Cinema, Space, and Polylocality in a Globalizing China:
In this milestone work, prominent China film scholar Yingjin Zhang proposes "polylocality" as a new conceptual framework for investigating the shifting spaces of contemporary Chinese cinema in the age of globalization. Questioning the national cinema paradigm, Zhang calls for comparative s...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2009]
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| Schlagworte: | |
| Online-Zugang: | FHA01 FKE01 FLA01 UBG01 UPA01 FAW01 FAB01 FCO01 Volltext |
| Zusammenfassung: | In this milestone work, prominent China film scholar Yingjin Zhang proposes "polylocality" as a new conceptual framework for investigating the shifting spaces of contemporary Chinese cinema in the age of globalization. Questioning the national cinema paradigm, Zhang calls for comparative studies of underdeveloped areas beyond the imperative of transnationalism.The book begins by addressing theories and practices related to space, place, and polylocality in contemporary China before focusing on the space of scholarship and urging scholars to move beyond the current paradigm and explore transnational and comparative film studies. This is followed by a chapter that concentrates on the space of production and surveys the changing landscape of postsocialist filmmaking and the transformation of China’s urban generation of directors. Next is an examination of the space of polylocality and the cinematic mappings of Beijing and a persistent "reel" contact with polylocality in hinterland China. In the fifth chapter Zhang explores the space of subjectivity in independent film and video and contextualizes experiments by young directors with various documentary styles. Chapter 6 calls attention to the space of performance and addresses issues of media and mediation by way of two kinds of playing: the first with documentary as troubling information, the second with piracy as creative intervention. The concluding chapter offers an overview of Chinese cinema in the new century and provides production and reception statistics.Combining inspired critical insights, original observations, and new information, Cinema, Space, and Polylocality in a Globalizing China is a significant work on current Chinese film and a must-read for film scholars and anyone seriously interested in cinema more generally or contemporary Chinese culture |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Nov 2017) |
| Beschreibung: | 1 online resource 34 illus |
| ISBN: | 9780824837709 |
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| 520 | |a In this milestone work, prominent China film scholar Yingjin Zhang proposes "polylocality" as a new conceptual framework for investigating the shifting spaces of contemporary Chinese cinema in the age of globalization. Questioning the national cinema paradigm, Zhang calls for comparative studies of underdeveloped areas beyond the imperative of transnationalism.The book begins by addressing theories and practices related to space, place, and polylocality in contemporary China before focusing on the space of scholarship and urging scholars to move beyond the current paradigm and explore transnational and comparative film studies. This is followed by a chapter that concentrates on the space of production and surveys the changing landscape of postsocialist filmmaking and the transformation of China’s urban generation of directors. Next is an examination of the space of polylocality and the cinematic mappings of Beijing and a persistent "reel" contact with polylocality in hinterland China. In the fifth chapter Zhang explores the space of subjectivity in independent film and video and contextualizes experiments by young directors with various documentary styles. Chapter 6 calls attention to the space of performance and addresses issues of media and mediation by way of two kinds of playing: the first with documentary as troubling information, the second with piracy as creative intervention. The concluding chapter offers an overview of Chinese cinema in the new century and provides production and reception statistics.Combining inspired critical insights, original observations, and new information, Cinema, Space, and Polylocality in a Globalizing China is a significant work on current Chinese film and a must-read for film scholars and anyone seriously interested in cinema more generally or contemporary Chinese culture | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Zhang, Yingjin |
| author_facet | Zhang, Yingjin |
| author_role | aut |
| author_sort | Zhang, Yingjin |
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| dewey-full | 792.0951 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.0951 |
| dewey-search | 792.0951 |
| dewey-sort | 3792.0951 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| spelling | Zhang, Yingjin aut Cinema, Space, and Polylocality in a Globalizing China Yingjin Zhang Honolulu University of Hawaii Press [2009] © 2009 1 online resource 34 illus txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Nov 2017) In this milestone work, prominent China film scholar Yingjin Zhang proposes "polylocality" as a new conceptual framework for investigating the shifting spaces of contemporary Chinese cinema in the age of globalization. Questioning the national cinema paradigm, Zhang calls for comparative studies of underdeveloped areas beyond the imperative of transnationalism.The book begins by addressing theories and practices related to space, place, and polylocality in contemporary China before focusing on the space of scholarship and urging scholars to move beyond the current paradigm and explore transnational and comparative film studies. This is followed by a chapter that concentrates on the space of production and surveys the changing landscape of postsocialist filmmaking and the transformation of China’s urban generation of directors. Next is an examination of the space of polylocality and the cinematic mappings of Beijing and a persistent "reel" contact with polylocality in hinterland China. In the fifth chapter Zhang explores the space of subjectivity in independent film and video and contextualizes experiments by young directors with various documentary styles. Chapter 6 calls attention to the space of performance and addresses issues of media and mediation by way of two kinds of playing: the first with documentary as troubling information, the second with piracy as creative intervention. The concluding chapter offers an overview of Chinese cinema in the new century and provides production and reception statistics.Combining inspired critical insights, original observations, and new information, Cinema, Space, and Polylocality in a Globalizing China is a significant work on current Chinese film and a must-read for film scholars and anyone seriously interested in cinema more generally or contemporary Chinese culture In English Motion pictures and globalization China History Motion pictures Production and direction China Motion pictures China History 20th century Space and time in motion pictures Raum Motiv (DE-588)4225698-7 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf China (DE-588)4009937-4 g Film (DE-588)4017102-4 s Raum Motiv (DE-588)4225698-7 s 1\p DE-604 https://www.degruyter.com/doi/book/10.21313/9780824837709 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Zhang, Yingjin Cinema, Space, and Polylocality in a Globalizing China Motion pictures and globalization China History Motion pictures Production and direction China Motion pictures China History 20th century Space and time in motion pictures Raum Motiv (DE-588)4225698-7 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4225698-7 (DE-588)4017102-4 (DE-588)4009937-4 |
| title | Cinema, Space, and Polylocality in a Globalizing China |
| title_auth | Cinema, Space, and Polylocality in a Globalizing China |
| title_exact_search | Cinema, Space, and Polylocality in a Globalizing China |
| title_full | Cinema, Space, and Polylocality in a Globalizing China Yingjin Zhang |
| title_fullStr | Cinema, Space, and Polylocality in a Globalizing China Yingjin Zhang |
| title_full_unstemmed | Cinema, Space, and Polylocality in a Globalizing China Yingjin Zhang |
| title_short | Cinema, Space, and Polylocality in a Globalizing China |
| title_sort | cinema space and polylocality in a globalizing china |
| topic | Motion pictures and globalization China History Motion pictures Production and direction China Motion pictures China History 20th century Space and time in motion pictures Raum Motiv (DE-588)4225698-7 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Motion pictures and globalization China History Motion pictures Production and direction China Motion pictures China History 20th century Space and time in motion pictures Raum Motiv Film China |
| url | https://www.degruyter.com/doi/book/10.21313/9780824837709 |
| work_keys_str_mv | AT zhangyingjin cinemaspaceandpolylocalityinaglobalizingchina |