Monografia zespołu muzycznego oraz katalog muzykaliów klasztoru ss. Benedyktynek w Staniątkach:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Polish |
| Veröffentlicht: |
Kraków
Musica Iagellonica
2016
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Literaturverzeichnis Abstract |
| Beschreibung: | "Katalog muzykaliów"--Pages 176-367 |
| Beschreibung: | 418 Seiten Illustrationen, Notenbeispiele 24cm |
| ISBN: | 9788370992149 |
Internformat
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| 245 | 1 | 0 | |a Monografia zespołu muzycznego oraz katalog muzykaliów klasztoru ss. Benedyktynek w Staniątkach |c pod redakcją Marcina Konika |
| 264 | 1 | |a Kraków |b Musica Iagellonica |c 2016 | |
| 300 | |a 418 Seiten |b Illustrationen, Notenbeispiele |c 24cm | ||
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| 337 | |b n |2 rdamedia | ||
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| 500 | |a "Katalog muzykaliów"--Pages 176-367 | ||
| 505 | 8 | |a Includes bibliographical references (pages 308-414) | |
| 546 | |a Zusammenfassung in englischer Sprache | ||
| 610 | 1 | 4 | |a Opactwo Benedyktynek w Staniątkach (Staniątki, Poland) / Archives |
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Datensatz im Suchindex
| _version_ | 1804178133522317312 |
|---|---|
| adam_text | Spís tresci
1. Wstçp............................................................. 7
1.1. Wprowadzenie ............................................... 7
1.2. Dotychczasowy stan badañ..................................... 10
1.3. Metodología.................................................. 14
1.4. Podziçkowania ............................................... 16
2. Zycie muzyczne .................................................... 18
2.1. Muzyka liturgiczna (Jakub Kubieniec)......................... 18
2.1.1. Ksiçgi przedtrydenckie ................................ 19
2.1.2. Antyfonarze potrydenckie............................... 22
2.1.3. Gradualy............................................... 36
2.1.4. Ksiçgi rozne i osobliwosci............................. 43
2.1.5. Notacja — praktyka wykonawcza.......................... 46
2.2. Formy zycia muzycznego ..................................... 49
2.2.1. Muzyka w zyciu zakonnym................................ 49
2.2.2. Kapela muzyczna........................................ 62
2.2.3. Muzyka w Stani^tkach po likwidacji kapeli.............. 86
2.3. Repertuar swieckiej kapeli wokalno-instrumentalnej (Maciej
Jochymczyk)................................................. 90
2.3.1. Datowanie rçkopisôw ................................... 91
2.3.2. Kopisci.............................................. 94
2.3.3. Kompozytorzy........................................... 98
2.3.4. Problemy atrybucji................................... 100
2.3.5. Kontrafaktury .........................................106
2.3.6. Obsada i wymagania wykonawcze..........................115
2.3.7. Gatunki i ich przeznaczenie ...........................123
2.3.8. Podsumowanie — zbiór stani^tecki na tie repertuaru innycb
kapel klasztornych............................................128
6
Spis tresci
3. Analiza. Baza danych i analiza skomputeryzowana...................131
3.1. Baza danych .................................................131
3.1.1. Wprowadzenie...........................................131
3.1.2. Struktura bazy.........................................132
3.1.3. R^kopisy...............................................135
3.1.4. Transkrypcje ..........................................136
3.1.5. Narz^dzia analityczne .................................141
3.2. Narz^dzia skomputeryzowanej analizy „Humdrum”................143
3.3. Analiza .....................................................150
3.3.1. Melodyka...............................................151
3.3.2. Faktura ...............................................156
3.3.3. Wspólbrzmienia i tonalnosc ............................165
3.3.4. Metro-rytmika..........................................174
3.3.5. Podsumowanie...........................................176
4. Katalog muzykaliów................................................180
4.1. R^kopisy liturgiczne ........................................180
4.2. Katalog kancjonalów..........................................253
4.3. Muzykalia po kapeli stani^teckiej............................307
5. Aneksy ...........................................................368
Bibliografía......................................................... . 408
Summary..............................................................415
Bibliografía
Teksty zródlowe:
W wykazie bibliogr aficznym zródel ponimiento muzykalia stanigteckic. W wykazie
archiwaliów uwxglgdniono dokumenty, które wykorzystano w pracy (nawet jesli nie
sg bezposrednio cytowane w tekscie). Pomini^to archiwalia poddane w trakcie badañ
analizie, w efekde której ustalono, ze nie wnosz^ nowych informaeji na temat zyeia
muzyeznego (sq. to glównie ksi^gi rachunkowe, w których nie udalo si§ odnalezc za-
pisów dotyczgcych muzyki i muzyków, korespondeneja, inwentarze, inne dokumen-
ty). Dokumenty pochodzgce z archiwum ss. benedyktynek w Stani^tkach oznaezono
za pomoc^ skrótu ABS.
