
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| author | Chanter, Tina 1960- |
| author_GND | (DE-588)124080014 |
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| author_role | aut |
| author_sort | Chanter, Tina 1960- |
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| building | Verbundindex |
| bvnumber | BV044683074 |
| classification_rvk | CK 3158 |
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| contents | Redistributing the sensible: the art of borders, maps, territories and bodies<br>Politics as the interruption of inequality, and the police as the miscount<br>Art as dissensus: moving beyond the ethical and representative regimes with the help of Kant and Hegel<br>Framing and reframing Rancière's critical intervention: Foucault and Kant<br>Form and matter<br> Feminist art: disrupting and consolidating the police order |
| ctrlnum | (5109617)EBC5109617 (OCoLC)994220366 (DE-599)BVBBV044683074 |
| discipline | Philosophie |
| format | Electronic eBook |
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| id | DE-604.BV044683074 |
| illustrated | Illustrated |
| indexdate | 2024-12-13T11:11:35Z |
| institution | BVB |
| isbn | 9781350044173 9781472511676 9781472510945 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030080167 |
| oclc_num | 994220366 |
| open_access_boolean | |
| owner | DE-255 DE-11 DE-Y7 |
| owner_facet | DE-255 DE-11 DE-Y7 |
| physical | 1 Online-Ressource (XV, 184 Seiten) Illustrationen |
| psigel | ebook ZDB-162-PHY ZDB-30-PQE KUBA2-EK-vlebooks ebook BZI ZDB-30-PQE DFK |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Bloomsbury Academic |
| record_format | marc |
| spelling | Chanter, Tina 1960- Verfasser (DE-588)124080014 aut Art, politics, and Rancière broken perceptions Tina Chanter London ; New York Bloomsbury Academic 2018 1 Online-Ressource (XV, 184 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Redistributing the sensible: the art of borders, maps, territories and bodies<br>Politics as the interruption of inequality, and the police as the miscount<br>Art as dissensus: moving beyond the ethical and representative regimes with the help of Kant and Hegel<br>Framing and reframing Rancière's critical intervention: Foucault and Kant<br>Form and matter<br> Feminist art: disrupting and consolidating the police order Even those who take themselves to be breaking from tradition-from the metaphysical tradition of philosophy, from grand narratives, neoliberalism or Eurocentrism-can remain blindly attached to them. Art, Politics and Rancière: Broken Perspectives provides an account of how works of art can, but do not necessarily, interrupt dominant narratives. Inspired by Jacques Rancière, Tina Chanter assumes his work as a starting point. She presents a rigorous and appreciative critique of Rancière's story of aesthetics, paying close attention to gender and race. Along with the relationship between the unconscious and the political, perception is a key theme throughout, used to address questions such as 'How do some things become visible, while other things remain invisible?' 'What does it take for something to be seen, and why do other things elude visibility?' Alongside illuminating discussions of Rancière, Heidegger and Levinas are informed accounts of artists Ingrid Mwangi, Phillip Noyce, Ingrid Pollard, and Gillian Wearing. Outlining the basis of a new political aesthetic, Art, Politics and Rancière develops an original philosophical consideration that is sensitive to race and gender, yet not reducible to these concerns. Lévinas, Emmanuel 1906-1995 (DE-588)118572350 gnd rswk-swf Rancière, Jacques 1940- (DE-588)130468975 gnd rswk-swf Heidegger, Martin 1889-1976 (DE-588)118547798 gnd rswk-swf Pollard, Ingrid 1953- (DE-588)1130793559 gnd rswk-swf Wearing, Gillian 1963- (DE-588)119542781 gnd rswk-swf Noyce, Phillip 1950- (DE-588)128589779 gnd rswk-swf Mwangi, Ingrid 1975- (DE-588)123276195 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Politische Philosophie (DE-588)4076226-9 gnd rswk-swf Rancière, Jacques Aesthetics Art / Philosophy Perception Political science / Philosophy Rancière, Jacques 1940- (DE-588)130468975 p Heidegger, Martin 1889-1976 (DE-588)118547798 p Lévinas, Emmanuel 1906-1995 (DE-588)118572350 p Mwangi, Ingrid 1975- (DE-588)123276195 p Noyce, Phillip 1950- (DE-588)128589779 p Pollard, Ingrid 1953- (DE-588)1130793559 p Wearing, Gillian 1963- (DE-588)119542781 p Ästhetik (DE-588)4000626-8 s DE-604 Politische Philosophie (DE-588)4076226-9 s 1\p DE-604 Erscheint auch als Druck-Ausgabe 9781472510563 (DE-604)BV044683383 https://bloomsbury.com/9781472511676/ Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Chanter, Tina 1960- Art, politics, and Rancière broken perceptions Redistributing the sensible: the art of borders, maps, territories and bodies<br>Politics as the interruption of inequality, and the police as the miscount<br>Art as dissensus: moving beyond the ethical and representative regimes with the help of Kant and Hegel<br>Framing and reframing Rancière's critical intervention: Foucault and Kant<br>Form and matter<br> Feminist art: disrupting and consolidating the police order Lévinas, Emmanuel 1906-1995 (DE-588)118572350 gnd Rancière, Jacques 1940- (DE-588)130468975 gnd Heidegger, Martin 1889-1976 (DE-588)118547798 gnd Pollard, Ingrid 1953- (DE-588)1130793559 gnd Wearing, Gillian 1963- (DE-588)119542781 gnd Noyce, Phillip 1950- (DE-588)128589779 gnd Mwangi, Ingrid 1975- (DE-588)123276195 gnd Ästhetik (DE-588)4000626-8 gnd Politische Philosophie (DE-588)4076226-9 gnd |
| subject_GND | (DE-588)118572350 (DE-588)130468975 (DE-588)118547798 (DE-588)1130793559 (DE-588)119542781 (DE-588)128589779 (DE-588)123276195 (DE-588)4000626-8 (DE-588)4076226-9 |
| title | Art, politics, and Rancière broken perceptions |
| title_auth | Art, politics, and Rancière broken perceptions |
| title_exact_search | Art, politics, and Rancière broken perceptions |
| title_full | Art, politics, and Rancière broken perceptions Tina Chanter |
| title_fullStr | Art, politics, and Rancière broken perceptions Tina Chanter |
| title_full_unstemmed | Art, politics, and Rancière broken perceptions Tina Chanter |
| title_short | Art, politics, and Rancière |
| title_sort | art politics and ranciere broken perceptions |
| title_sub | broken perceptions |
| topic | Lévinas, Emmanuel 1906-1995 (DE-588)118572350 gnd Rancière, Jacques 1940- (DE-588)130468975 gnd Heidegger, Martin 1889-1976 (DE-588)118547798 gnd Pollard, Ingrid 1953- (DE-588)1130793559 gnd Wearing, Gillian 1963- (DE-588)119542781 gnd Noyce, Phillip 1950- (DE-588)128589779 gnd Mwangi, Ingrid 1975- (DE-588)123276195 gnd Ästhetik (DE-588)4000626-8 gnd Politische Philosophie (DE-588)4076226-9 gnd |
| topic_facet | Lévinas, Emmanuel 1906-1995 Rancière, Jacques 1940- Heidegger, Martin 1889-1976 Pollard, Ingrid 1953- Wearing, Gillian 1963- Noyce, Phillip 1950- Mwangi, Ingrid 1975- Ästhetik Politische Philosophie |
| url | https://bloomsbury.com/9781472511676/ |
| work_keys_str_mv | AT chantertina artpoliticsandrancierebrokenperceptions |