The World in Venice: Print, the City, and Early Modern Identity
Positing a dynamic relationship between print culture and social experience, Bronwen Wilson's The World in Venice focuses on the printed image during a century of profound transformation. City views, costume illustrations, events, and portraits of locals and foreigners are brought together to s...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2017]
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| Schriftenreihe: | Studies in Book and Print Culture
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| Schlagworte: | |
| Online-Zugang: | DE-859 DE-860 DE-473 DE-739 DE-1046 DE-1043 DE-858 Volltext |
| Zusammenfassung: | Positing a dynamic relationship between print culture and social experience, Bronwen Wilson's The World in Venice focuses on the printed image during a century of profound transformation. City views, costume illustrations, events, and portraits of locals and foreigners are brought together to show how printmakers responded to an expanding image of the world in Renaissance Venice, and how, in turn, prints influenced the ways in which individuals thought about themselves.Woodcuts and engravings of cities and inhabitants of Europe, and those of distant lands, initiated a sudden and pervasive experience with alterity that redefined the relations of Europeans to the world. By condensing the world into pictures, print enabled a radically novel and vicarious experience of others. Wilson explores the overlapping and evolving relations between space, vision, print, and identity, and engages with current scholarly debates concerning ethnicities, gender and geography, copies and originals, travel, nationhood, fashion, urban life, visuality, and the body.Venice was one of the largest cities in Renaissance Europe, a trading crossroads, and a centre of print. The World in Venice shows how Venetian identity came to be envisioned within the growing global context that print constructed for it |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 13. Sep 2017) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781442682573 |
| DOI: | 10.3138/9781442682573 |
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Datensatz im Suchindex
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| dewey-ones | 769 - Prints |
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| dewey-tens | 760 - Printmaking & prints |
| discipline | Kunstgeschichte |
| doi_str_mv | 10.3138/9781442682573 |
| era | Geschichte 1500-1800 gnd Geschichte 1500-1600 gnd |
| era_facet | Geschichte 1500-1800 Geschichte 1500-1600 |
| format | Electronic eBook |
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| spelling | Wilson, Bronwen aut The World in Venice Print, the City, and Early Modern Identity Bronwen Wilson Toronto University of Toronto Press [2017] © 2004 1 online resource txt rdacontent c rdamedia cr rdacarrier Studies in Book and Print Culture Description based on online resource; title from PDF title page (publisher's Web site, viewed 13. Sep 2017) Positing a dynamic relationship between print culture and social experience, Bronwen Wilson's The World in Venice focuses on the printed image during a century of profound transformation. City views, costume illustrations, events, and portraits of locals and foreigners are brought together to show how printmakers responded to an expanding image of the world in Renaissance Venice, and how, in turn, prints influenced the ways in which individuals thought about themselves.Woodcuts and engravings of cities and inhabitants of Europe, and those of distant lands, initiated a sudden and pervasive experience with alterity that redefined the relations of Europeans to the world. By condensing the world into pictures, print enabled a radically novel and vicarious experience of others. Wilson explores the overlapping and evolving relations between space, vision, print, and identity, and engages with current scholarly debates concerning ethnicities, gender and geography, copies and originals, travel, nationhood, fashion, urban life, visuality, and the body.Venice was one of the largest cities in Renaissance Europe, a trading crossroads, and a centre of print. The World in Venice shows how Venetian identity came to be envisioned within the growing global context that print constructed for it In English Geschichte 1500-1800 gnd rswk-swf Geschichte 1500-1600 gnd rswk-swf DISCOUNT-B. Druck (DE-588)4013083-6 gnd rswk-swf Druckgrafik (DE-588)4113357-2 gnd rswk-swf Buch (DE-588)4008570-3 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Venedig (DE-588)4062501-1 gnd rswk-swf Venedig (DE-588)4062501-1 g Buch (DE-588)4008570-3 s Druckgrafik (DE-588)4113357-2 s Geschichte 1500-1600 z 1\p DE-604 Kultur (DE-588)4125698-0 s Geschichte 1500-1800 z 2\p DE-604 Druck (DE-588)4013083-6 s 3\p DE-604 https://doi.org/10.3138/9781442682573 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Wilson, Bronwen The World in Venice Print, the City, and Early Modern Identity DISCOUNT-B. Druck (DE-588)4013083-6 gnd Druckgrafik (DE-588)4113357-2 gnd Buch (DE-588)4008570-3 gnd Kultur (DE-588)4125698-0 gnd |
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| title | The World in Venice Print, the City, and Early Modern Identity |
| title_auth | The World in Venice Print, the City, and Early Modern Identity |
| title_exact_search | The World in Venice Print, the City, and Early Modern Identity |
| title_full | The World in Venice Print, the City, and Early Modern Identity Bronwen Wilson |
| title_fullStr | The World in Venice Print, the City, and Early Modern Identity Bronwen Wilson |
| title_full_unstemmed | The World in Venice Print, the City, and Early Modern Identity Bronwen Wilson |
| title_short | The World in Venice |
| title_sort | the world in venice print the city and early modern identity |
| title_sub | Print, the City, and Early Modern Identity |
| topic | DISCOUNT-B. Druck (DE-588)4013083-6 gnd Druckgrafik (DE-588)4113357-2 gnd Buch (DE-588)4008570-3 gnd Kultur (DE-588)4125698-0 gnd |
| topic_facet | DISCOUNT-B. Druck Druckgrafik Buch Kultur Venedig |
| url | https://doi.org/10.3138/9781442682573 |
| work_keys_str_mv | AT wilsonbronwen theworldinveniceprintthecityandearlymodernidentity |