1) R^kopisy i druki muzyezne
Antiphonarium Cracoviense, Bibl. kap., ms. 47.
Antiphonarium monasticum z opactwa sw. Ulryka i Afry w Augsburgu, 1501, Mona-
chium, Bayerische Staatsbibliothek, Clm 4306.
Antiphonarium Plocense, Plock, Biblioteka Seminarium Duchownego, ms. 35.
Antiphonarium Romanum, Venetia 1596.
Antiphonarium Romanum (Frisigense), Ingolstadt 1617.
Antiphonarium Romanum, Cracoviae 1645.
Antiphonarium Romanum, Lugduni 1760.
Antiphonarium Romanum geschikt om de Vesperen te zingen in de Roomsch-Catholyke
Kerken, Amsterdam 1796.
Antyfonarz Mseist aw a, Warszawa, Biblioteka Narodowa, rkp. 12720 V, olim
Akc. 10808.
Breviarium Benedictinum ex Romano restitutum, Pauli Quintipontifici maximi auctor-
itate approbatum, Rorschachii 1614.
Breviarium Benedictinum Mellicense, Nürnberg ok. 1500.
Breviarium monasticum secundum ritum et morem monachorum ordinis sancti benedicti
de observantia Cassinnsis congregatioms alias Sancte lustine, Venetiis 1506.
Bibliografía
409
Gradúale opata Mscislawa z Tyñca, ok. 1400, Warszawa, Biblioteka Narodowa, rkp.
12722.
Gradúale, opactwo w Tegernsee, XV w., Monachium, Bayerische Staatsbibliothek,
Clm 19267.
Gradúale cisterciensey ok. 1320, Wroclaw, Biblioteka Uniwersytecka, IF 413.
Gradúale Cracoviense, XV w., Kraków, Biblioteka Krakowskiej Kapituly Katedralnej,
ms. 45.
Gradúale Romanum, Cracoviae, Andrzej Piotrkowczyk, 1600.
Gradúale Romanum, Romae, Typographia Medicea, 1614.
Gradúale Romanum, Ingolstadii, W. Eder, 1630.
Gradúale tynieckie, XV w., Warszawa, Biblioteka Narodowa, rkp. 12721.
[Himnarium], Opactwo Sióstr Benedyktynek w Przemyslu, Prz 7.
[Kancjonal L 1642], Biblioteka Diecezjalna w Sandomierzu [8 ksi^g glosowych].
[Ksi^zka organowa], Opactwo Sióstr Benedyktynek w Przemyslu, Prz 10.
[Ksi^zka organowa], Opactwo Sióstr Benedyktynek w Przemyslu, Prz 11.
[Ksi^zka organowa], Opactwo Sióstr Benedyktynek w Przemyslu, Prz lia.
Manuale Chori seu Vesperale Romanum... ad usum diócesis Basiliensis, Bruntruti 1785.
Rotuly, kancjonal benedyktynek lwowskich, Lwowska Narodowa Naukowa Bibliote-
ka Ukrainy im. Wasyla Stefanyka, M Ben 75.
Supplementum ad antiphonale romanum, Antverpiae, J. Verdussen, 1711.
2) Archiwalia
a) Spisy, inwentarze (ABS)
[Ewidencja sióstr zakonnych], luzne akta, inw. 361, top. 924.
Inwentar des Vermögens der Benediktiner Nonnen Conventus zu Staniqtki [...], inw. 653,
top. A 164.
Inwentarz archiwum, 1802, inw. 1396, top. 259.
Inwentarz koscioia i klasztoru, 1786, inw. 649, top. 198.
Inwentarz Koscioia y Klasztoru Staniqteckiego Z Rozkazu Nayprzewielebnieyszey w
BoguJeymci Fanny MaryannyJozefyJordanowny Tegoz KonwentuXigni. R.P.l766.
Spisany, inw. 648, top. 220.
Konsygnacya Zostaiqcych Instrumentow Klasztornychprzy Kapelli Staniqteckiej na dniu
9. Miesiqca Pazdziernika 807. Roku Spisana, inw. 651, top. A 165.
Famine smierci btogoslawionych fundatorów, xien i wszystkich sióstr zakonnych Zgroma-
dzenia staniqteckiego [...] R. P 1778, inw. 553, top. 710.
Regestr siostr zakonu swigtego oyca Benedykta Panien Klasztoru Staniqteckiego [...], inw.
552, top. 222.
Rejestr ksiqzek znajdujqcych si$ w Bibliotece Klasztoru Staniqteckiego 1762, inw. 1401,
top. 776.
Spis wszystkich papierów w archiwum, 1887—1889, inw. 1398, top. 68.
Summaryusz znajduyqcych sigpapieröw w Archiwum [...], 1802-1803, inw. 1397, top.
755.
410
Bibliografía
b) Dokumenty ksiçgowe (ABS — uklad chronologiczny)
Reiestrpinedzy [...], [1712-1720], inw. 674, top. 848.
[Przychody], [1741-1744], inw. 675, top. 193.
Expensa [...], [1748-1750],inw. 677, top.214.
Reiestr expensy [...], [1755], inw. 678, top. 216.
ReiestrExpensy [...], [1761], inw. 676, top. 203.
Reiestr expensy [...], [1762], inw. 679, top. 215.
[Reiestr expensy, 1777], inw. 680, top. 815.
Reiestr expensy [...], [1780-1784], inw. 681, top. 838.
Reiestr expensy [...], 1785-1786, inw. 682, top. 688.
Reiestr Expensy [...], [1788-1793], inw. 683, top. 199.
Reiestr Expensy [...], [1793-1798], inw. 684, top. 724.
[Przychody], [1793-1799], inw. 685, top. 718.
Reiestr Widatkow [...], [1799-1805], inw. 686, top. 723.
[Przychody i rozchody], [1810-1927], akta luzne, inw. 687, top. A 150.
[Przychody i rozchody], [1827-1861], kilka tomów, inw. 689, top. 919; inw. 690, top.
363; inw. 691, top. 329; inw. 692, top. 330.
[Kosztorys budowy organów], [1881], luzna karta w teczce dokumentôw, inw. 651,
top. A 165.
[Kwit potwierdzaj^cy odbiôr zaplaty za budowç organów], [1882], luzna karta w
teczce dokumentôw, inw. 651, top. A 165.
[Opis napraw organów Grocholskiego], [1882-1897], poszyt w teczce dokumentôw,
inw. 651, top. A 165.
c) Kroniki (ABS)
Anna Kiernicka, Dzieje klasztorne odfundacyi az dotqd...y inw. 203, top. 705.
Kronika klasztoru staniqteckiego za czasów P.X.Z.L. Baryszewskiej. Na imieniny zebra-
na z dawnych kronik klasztornych, 1.1, inw. 207, top. 720.
Kronika klasztoru staniqteckiego za czasów PX.Z.L. Baryszewskiej. Na imieniny zebra-
na z dawnych kronik klasztornych, t. II, inw. 208, top. 721.
Kronika klasztoru staniqteckiego z czasów przelozenstwa Najprzew D PKsieni Genowe-
fy A Lazowskiej, t. III, inw. 209, top. 723.
Niektôre wiadomosci o blogoslawionych Fundatorach i o kosciele klasztoru Panien Bene~
dyktynek w Staniqtkach, inw. 205, top. 739.
d) Inné
Acta Conventus Clari Montis Czçstochoviensisy Archiwum oo. Paulinów na Jasnej Gô-
rze, sygn. AJG 196.
Reformationesgenerales monialium S Benedicti tn conventu Stamatec [...], inw. 233, top.
53.
Reforma zycia zakonnegoprzez Wizyty duchowne, inw. 234, top. 715.
Bibliografia
411
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Bosse, Detlev, Untersuchung einstimmiger mittelalterlicher Melodien zum Gloria in ex-
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Bratkowski,Tadeusz, Polskie spiewy religijne zu XVII i XVHI-wiecznych r$kopisach mu-
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D^bek, Stanislaw, Wieloglosowy repertuar kancjonalöw staniqteckich (XVI—XVII w.),
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Feicht, Hieronim, Polifonia renesansu, Krakow, 1962.
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Jonásová, Milada, Italské operní árie v repertoáru küru katedmly sv. Vita v Praze.
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Judd, Cristle Collins, Reading Renaissance Music Theory: Hearing with the Eyes, Cam-
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Klugseder, Robert, Quellen des gregorianischen Choralsfardas Offizium adus dem Kloster
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Kolak, Waclaw, Marecki OFMCap, Józef, Radon, Slawomir, Inwentarz Archiwum
Benedyktynek w Staniqtkach, Krakow, 2003.
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Krumhansl, Carol, Bharucha, Jamshed, Kessler, Edward, Perceived Harmonie Struc-
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Le Bachelet, Xavier, Le Bienheureux Robert Bellarmin et les ordres religieux, „Grego-
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Summary
The St. Wojciech Abbey in Stani^tki is the oldest Polish female monastery. Its 800
anniversary falls in in 2016, although the precise date of foundation is not known. The
contemporary researchers tend to move the date of convent establishment, transferred
by the tradition, to 1228 or even a bit later. The convent of Stani^tki is an extraordinary
phenomenon, both due to its uninterrupted persistence and its culture-creative role.
Huge collection of works of sacred art, liturgical appliances as well as the architectural
foundation and other aspects of material and spiritual heritage of the monastery have
resulted in unflagging interest of researchers over many years. Among papers repre-
senting such branches as history, history of art, architecture, genealogy and others, one
can also find elaborations related to selected aspect of musical life. The rich heritage
of the abbey in this regard, and in particular the priceless music sources, encourage to
take a better look at the history of musical culture of Stani^tki.
The aim of the hereby work is to outline the synthetic view of the history of
music, basing on analysis of source material available in the rich archive of Sisters
Benedictines of Stani^tki. The research resulting in the hereby monograph was of
source character. It means that archives and musical items themselves were taken
into consideration first, so that the conclusion was based upon them. Of course, we
refer also to the existing literature, yet it shall be emphasized that even when our
conclusions corroborate the previous findings, they have been formulated basing on
source analysis. Thanks to such an approach, it was i.a. possible to shift the period
of establishment of the ensemble previously present in the literature by at least few
years versus the date of its official foundation in 1750.
During the source research, the following sources were subjected to analysis:
1. Musical sources:
(a) liturgical manuscripts,
(b) hymnbooks,
(c) vocal-instrumental music,
2. Archive sources:
(a) account books,
(b) monastery chronicles,
(c) inventories, anniversaries, catalogs,
(d) other documentation.
416
Summary
The work was divided into few stages. Maintenance and archiving work was car-
ried out first, including i.a. full digitalization of musical sources as well as of selected
archive sources of the highest importance. The digitalization of musical works was
carried out by the performers of the grant, following the guidelines of the National
Audiovisual Archive and the National Institute for Museums and Public Collec-
tions. The necessary digitalization of archive material was also done in order to enable
the team conducting the further analysis. Part of the most interesting archive material
was digitalized under similar rules as the musical material and has been made available
in the digital library. One of the key methods of sharing the results of the research
assumed for this project was establishing the database in the form of digital library of
the abbey. Our aim was to make available, as much as possible, not only the outcome of
our own reflection of the repertoire but also to initiate further research through sharing
the source material with the possibly biggest number of researchers. In the effect, the
digital library was established, allowing to acquaint with the entire musical material
researched by us (as well as with the most important archives) and confronting it with
the presented monograph. Assuming that only properly organized research data can
become the starting point for further analysis, we have adopted the metadata standard
to describe musical works. Taking into account the flexibility and the common char-
acter of the standard, Dublin Core DCMI was selected. It was therefore DCMI that
was applied to structure the data in the presented catalogue, while the musical works of
the ensemble were included into RISM basis. In order to enable further utilization of
obtained data, it was shared in the form of .csv files in the database.
Over the whole Middle Ages the liturgy of the Western Church, in spite of its
generally unique structure, was characterized by fascinating variety. Sets of songs,
readings and prayers — similar in their general outline, yet unrepeatable in details —
were formed in almost each diocese. Also particular Benedictines abbeys usually
used their own form of liturgy. Unfortunately, in case of Stankgki this medieval
tradition is represented by only a single, three-volume book — the Antiphonary
of 1535. Other sources present the Stani^tki Titus et caerimoniae after the “Roman-
ization”, to which almost the whole Western Church liturgy was subjected in the
16th and 17th century. The collection of chorus books of Stani^tki, although mostly
comprising of relatively late sources — usually ignored and omitted by the liturgists
and musicologists — represents a particularly numerous and precious set of musical
liturgical works deriving from one source. It enables following up the traditions of
the Sisters from the middle ages up to the 20th century, when usage of printed books
and Vatican edition became more common. The register of songs attached in 1959 to
BSt 8 includes such remarks as: „until now, i.e. in 1959, the songs are still performed
as per the melodies of this book”, ,,we immediately go down from the choir to the
chapel and we sing from this book”. The endurance, original character and vitality of
this tradition which survived historical catastrophes, cultural changes and following
liturgical reforms inspires admiration and appreciation.
The rich musical culture of the convent in Staniatki took various forms over the
ages. The basis of the music life was the sung officium. At least since the 2nd half of
Summary
417
the 16th century (but most probably already earlier) the officium singing was accom-
panied by organs. According to the post-visit advices issued by bishop prince Jerzy
Radziwill in 1597, two instruments were present at the monastery at that time. One
was placed in the church while the other one at the monastery choir. A particularly
interesting issue is the question of potential involvement of the nuns in performing
vocal-instrumental music by the ensemble. For instance, in 18th century there was a
group of nuns admitted to the order in Sandomierz without the dowry due to their
musical talents. Moreover, the rhythm of their days was slightly different from the
other nuns: they were sometimes released from canonic time to be able to prepare
for performance. Unfortunately, there is no available data enabling us to conclude on
such habits among the sisters from Stani^tki. Nevertheless, through combining some
facts, one can come to conclusion that, similar to the case of Sandomierz, the sisters
might have actively participated in performing vocal-instrumental music.
The establishment of the ensemble upon the order of abbess Malachowska in
1750 started a new chapter in the history of music in the Stani^tki convent. Unfortu-
nately, very little information about the ensemble and its activity has been preserved
in the sources. For instance, there is lack of documents regulating the relations be-
tween the monastery and the musicians, such as the ones known from other centers
(e.g. Jasna Gora), The document of ensemble foundation (if any such one was ever
issued) did not survive until now either. Therefore, the main sources of our knowl-
edge about the ensemble and its musicians are the account books of the convent.
Unfortunately, they do not cover the entire period of activity of the Stani^tki ensem-
ble which, according to the preserved sources, covered an almost one-hundred-years
long interval between 1750 and 1849. A particularly intense problem is related to
the lack of books from the year of ensemble’s dissolution — analysis of expenditures
from this period might possibly allow to point out at direct background for retrieving
from maintaining the fixed composition of the ensemble. On the other hand, we for-
tunately possess the account books from the year of ensemble s foundation, allowing
us to conclude that the decision of abbess Malachowska was a response to the grow-
ing requirement of the convent. It is worth mentioning that the convent of Stanigtki
maintained the ensemble in the particularly difficult period, when historical disasters
entailed significant impoverishment of the monastery.
The personal composition of the ensemble in the 2nd half of the 18th century
was not subject to any major changes. In accordance with the assumptions of abbess
Malachowska, these were usually 4 musicians, included in the payroll at least since
1755. In 1755 and 1761-62, the convent employed four musicians (,,Za Suchedni
Cztyrema Muzykantqm”), as well as an organist and a cantor, remunerated in the
amount of 32 zloty per quarter in total (i.e. 8 zloty each, unless — as later prac-
tice may suggest — the salaries were not equal). Further on, in the years 1777—78,
1780—86,1788-89 there were only three ones, except of the organist and the cantor.
At the end of 1783, the ensemble composition grew again to four musicians, yet
already in January 1784 these were again only three. Major changes in ensemble’s
composition took place only at the beginning of the 19th century.
418
Summary
The collection of notes remained by the vocal-instrumental ensemble
from Staniqtki is one of the most precious among Polish collections of monastic
origin. It comprises of about 200 handwritings including over 240 works. Quoting
precise number is not possible since a certain, small number of manuscripts has only
residually remained, while in case of part of the sources we do not know whether
they were performed by the ensemble or were created only for the sisters themselves
or for the needs of educational activity carried out by the monastery (same referring
in particular to the pool of handwritings without signatures, including i.a. late copies
of piano compositions of didactic character). Thanks to the fact that the monastery
was never dissolved, musical works are still kept in the same place where they were
created and used. This situation is rather uncommon in Poland and the closest analo-
gy recalls the collection of Paulines from Jasna Gora. For sure the stability of condi-
tions and the dedicated care of the collection in the 20th century led to the fact that
nowadays the musical handwriting are complete and in good condition.
In the analytic part dedicated to the repertoire of the songs, the most recent
techniques of computerized analysis, developed in the Center for Computer Assisted
Research in the Humanities of Stanford University, were applied.
Bayerische
aatsbibliothek
y
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| spelling | Monografia zespołu muzycznego oraz katalog muzykaliów klasztoru ss. Benedyktynek w Staniątkach pod redakcją Marcina Konika Kraków Musica Iagellonica 2016 418 Seiten Illustrationen, Notenbeispiele 24cm txt rdacontent n rdamedia nc rdacarrier "Katalog muzykaliów"--Pages 176-367 Includes bibliographical references (pages 308-414) Zusammenfassung in englischer Sprache Opactwo Benedyktynek w Staniątkach (Staniątki, Poland) / Archives Opactwo Benedyktynek w Staniątkach (Staniątki, Poland) fast Kloster Staniątki (DE-588)4528847-1 gnd rswk-swf Church music / Poland / Staniątki Sacred vocal music / Catalogs Church music fast Sacred vocal music fast Kirchenmusik (DE-588)4030736-0 gnd rswk-swf Poland / Staniątki fast (DE-588)4163417-2 Katalog gnd-content Kloster Staniątki (DE-588)4528847-1 b Kirchenmusik (DE-588)4030736-0 s DE-604 Konik, Marcin 1980- (DE-588)1035171503 edt Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030076670&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030076670&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030076670&sequence=000003&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Monografia zespołu muzycznego oraz katalog muzykaliów klasztoru ss. Benedyktynek w Staniątkach Includes bibliographical references (pages 308-414) Opactwo Benedyktynek w Staniątkach (Staniątki, Poland) / Archives Opactwo Benedyktynek w Staniątkach (Staniątki, Poland) fast Kloster Staniątki (DE-588)4528847-1 gnd Church music / Poland / Staniątki Sacred vocal music / Catalogs Church music fast Sacred vocal music fast Kirchenmusik (DE-588)4030736-0 gnd |
| subject_GND | (DE-588)4528847-1 (DE-588)4030736-0 (DE-588)4163417-2 |
| title | Monografia zespołu muzycznego oraz katalog muzykaliów klasztoru ss. Benedyktynek w Staniątkach |
| title_auth | Monografia zespołu muzycznego oraz katalog muzykaliów klasztoru ss. Benedyktynek w Staniątkach |
| title_exact_search | Monografia zespołu muzycznego oraz katalog muzykaliów klasztoru ss. Benedyktynek w Staniątkach |
| title_full | Monografia zespołu muzycznego oraz katalog muzykaliów klasztoru ss. Benedyktynek w Staniątkach pod redakcją Marcina Konika |
| title_fullStr | Monografia zespołu muzycznego oraz katalog muzykaliów klasztoru ss. Benedyktynek w Staniątkach pod redakcją Marcina Konika |
| title_full_unstemmed | Monografia zespołu muzycznego oraz katalog muzykaliów klasztoru ss. Benedyktynek w Staniątkach pod redakcją Marcina Konika |
| title_short | Monografia zespołu muzycznego oraz katalog muzykaliów klasztoru ss. Benedyktynek w Staniątkach |
| title_sort | monografia zespolu muzycznego oraz katalog muzykaliow klasztoru ss benedyktynek w staniatkach |
| topic | Opactwo Benedyktynek w Staniątkach (Staniątki, Poland) / Archives Opactwo Benedyktynek w Staniątkach (Staniątki, Poland) fast Kloster Staniątki (DE-588)4528847-1 gnd Church music / Poland / Staniątki Sacred vocal music / Catalogs Church music fast Sacred vocal music fast Kirchenmusik (DE-588)4030736-0 gnd |
| topic_facet | Opactwo Benedyktynek w Staniątkach (Staniątki, Poland) / Archives Opactwo Benedyktynek w Staniątkach (Staniątki, Poland) Kloster Staniątki Church music / Poland / Staniątki Sacred vocal music / Catalogs Church music Sacred vocal music Kirchenmusik Poland / Staniątki Katalog |
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